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Anthony Dean Griffey
Anthony Dean Griffey (born February 12 in High Point, North Carolina) is an American opera tenor. He is a regular presence on the stages of opera houses and concert halls around the world. Griffey has also been noted for his acting talent in addition to his voice. In 2007, he starred alongside Audra McDonald and Patti Lupone in ''The Rise and Fall of the City of Mahagonny'' at the Los Angeles Opera, the recording of which won two Grammy Awards. In the 2005 edition of Musical America, Griffey was cited as one of twelve young singers of distinction. Griffey was honored as an inductee into the North Carolina Music Hall of Fame in 2011. In 2015, he was appointed as Professor of Voice at the Eastman School of Music. Richard Dyer of the Boston Globe has said: "Griffey has voice, technique, musicianship, diction, and poetry in his soul." Early life and education Anthony Dean Griffey was born in High Point, North Carolina to a family of little means. His parents worked at local furnitur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
High Point, North Carolina
High Point is a city in the Piedmont Triad region of the United States, U.S. state of North Carolina. Most of the city is in Guilford County, North Carolina, Guilford County, with parts extending into Randolph County, North Carolina, Randolph, Davidson County, North Carolina, Davidson, and Forsyth County, North Carolina, Forsyth counties. High Point is North Carolina's only city that extends into four counties. As of the 2020 United States census, 2020 census the city had a total population of 113,887 with an estimated population of 114,086 in 2021. High Point is the List of municipalities in North Carolina, ninth-largest municipality in North Carolina, the third-largest municipality in the Piedmont Triad, Piedmont Triad metropolitan area, and the 259th-largest city in the U.S. Major industries in High Point include furniture, textiles, and bus manufacturing. The city's official slogan is "North Carolina's International City" due to the semi-annual High Point Furniture Market t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beverley Peck Johnson
Beverley Peck Johnson (June 12, 1904 – January 20, 2001) was an American voice teacher, soprano, and pianist who taught on the faculties of several institutions, including Manhattan School of Music and The Juilliard School. Her pupils included several prominent opera singers, actors, and entertainers, including sopranos Renée Fleming, Renata Tebaldi, Anna Moffo, tenor Anthony Dean Griffey, and actors Madeline Kahn, Kevin Kline, Constance Towers, and Juilliard voice professor Cynthia Hoffmann among others. Music critic Anthony Tommasini wrote that "Johnson was particularly valued by students for a keen ability to find individual solutions to their problems." Life and career Born Beverley Peck in Portland, Oregon, she was the daughter of Hartwig O. Peck and Cecilia W. Peck. She grew up in Walla Walla, Washington, and earned degrees in both speech and drama from the Ellison-White Conservatory of Music in Portland. Shortly thereafter she moved to New York where she began studies in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristan Und Isolde
''Tristan und Isolde'' (''Tristan and Isolde''), WWV 90, is an opera in three acts by Richard Wagner to a German libretto by the composer, based largely on the 12th-century romance Tristan and Iseult by Gottfried von Strassburg. It was composed between 1857 and 1859 and premiered at the Königliches Hoftheater und Nationaltheater in Munich on 10 June 1865 with Hans von Bülow conducting. Wagner referred to the work not as an opera, but called it "" (literally ''a drama'', ''a plot'', or ''an action''). Wagner's composition of ''Tristan und Isolde'' was inspired by the philosophy of Arthur Schopenhauer (particularly ''The World as Will and Representation''), as well as by Wagner's affair with Mathilde Wesendonck. Widely acknowledged as a pinnacle of the operatic repertoire, ''Tristan'' was notable for Wagner's unprecedented use of chromaticism, tonal ambiguity, orchestral colour, and harmonic suspension. The opera was enormously influential among Western classical com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salome (opera)
''Salome'', Op. 54, is an opera in one act by Richard Strauss. The libretto is Hedwig Lachmann's German translation of the 1891 French play '' Salomé'' by Oscar Wilde, edited by the composer. Strauss dedicated the opera to his friend Sir Edgar Speyer. The opera is famous (at the time of its premiere, infamous) for its " Dance of the Seven Veils". The final scene is frequently heard as a concert-piece for dramatic sopranos. Composition history Oscar Wilde originally wrote his ''Salomé'' in French. Strauss saw the Lachmann version of the play in Max Reinhardt's production at the Kleines Theater in Berlin on 15 November 1902, and immediately set to work on an opera. The play's formal structure was well-suited to musical adaptation. Wilde himself described ''Salomé'' as containing "refrains whose recurring ''motifs'' make it so like a piece of music and bind it together as a ballad". Strauss pared down Lachmann's German text to what he saw as its essentials, and in the process r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boris Godunov
Borís Fyodorovich Godunóv (; russian: Борис Фёдорович Годунов; 1552 ) ruled the Tsardom of Russia as ''de facto'' regent from c. 1585 to 1598 and then as the first non-Rurikid tsar from 1598 to 1605. After the end of his reign, Russia descended into the Time of Troubles. Early years Boris Godunov was the most noted member of an ancient, now extinct, Russian family of Tatar origin ( Chet), which came from the Horde to Kostroma in the early 14th century. This cites: * Platon Vasilievich Pavlov, ''On the Historical Significance of the Reign of Boris Godunov'' (Rus.) (Moscow, 1850) * Sergyei Mikhailivich Solovev, ''History of Russia'' (Rus.) (2nd ed., vols. vii–viii., St Petersburg, 1897). This legend is written in the annals dating from early 17th century. He was descended from the Tatar Prince Chet, who went from the Golden Horde to Russia and founded the Ipatiev Monastery in Kostroma. Boris was probably born before or after the Kazan campaign. Boris was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Queen Of Spades (opera)
''The Queen of Spades'' or ''Pique Dame'', Op. 68 (russian: Пиковая дама, ''Pikovaya dama'' , french: La Dame de Pique) is an opera in three acts (seven scenes) by Pyotr Ilyich Tchaikovsky to a Russian libretto by the composer's brother Modest Tchaikovsky, based on the 1834 novella of the same name by Alexander Pushkin, but with a dramatically altered plot. The premiere took place in 1890 at the Mariinsky Theatre in Saint Petersburg, Russia. Composition history The Imperial Theatre offered Tchaikovsky a commission to write an opera based on the plot sketch by Ivan Vsevolozhsky in 1887/88. After first turning it down, Tchaikovsky accepted it in 1889. Toward the end of that year, he met with the theatre's managers to discuss the material and sketch out some of the scenes. He completed the full score in Florence in only 44 days. Later, working with the tenor who was to perform the lead character, he created two versions of Herman's aria in the seventh scene, using diff ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Flying Dutchman (opera)
The ''Flying Dutchman'' ( nl, De Vliegende Hollander) is a legendary ghost ship, allegedly never able to make port, but doomed to sail the seven seas forever. The myth is likely to have originated from the 17th-century Golden Age of the Dutch East India Company (VOC) and of Dutch maritime power. The oldest known extant version of the legend dates from the late 18th century. According to the legend, if hailed by another ship, the crew of the ''Flying Dutchman'' might try to send messages to land, or to people long dead. Reported sightings in the 19th and 20th centuries claimed that the ship glowed with a ghostly light. In ocean lore, the sight of this phantom ship functions as a portent of doom. It was commonly believed that the ''Flying Dutchman'' was a fluyt. Origins The first print reference to the ship appears in ''Travels in various part of Europe, Asia and Africa during a series of thirty years and upward'' (1790) by John MacDonald: The next literary reference ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Susannah (opera)
''Susannah'' is an opera in two acts by the American composer Carlisle Floyd, who wrote the libretto and music while a member of the piano faculty at Florida State University. Floyd adapted the story from the Apocryphal tale of Susannah and the Elders, though the latter story has a more positive ending. The story focuses on 18-year-old Susannah Polk, an innocent girl who is targeted as a sinner in the small mountain town of New Hope Valley, in the Southern American state of Tennessee. The opera was awarded the New York Music Critics Circle Award for Best New Opera in 1956 and was chosen to represent American music and culture at the World's Fair at Brussels in 1958, with a production (by Frank Corsaro) that featured Phyllis Curtin and Norman Treigle. It received its Metropolitan Opera premiere in 1999, with Renée Fleming singing the title role, Jerry Hadley singing Sam and Samuel Ramey singing Blitch. Ramey also recorded the complete opera with Cheryl Studer as Susannah and Jer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Zauberflote
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a '' Singspiel'', a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Still a staple of the opera repertory, its popularity was reflected by two immediate sequels, Peter Winter's ''Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil'' (1798) and a fragmentary libretto by Johann Wolfgang von Goethe titled ''The Magic Flute Part Two''. The allegorical plot was influenced by Schikaneder and Mozart's interest in Freemasonry and concerns the initiation of Prince Tamino. Enlisted by the Queen of the Night to rescue her daughter Pamina from the high priest Sarastro, Tamino comes to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Budd (opera)
''Billy Budd'', Op. 50, is an opera by Benjamin Britten to a libretto by the English novelist E. M. Forster and Eric Crozier, based on the short novel '' Billy Budd'' by Herman Melville. Originally in four acts, the opera received its premiere at the Royal Opera House (ROH), London, on 1 December 1951. Britten later revised the work into a two-act opera, with a prologue and an epilogue. The revised version received its first performance at the ROH, Covent Garden, London, on 9 January 1964. Composition history E. M. Forster had an interest in the novella, which he discussed in his Clark lectures at Cambridge University. Forster had admired Britten's music since 1937 when he attended a performance of the play ''The Ascent of F6'' (for which Britten wrote incidental music). Forster met Britten in October 1942, when he heard Peter Pears and Britten perform Britten's '' Seven Sonnets of Michelangelo'' at the National Gallery. In 1948, Britten and Forster discussed whether Forster ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manon
''Manon'' () is an ''opéra comique'' in five acts by Jules Massenet to a French libretto by Henri Meilhac and Philippe Gille, based on the 1731 novel '' L'histoire du chevalier des Grieux et de Manon Lescaut'' by the Abbé Prévost. It was first performed at the Opéra-Comique in Paris on 19 January 1884, with sets designed by Eugène Carpezat (act 1), Auguste Alfred Rubé and Philippe Chaperon (acts 2 and 3), and Jean-Baptiste Lavastre (act 4). Prior to Massenet's work, Halévy (''Manon Lescaut'', ballet, 1830) and Auber (''Manon Lescaut'', opéra comique, 1856) had used the subject for musical stage works. Massenet also wrote a one-act sequel to ''Manon'', ''Le portrait de Manon'' (1894), involving the Chevalier des Grieux as an older man. The composer worked at the score of ''Manon'' at his country home outside Paris and also at a house at The Hague once occupied by Prévost himself. ''Manon'' is Massenet's most popular and enduring opera and, having "quickly conquered th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aida
''Aida'' (or ''Aïda'', ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini. Today the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, ''Aida'' has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera. Elements of the opera's genesis and sources Isma'il Pasha, Khedive of Egypt, commissioned Verdi to write an opera to celebrate the opening of the Suez Canal, but Verdi declined. However, Auguste Mariette, a French Egyptologist, proposed to Khedive Pasha a plot for a celebratory ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
