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Antoine Vollon
Antoine Vollon (23 April 1833 – 27 August 1900) was a French Realism (arts), realist artist, best known as a painting, painter of still lifes, landscape art, landscapes, and figure painting, figures. During his lifetime, Vollon was a successful celebrity, enjoyed an excellent reputation, and was called a "painter's painter." In 2004, New York's then-PaceWildenstein gallery suggested that his "place in the history of French painting has still not been properly assessed." Family and early years Vollon was born the son of an ornamental craftsman in Lyon, France. He taught himself to paint. He began an apprenticeship to an engraving, engraver in metal, and studied under Jehan Georges Vibert at the École des Beaux-Arts in Lyon from 1850 to 1853 to become a printing, printmaker. He then worked at decorating vitreous enamel, enamelled pans and stoves. In 1860 he and Marie-Fanny Boucher married and later had two children, Alexis and Marguerite. Paris and becoming a painter In 1859 he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Petit (photographer)
:''Pierre Petit is not to be confused with (Jean) Pierre Yves-Petit (1886–1969), another French photographer who usually operated under the name Yvon''. Pierre Lanith Petit (15 August 1832 – 16 February 1909) was a French photographer. He is sometimes credited as Pierre Lamy Petit. Work Petit learned photography in Paris in the workshop of André-Adolphe-Eugène Disdéri (1819–1889) (together with 76 other employees). In 1858, he opened his own workshop in Paris with Antoine René Trinquart, later to be called ''La Photographie des Deux Mondes''. This proved to be very successful and workshops were opened in Baden-Baden and Marseille (in partnership with Emile Cazalis). In his lifetime he made thousands of photographs. In 1908 he handed over the business to his son. Some highlights in Petit's career: * He was the official photographer of the ''International Exposition of 1867''. * He went to New York City several times to report on the construction of the Statue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dutch Golden Age Painting
Dutch Golden Age painting is the painting of the Dutch Golden Age, a period in Dutch history roughly spanning the 17th century, during and after the later part of the Eighty Years' War (1568–1648) for Dutch independence. The new Dutch Republic was the most prosperous nation in Europe and led European trade, science, and art. The northern Netherlandish provinces that made up the new state had traditionally been less important artistic centres than cities in Flanders in the south. The upheavals and large-scale transfers of population of the war, and the sharp break with the old monarchist and Catholic cultural traditions, meant that Dutch art had to reinvent itself almost entirely, a task in which it was very largely successful. The painting of religious subjects declined very sharply, but a large new market for all kinds of secular subjects grew up. Although Dutch painting of the Golden Age is included in the general European period of Baroque painting, and often shows many o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Garibaldi
Joseph Garibaldi (12 May 1863, Marseille - 6 May 1941, Marseille) was a French painter, specializing in cityscapes and coastal scenes. Biography His father, an employee of the Noilly Prat distillery, was originally from Italy. Louis Prat, one of the firm's owners, noticed that Joseph had artistic talent and convinced his father to let him be enrolled at the . A visit from the famous artist, Antoine Vollon, was decisive. Under his influence and advice, Garibaldi held his first exhibit at the Salon. They also became close friends, and he would be a trusted assistant during Vollon's final illness. He would exhibit regularly at the Salon from 1884 to 1914; receiving a second-class medal in 1897. He specialized in scenes of coastal ports, including Cassis, which he visited from 1884 to 1899, and La Ciotat, but his favorite would always remain the Old Port of Marseille. Until 1905, he benefitted greatly from the patronage of Baron Alphonse de Rothschild, who bought his painting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Baptiste Olive
Jean-Baptiste Olive ( – 1936) was a French painter. Biography Olive, the son of a wine merchant, was born in Marseille's Saint-Martin neighbourhood. Étienne Cornellier, a decorator, encouraged him to register at École des beaux-arts de Marseille where he studied under the guidance of Joanny Rave. There he received several awards including, in 1871, the live model class's first prize. While training as a decorator, he painted many scenes of Marseille, its Vieux-Port, its islands, and its seashore. In 1874 he travelled to Italy, mainly to Genoa and Venice. He occasionally participated in some of Provence's exhibitions at the time. In 1882 he relocated to Paris. He contributed to the decoration of Cirque d’Hiver, Basilica of the Sacré Cœur and Exposition universelle de 1889 (he was awarded a silver medal for the latter). From 1874 onward he exhibited repeatedly at Salon de Paris and was awarded several prizes there. In 1881 he became a member of Société des Artistes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salon (Paris)
The Salon (french: Salon), or rarely Paris Salon (French: ''Salon de Paris'' ), beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world. At the 1761 Salon, thirty-three painters, nine sculptors, and eleven engravers contributed. Levey, Michael. (1993) ''Painting and sculpture in France 1700–1789''. New Haven: Yale University Press, p. 3. From 1881 onward, it has been managed by the Société des Artistes Français. Origins In 1667, the royally sanctioned French institution of art patronage, the Académie royale de peinture et de sculpture (a division of the Académie des beaux-arts), held its first semi-public art exhibit at the Salon Carré. The Salon's original focus was the display of the work of recent graduates of the École des Beaux-Arts, which was created by Cardinal Mazarin, chief minister of France, in 1648. Exhibition at the Salo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salon Des Refusés
The Salon des Refusés, French for "exhibition of rejects" (), is generally known as an exhibition of works rejected by the jury of the official Paris Salon, but the term is most famously used to refer to the Salon des Refusés of 1863. Today, by extension, ''salon des refusés'' refers to any exhibition of works rejected from a juried art show. Background of the Salon of 1863 The Paris Salon, sponsored by the French government and the Academy of Fine Arts, took place annually, and was a showcase of the best academic art. A medal from the Salon was assurance of a successful artistic career; winners were given official commissions by the French government, and were sought after for portraits and private commissions. Since the 18th century, the paintings were classified by genre, following a specific hierarchy; history paintings were ranked first, followed by the portrait, the landscape, the "genre scene", and the still life. The jury, headed by the Comte de Nieuwerkerke, the h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Association Of Historians Of Nineteenth-Century Art
The Association of Historians of Nineteenth-Century Art was formed in 1993. International in its scope, the organization provides a means for scholars of nineteenth-century art from around the world to share ideas and resources through a variety of venues including conferences sessions, a newsletter and a scholarly journal, Nineteenth-Century Art Worldwide. Nineteenth-Century Art Worldwide was the first online, peer-reviewed journal devoted to the study of nineteenth-century art. This journal has been cited by organizations like the Carnegie Corporation as a model for the electronic dissemination of scholarship.">Notable 'Transforming Disciplines W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Édouard Manet
Édouard Manet (, ; ; 23 January 1832 – 30 April 1883) was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism. Born into an upper-class household with strong political connections, Manet rejected the naval career originally envisioned for him; he became engrossed in the world of painting. His early masterworks, ''The Luncheon on the Grass'' (''Le déjeuner sur l'herbe'') and '' Olympia'', both 1863, caused great controversy and served as rallying points for the young painters who would create Impressionism. Today, these are considered watershed paintings that mark the start of modern art. The last 20 years of Manet's life saw him form bonds with other great artists of the time; he developed his own simple and direct style that would be heralded as innovative and serve as a major influence for future painters. Early life Édouard Manet was born in Par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genre
Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other forms of art or entertainment, whether written or spoken, audio or visual, based on some set of stylistic criteria, yet genres can be aesthetic, rhetorical, communicative, or functional. Genres form by conventions that change over time as cultures invent new genres and discontinue the use of old ones. Often, works fit into multiple genres by way of borrowing and recombining these conventions. Stand-alone texts, works, or pieces of communication may have individual styles, but genres are amalgams of these texts based on agreed-upon or socially inferred conventions. Some genres may have rigid, strictly adhered-to guidelines, while others may show great flexibility. Genre began as an absolute classification system for ancient Greek literature, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine Vollon - Mound Of Butter - National Gallery Of Art
Antoine is a French given name (from the Latin '' Antonius'' meaning 'highly praise-worthy') that is a variant of Danton, Titouan, D'Anton and Antonin. The name is used in France, Switzerland, Belgium, Canada, West Greenland, Haiti, French Guiana, Madagascar, Benin, Niger, Burkina Faso, Ivory Coast, Guinea, Senegal, Mauritania, Western Sahara, Morocco, Algeria, Tunisia, Chad, Central African Republic, Cameroon, Equatorial Guinea, Gabon, Republic of the Congo, Democratic Republic of the Congo, Burundi, and Rwanda. It is a cognate of the masculine given name Anthony. Similar names include Antaine, Anthoine, Antoan, Antoin, Antton, Antuan, Antwain, Antwan, Antwaun, Antwoine, Antwone, Antwon and Antwuan. Feminine forms include Antonia, Antoinette, and (more rarely) Antionette. As a first name * Antoine Alexandre Barbier (1765–1825), a French librarian and bibliographer * Antoine Arbogast (1759–1803), a French mathematician * Antoine Arnauld (1612–1694), a French ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles-François Daubigny
Charles-François Daubigny ( , , ; 15 February 181719 February 1878) was a French painter, one of the members of the Barbizon school, and is considered an important precursor of impressionism. He was also a prolific printmaker, mostly in etching but also as one of the main artists to use the cliché verre technique. Biography Daubigny was born in Paris, into a family of painters; taught the art by his father, , and his uncle, miniaturist Pierre Daubigny (1793-1858). He was also a pupil of Jean-Victor Bertin, Jacques Raymond Brascassat and Paul Delaroche, from whom he would quickly emancipate himself. In 1838, he set up, at the Rue des Amandiers-Popincourt, a community of artists, a phalanstery, with Adolphe-Victor Geoffroy-Dechaume, Hippolyte Lavoignat, Ernest Meissonnier, Auguste Steinheil, Louis Joseph Trimolet, with whom he already had expressed his interest in subjects drawn directly from daily life and nature. These artists will work, among others, for the publisher Léon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
