Anti-theatrical Prejudice
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Anti-theatrical Prejudice
Antitheatricality is any form of opposition or hostility to theater. Such opposition is as old as theater itself, suggesting a deep-seated ambivalence in human nature about the dramatic arts. Jonas Barish's 1981 book, ''The Antitheatrical Prejudice'', was, according to one of his Berkeley colleagues, immediately recognized as having given intellectual and historical definition to a phenomenon which up to that point had been only dimly observed and understood. The book earned the American Theater Association's Barnard Hewitt Award for outstanding research in theater history. Barish and some more recent commentators treat the anti-theatrical, not as an enemy to be overcome, but rather as an inevitable and valuable part of the theatrical dynamic. Antitheatrical views have been based on philosophy, religion, morality, psychology, aesthetics and on simple prejudice. Opinions have focussed variously on the art form, the artistic content, the players, the lifestyle of theater people, and o ...
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London
London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a major settlement for two millennia. The City of London, its ancient core and financial centre, was founded by the Romans as '' Londinium'' and retains its medieval boundaries.See also: Independent city § National capitals The City of Westminster, to the west of the City of London, has for centuries hosted the national government and parliament. Since the 19th century, the name "London" has also referred to the metropolis around this core, historically split between the counties of Middlesex, Essex, Surrey, Kent, and Hertfordshire, which largely comprises Greater London, governed by the Greater London Authority.The Greater London Authority consists of the Mayor of London and the London Assembly. The London Mayor is distinguished fr ...
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Marian Exiles
The Marian exiles were English Protestantism, Protestants who fled to Continental Europe during the 1553–1558 reign of the Catholic Church, Catholic monarchs Queen Mary I and Philip II of Spain, King Philip.Christina Hallowell Garrett (1938) ''Marian Exiles: A Study in the Origins of Elizabethan Puritanism'', Cambridge University Press They settled chiefly in Protestant countries such as the Netherlands, Switzerland and Germany, and also in France, Italy and Poland. Exile communities According to English historian John Strype, more than 800 Protestants fled to the continent, mainly to the Low Countries, Germany, and Switzerland, and joined with reformed churches there or formed their own congregations. A few exiles went to Scotland, Denmark, and other Scandinavian countries. Notable English exile communities were located in the cities of Aarau, Basel, Cologne, Duisburg, Emden, Frankfurt, Geneva, Padua, Strasbourg, Venice, Wesel, Worms, Germany, Worms, and Zürich. The exiles ...
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Thomas Becon
Thomas Beccon or Becon (c. 1511–1567) was an English cleric and Protestant reformer from Norfolk. Life Beccon was born c.1511 in Norfolk, England. He entered the University of Cambridge in March 1526-27, probably St John's College. He studied under Hugh Latimer and was ordained in 1533. In 1532 he was admitted a member of the community of the College of St. John the Evangelist, Rushworth - now Rushford. He was arrested for Protestant preaching and was forced to recant around 1540. He then began to write under the pen name of Theodore Basille. When Edward VI came to the throne in 1547, Beccon was made chaplain to the Lord Protector. He was also presented by the Worshipful Company of Grocers to the living of St Stephen's, Walbrook in the City of London. Thomas Cranmer made him one of the Six Preachers of Canterbury, and a chaplain in Cranmer's own household. He contributed to Cranmer's Homilies. When Mary I of England came to the throne in 1553, as a married priest, ...
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Christ
Jesus, likely from he, יֵשׁוּעַ, translit=Yēšūaʿ, label=Hebrew/Aramaic ( AD 30 or 33), also referred to as Jesus Christ or Jesus of Nazareth (among other Names and titles of Jesus in the New Testament, names and titles), was a first-century Jews, Jewish preacher and religious leader; he is the central figure of Christianity, the Major religious groups, world's largest religion. Most Christians believe he is the Incarnation (Christianity), incarnation of God the Son and the awaited Messiah#Christianity, Messiah (the Christ (title), Christ) prophesied in the Hebrew Bible. Virtually all modern scholars of antiquity agree that Historicity of Jesus, Jesus existed historically. Quest for the historical Jesus, Research into the historical Jesus has yielded some uncertainty on the historical reliability of the Gospels and on how closely the Jesus portrayed in the New Testament reflects the historical Jesus, as the only detailed records of Jesus' life are contained in ...
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Liturgical Drama
Liturgical drama refers to medieval forms of dramatic performance that use stories from the Bible or Christian hagiography. The term was widely disseminated by well-known theater historians like Heinrich Alt (''Theater und Kirche'', 1846), E.K. Chambers (''The Mediaeval Stage'', 1903) and Karl Young. Young's two-volume monumental work about the medieval church was especially influential. It was published in 1933 and is still read today, even though his theories have been rejected for more than 40 years. Many college textbooks, among them the popular books by Oscar Brockett, propagated the theory of "liturgical drama" even into the 21st century. Critique Evolution model In his 1955 book on the origins of theater, Benjamin Hunningher refuted the notion that plays developed out of the liturgy. He noted that the church setting of the Mass does not allow for entertainment, and Christian theologians had severely criticized theater artists for centuries. As McCall wrote in 2007:West ...
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Mystery Plays
Mystery plays and miracle plays (they are distinguished as two different forms although the terms are often used interchangeably) are among the earliest formally developed plays in medieval Europe. Medieval mystery plays focused on the representation of Bible stories in churches as tableaux with accompanying antiphonal song. They told of subjects such as the Creation, Adam and Eve, the murder of Abel, and the Last Judgment. Often they were performed together in cycles which could last for days. The name derives from ''mystery'' used in its sense of ''miracle,'' but an occasionally quoted derivation is from ''ministerium'', meaning ''craft'', and so the 'mysteries' or plays performed by the craft guilds. Origins As early as the fifth century living tableaux were introduced into sacred services. The plays originated as simple ''tropes'', verbal embellishments of liturgical texts, and slowly became more elaborate. At an early period chants from the service of the day were added ...
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Lollard
Lollardy, also known as Lollardism or the Lollard movement, was a proto-Protestant Christian religious movement that existed from the mid-14th century until the 16th-century English Reformation. It was initially led by John Wycliffe, a Catholic theologian who was dismissed from the University of Oxford in 1381 for criticism of the Roman Catholic Church. The Lollards' demands were primarily for reform of Western Christianity. They formulated their beliefs in the Twelve Conclusions of the Lollards. Etymology ''Lollard'', ''Lollardi'', or ''Loller'' was the popular derogatory nickname given to those without an academic background, educated (if at all) only in English, who were reputed to follow the teachings of John Wycliffe in particular, and were certainly considerably energized by the translation of the Bible into the English language. By the mid-15th century, "lollard" had come to mean a heretic in general. The alternative, "Wycliffite", is generally accepted to be a more neu ...
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Confessions (Augustine)
''Confessions'' (Latin: ''Confessiones'') is an autobiographical work by Saint Augustine, consisting of 13 books written in Latin between AD 397 and 400. The work outlines Saint Augustine's sinful youth and his conversion to Christianity. Modern English translations of it are sometimes published under the title ''The Confessions of Saint Augustine'' in order to distinguish the book from other books with similar titles. Its original title was ''Confessions in Thirteen Books'', and it was composed to be read out loud with each book being a complete unit. ''Confessions'' is generally considered one of Augustine's most important texts. It is widely seen as the first Western Christian autobiography ever written (Ovid had invented the genre at the start of the first century AD with his ''Tristia'') and was an influential model for Christian writers throughout the Middle Ages. Henry Chadwick wrote that ''Confessions'' will "always rank among the great masterpieces of western literature" ...
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John Chrysostom
John Chrysostom (; gr, Ἰωάννης ὁ Χρυσόστομος; 14 September 407) was an important Early Church Father who served as archbishop of Constantinople. He is known for his homilies, preaching and public speaking, his denunciation of abuse of authority by both ecclesiastical and political leaders, his ''Divine Liturgy of Saint John Chrysostom'', and his ascetic sensibilities. The epithet (''Chrysostomos'', anglicized as Chrysostom) means "golden-mouthed" in Greek and denotes his celebrated eloquence. Chrysostom was among the most prolific authors in the early Christian Church, although both Origen, Origen of Alexandria and Augustine of Hippo exceeded Chrysostom. He is honoured as a saint in the Oriental Orthodox Church, Oriental Orthodox, Eastern Orthodox Church, Eastern Orthodox, Catholic Church, Catholic, Anglican, and Lutheran churches, as well as in some others. The Eastern Orthodox, together with the Byzantine Rite, Byzantine Eastern Catholic Churches, Cat ...
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De Spectaculis
''De Spectaculis'', also known as ''On the Spectacles'' or ''The Shows'', is a surviving moral and ascetic treatise by Tertullian. Written somewhere between 197 and 202, the work looks at the moral legitimacy and consequences of Christians attending the circus, theatre, or amphitheatre. Tertullian argues that human enjoyment can be an offence to God. His view of these public entertainments is that they are a misuse of God's creation and a perversion of the gifts God has given to man. He supports his claim by reminding the reader that these shows and spectacles derived from pagan ritual rites (the Liberalia, the Consualia, the Equiria, the Bacchanalia, etc.). This means that the events derive from idolatry. Of key concern was that the "show always leads to spiritual agitation". By attending and partaking in the event, man is subject to strong excitements, which are aroused due to natural lapses, which create passionate desire. Additionally, Tertullian writes that that which is no ...
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