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Antique Cymbals
Crotales (, ), sometimes called antique cymbals, are percussion instruments consisting of small, tuned bronze or brass disks. Each is about in diameter with a flat top surface and a nipple on the base. They are commonly played by being struck with hard mallets. However, they may also be played by striking two disks together in the same manner as finger cymbals, or by bowing. Their sound is rather like a small tuned bell, only with a much brighter sound and a much longer resonance. Similar to tuned finger cymbals, crotales are thicker and larger; they also have slight grooves in them. The name comes from the Greek ''crotalon'', for a castanet or rattle. Modern crotales are arranged chromatically and have a range of up to two octaves. They are typically available in sets (commonly one octave) but may also be purchased individually. Crotales are treated as transposing instruments; music for crotales is written two octaves lower than the sounding pitch to minimize ledger line ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paiste
Paiste (English pronunciation: , ) is a Swiss musical instrument manufacturing company. It is the world's third largest manufacturer of cymbals, gongs, and metal percussion. is an Estonian word that means "shine". Apart from cymbals and gongs, Paiste has also manufactured other percussion instruments such as crotal bells, finger cymbals and cowbells, later discontinued. History The first Paiste cymbals were produced in 1906 by Estonian musician Toomas Paiste in his instrument repair shop in Saint Petersburg, Russian Empire, to customer orders. Toomas had served in the Russian Imperial Guard, and retired in 1901 to open a music publishing business and music shop.History on Paiste website, 16 Nov 2019 The cymbal-making aspect of the business expanded with the passing years, despite the disruption of several moves necessitated by war: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dowris Hoard
The Dowris Hoard is the name of an important Bronze Age hoard of over 200 objects found in Dowris, County Offaly, Ireland. Items from the deposit are currently split between two institutions: the National Museum of Ireland in Dublin and the British Museum in London. The hoard mostly of objects in bronze, was probably a ritual deposit, perhaps for religious purposes, though the records of the discovery, by farm labourers in the 1820s, do not allow to be sure if it was one deposit, or a series. Current thinking tends to see it as a series, possibly over a very long period, of ritual deposits into a lake. The importance of the hoard in Irish prehistory has led to the naming of the final phase of the Irish Late Bronze Age (900–600 BC) as the Dowris Phase or period. Over time Irish prehistoric bronzesmiths had become highly adept at casting and working with sheet metal and the Dowris Phase reflects the culmination of this as well as an industrial growth in metalworking. During ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neil Peart
Neil Ellwood Peart OC (; September 12, 1952 – January 7, 2020) was a Canadian-American musician, best known as the drummer and primary lyricist of the rock band Rush. Peart earned numerous awards for his musical performances, including an induction into the ''Modern Drummer'' Readers Poll Hall of Fame in 1983 at the age of thirty, making him the youngest person ever so honoured. Known to fans by the nickname 'The Professor', his drumming was renowned for its technical proficiency and his live performances for their exacting nature and stamina. Peart was born in Hamilton, Ontario, and grew up in Port Dalhousie (now part of St. Catharines). During adolescence, he floated between regional bands in pursuit of a career as a full-time drummer. After a discouraging stint in England, Peart returned home to concentrate on music where he joined Rush, a Toronto band, in mid-1974, six years after its formation. Together they released nineteen studio albums, with ten exceeding a mill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fire In My Mouth
''Fire in my mouth'' is an oratorio for girls' choir, women's choir, and orchestra by the American composer Julia Wolfe. The work was commissioned by the New York Philharmonic under the direction of Jaap van Zweden and was completed in August 2018. Its world premiere was given by the Philadelphia-based chamber choir The Crossing, the Young People’s Chorus of New York City, and the New York Philharmonic led by Jaap van Zweden at David Geffen Hall, New York City, on January 24, 2019. The piece was inspired by the infamous Triangle Shirtwaist Factory fire, which claimed the lives of 146 New York City garment workers—most of whom were young immigrant women—in 1911, and the political unrest surrounding it. The title of the piece comes from a quote by the labor activist Clara Lemlich, who later reflected on her years of activism saying, “Ah, then I had fire in my mouth.” Composition Wolfe utilized a number of unconventional sounds in ''Fire in my mouth''. The composer tour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julia Wolfe
Julia Wolfe (born December 18, 1958) is an American composer and professor of music at New York University. According to ''The Wall Street Journal'', Wolfe's music has "long inhabited a terrain of its own, a place where classical forms are recharged by the repetitive patterns of minimalism and the driving energy of rock". Her work ''Anthracite Fields'', an oratorio for chorus and instruments, was awarded the 2015 Pulitzer Prize for Music. She has also received the Herb Alpert Award (2015) and was named a MacArthur Fellow (2016). Life Born in Philadelphia, Wolfe has a twin brother and an older brother. As a teenager, she learned piano but she only began to study music seriously after taking a musicianship class at the University of Michigan, where she received a BA in music and theater as a member of Phi Beta Kappa in 1982. In her early twenties, Wolfe wrote music for an all-female theatre troupe. On a trip to New York, she became friends with composition students Michael Gor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Short Ride In A Fast Machine
''Short Ride in a Fast Machine'' is a 1986 orchestral work by John Adams (composer), John Adams. Adams applies the description "fanfare for orchestra" to this work and to the earlier ''Tromba Lontana'' (1986). The former is also known as ''Fanfare for Great Woods'' because it was commissioned for the Great Woods Festival of the Pittsburgh Symphony Orchestra. As a commentary on the title, Adams inquires, "You know how it is when someone asks you to ride in a terrific sports car, and then you wish you hadn't?" The work is an example of Adams's Postminimalism, postminimal style, which is utilized in other works like ''Phrygian Gates'', ''Shaker Loops'', and ''Nixon in China''. This style derives from minimalism as defined by the works of Steve Reich, Terry Riley, and Philip Glass, although it proceeds to "make use of minimalist techniques in more dramatic settings." A typical performance of ''Short Ride'' lasts about four and a half minutes. Popularity, performance and cancellation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Adams (Composer)
John Coolidge Adams (born February 15, 1947) is an American composer and conductor whose music is rooted in minimalism. Among the most regularly performed composers of contemporary classical music, he is particularly noted for his operas, which are often centered around recent historical events. Apart from opera, his ''oeuvre'' includes orchestral, concertante, vocal, choral, chamber, electroacoustic and piano music. Born in Worcester, Massachusetts, Adams grew up in a musical family, being regularly exposed to classical music, jazz, musical theatre and rock music. He attended Harvard University, studying with Kirchner, Sessions and Del Tredici among others. Though his earliest work was aligned with modernist music, he began to disagree with its tenets upon reading John Cage's '' Silence: Lectures and Writings''. Teaching at the San Francisco Conservatory of Music, Adams developed his own minimalist aesthetic, which was first fully realized in ''Phrygian Gates'' (1977) a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tout Un Monde Lointain
''Tout un monde lointain...'' (''A whole distant world...'') is a concertante work for cello and orchestra composed by Henri Dutilleux between 1967 and 1970 for Mstislav Rostropovich. It is considered one of the most important 20th-century additions to the cello repertoire and several major cellists have recorded it. Despite the fact that the score does not state that it is a cello concerto, ''Tout un monde lointain...'' has always been considered as such. Each of the five movements was inspired by the poetry of Charles Baudelaire, and the overall feel of the work is mysterious and oneiric. A typical performance runs approximately 27 minutes. Composition The work was initially commissioned by Igor Markevitch for the Concerts Lamoureux and Mstislav Rostropovich around 1960. Occupied with other projects, Dutilleux only completed the concerto in 1970. Since Markevitch had left the Concerts Lamoureux in 1961, Rostropovich was accompanied for the premiere by the Orchestre de Paris, co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Dutilleux
Henri Paul Julien Dutilleux (; 22 January 1916 – 22 May 2013) was a French composer active mainly in the second half of the 20th century. His small body of published work, which garnered international acclaim, followed in the tradition of Maurice Ravel, Claude Debussy, Albert Roussel and Olivier Messiaen, but in an idiosyncratic, individual style. Some of his notable compositions include a piano sonata, two symphonies, the cello concerto '' Tout un monde lointain…'' (''A whole distant world''), the violin concerto ''L'arbre des songes'' (''The tree of dreams''), the string quartet '' Ainsi la nuit'' (''Thus the night'') and a sonatine for flute and piano. Some of these are regarded as masterpieces of 20th-century classical music. Works were commissioned from him by such major artists as Charles Munch, George Szell, Mstislav Rostropovich, the Juilliard String Quartet, Isaac Stern, Paul Sacher, Anne-Sophie Mutter, Simon Rattle, Renée Fleming, and Seiji Ozawa. French orga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miroirs
upRavel in 1907 ''Miroirs'' (French for "Mirrors") is a five-movement suite for solo piano written by French composer Maurice Ravel between 1904 and 1905."Miroirs". Maurice Ravel Frontispice. First performed by Ricardo Viñes in 1906, ''Miroirs'' contains five movements, each dedicated to a fellow member of the French avant-garde artist group Les Apaches."Miroirs". Piano Society. http://www.pianosociety.com/cms/index.php?section=171 History Around 1900, Maurice Ravel joined a group of innovative young artists, poets, critics, and musicians referred to as Les Apaches or "hooligans", a term coined by Ricardo Viñes to refer to his band of "artistic outcasts". To pay tribute to his fellow artists, Ravel began composing ''Miroirs'' in 1904 and finished it the following year. It was first published by Eugène Demets in 1906. The third and fourth movements were subsequently orchestrated by Ravel, while the fifth was orchestrated by Percy Grainger, among others. Structure ''Miroir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Ravel
Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer. Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire, Ravel found his own way as a composer, developing a style of great clarity and incorporating elements of modernism, baroque, neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, ''Boléro'' (1928), in which repetition takes the place of development. Renowned for his abilities in orchestration, Ravel made some orchestral arrangements of other compose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prélude à L'après-midi D'un Faune
''Prélude à l'après-midi d'un faune'' ( L. 86), known in English as ''Prelude to the Afternoon of a Faun'', is a symphonic poem for orchestra by Claude Debussy, approximately 10 minutes in duration. It was composed in 1894 and first performed in Paris on 22 December 1894, conducted by Gustave Doret. The flute solo was played by Georges Barrère. The composition was inspired by the poem '' L'après-midi d'un faune'' by Stéphane Mallarmé. It is one of Debussy's most famous works and is considered a turning point in the history of Western art music, as well as a masterpiece of Impressionist composition. Pierre Boulez considered the score to be the beginning of modern music, observing that "the flute of the faun brought new breath to the art of music." Debussy's work later provided the basis for the ballet '' Afternoon of a Faun'' choreographed by Vaslav Nijinsky and a later version by Jerome Robbins. Background About his composition Debussy wrote:The music of this prelude ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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