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Anspach Fountain
The Anspach Fountain (french: Fontaine Anspach, nl, Anspachfontein) is an eclectic-style fountain-obelisk erected in 1897 in the centre of the Place de Brouckère/De Brouckèreplein in Brussels, Belgium. Designed by the architect , it is dedicated to the memory of Jules Anspach, a former mayor of the City of Brussels. The monument was dismantled in 1973 following construction work on the Brussels Metro. It was reinstalled in 1981 in its current location on the /, between the / and the /, in the / neighbourhood. History The Anspach Fountain was designed by the architect and erected in 1897 in the centre of the Place de Brouckère/De Brouckèreplein, left empty by the destruction of the former Temple of the Augustinians. The fountain pays homage to Jules Anspach, mayor of the City of Brussels from 1863 to 1879, as well as promoter of the covering of the river Senne (1867–1871) and the creation of the Central Boulevards. This monument stood exactly in the axis of the Bou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
City Of Brussels
The City of Brussels (french: Ville de Bruxelles or alternatively ''Bruxelles-Ville'' ; nl, Stad Brussel or ''Brussel-Stad'') is the largest municipality and historical City centre, centre of the Brussels, Brussels-Capital Region, as well as the capital of the Flemish Region (from which it is List of capitals outside the territories they serve, separate) and Belgium. The City of Brussels is also the administrative centre of the European Union, as it hosts a number of principal Institutions of the European Union, EU institutions in its Brussels and the European Union#European Quarter, European Quarter. Besides the central historic town located within the Pentagon (Brussels), Pentagon, the City of Brussels covers some of the city's immediate outskirts within the greater Brussels-Capital Region, namely Haren, Belgium, Haren, Laeken, and Neder-Over-Heembeek to the north, as well as the Avenue Louise, Avenue Louise/Louizalaan and the Bois de la Cambre, Bois de la Cambre/Ter Kamer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Granite
Granite () is a coarse-grained (phaneritic) intrusive igneous rock composed mostly of quartz, alkali feldspar, and plagioclase. It forms from magma with a high content of silica and alkali metal oxides that slowly cools and solidifies underground. It is common in the continental crust of Earth, where it is found in igneous intrusions. These range in size from dikes only a few centimeters across to batholiths exposed over hundreds of square kilometers. Granite is typical of a larger family of ''granitic rocks'', or ''granitoids'', that are composed mostly of coarse-grained quartz and feldspars in varying proportions. These rocks are classified by the relative percentages of quartz, alkali feldspar, and plagioclase (the QAPF classification), with true granite representing granitic rocks rich in quartz and alkali feldspar. Most granitic rocks also contain mica or amphibole minerals, though a few (known as leucogranites) contain almost no dark minerals. Granite is nearly alway ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gothic Architecture
Gothic architecture (or pointed architecture) is an architectural style that was prevalent in Europe from the late 12th to the 16th century, during the High and Late Middle Ages, surviving into the 17th and 18th centuries in some areas. It evolved from Romanesque architecture and was succeeded by Renaissance architecture. It originated in the Île-de-France and Picardy regions of northern France. The style at the time was sometimes known as ''opus Francigenum'' (lit. French work); the term ''Gothic'' was first applied contemptuously during the later Renaissance, by those ambitious to revive the architecture of classical antiquity. The defining design element of Gothic architecture is the pointed or ogival arch. The use of the pointed arch in turn led to the development of the pointed rib vault and flying buttresses, combined with elaborate tracery and stained glass windows. At the Abbey of Saint-Denis, near Paris, the choir was reconstructed between 1140 and 1144, draw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julien Dillens
Julien Dillens (8 June 1849 – 24 December 1904) was a Belgian sculptor born in Antwerp, the son of the painter Hendrick Joseph Dillens. Biography Dillens studied under Eugène Simonis at the Académie Royale des Beaux-Arts. In 1877 he received the Prix de Rome for ''A Gaulish Chief taken Prisoner by the Romans''. At Brussels, in 1881, he executed the groups entitled ''Justice'' and ''Herkenbald, the Brussels Brutus''. For the pediment of the orphanage at Uccle, Figure Kneeling (Brussels Gallery), and the statue of the lawyer Hippolyte Metdepenningen in front of the Palais de Justice at Ghent, he was awarded the medal of honor in 1889 at the Paris Universal Exhibition, where, in 1900, his ''Two Statues of the Anspach Monument'' gained him a similar distinction. For the town of Brussels he executed ''The Four Continents'' (Maison du Renard, Grand, Place), The Lansquenets crowning the lucarnes of the Maison de Roi, and the Monument at Everard 't Serclaes under the arcades of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bronze
Bronze is an alloy consisting primarily of copper, commonly with about 12–12.5% tin and often with the addition of other metals (including aluminium, manganese, nickel, or zinc) and sometimes non-metals, such as phosphorus, or metalloids such as arsenic or silicon. These additions produce a range of alloys that may be harder than copper alone, or have other useful properties, such as ultimate tensile strength, strength, ductility, or machinability. The three-age system, archaeological period in which bronze was the hardest metal in widespread use is known as the Bronze Age. The beginning of the Bronze Age in western Eurasia and India is conventionally dated to the mid-4th millennium BCE (~3500 BCE), and to the early 2nd millennium BCE in China; elsewhere it gradually spread across regions. The Bronze Age was followed by the Iron Age starting from about 1300 BCE and reaching most of Eurasia by about 500 BCE, although bronze continued to be much more widely used than it is in mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mascaron (architecture)
In architecture, a mascaron ornament is a face, usually human, sometimes frightening or chimeric whose alleged function was originally to frighten away evil spirits so that they would not enter the building. The concept was subsequently adapted to become a purely decorative element. The most recent architectural styles to extensively employ mascarons were Beaux Arts and Art Nouveau. In addition to architecture, mascarons are used in the other applied arts. Gallery File:Paris 6e 15 Rue Joseph Bara 281.JPG, Mascaron above a door from Paris File:Rüütli 21, Tartu 3.JPG, Mascaron above a window on the Rüütli tänav street in Tartu (Estonia) File:Aphrodisias - Portico of Tiberius 09.jpg, Details of the ancient frieze of the Portico of Tiberius (Aphrodisias, Turkey) File:Domreiter, Blattmaske.jpg, A Green Man corbel supporting the Bamberg Horseman, in the Bamberg Cathedral (Bamberg, Germany) File:Wien, Friedrichstraße 12, Secession-20160621-005.jpg, The Three gorgons on the Secessi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Godefroid Devreese
Godefroid Devreese (19 August 1861 – 31 August 1941) was a Belgian sculptor. His work was part of the sculpture event in the art competition at the 1936 Summer Olympics The 1936 Summer Olympics (German: ''Olympische Sommerspiele 1936''), officially known as the Games of the XI Olympiad (German: ''Spiele der XI. Olympiade'') and commonly known as Berlin 1936 or the Nazi Olympics, were an international multi-sp .... References 1861 births 1941 deaths 20th-century Belgian sculptors 20th-century male artists Belgian sculptors Olympic competitors in art competitions People from Kortrijk {{Belgium-sculptor-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chimera (mythology)
The Chimera ( or ), also Chimaera (''Chimæra'') (Ancient Greek: , ''Chímaira'' means 'she-goat'), according to Greek mythology, was a monstrous fire-breathing hybrid creature, composed of different animal parts from Lycia, Asia Minor. It is usually depicted as a lion, with the head of a goat protruding from its back, and a tail that might end with a snake's head. It was an offspring of Typhon and Echidna and a sibling of monsters like Cerberus and the Lernaean Hydra. The term "chimera" has come to describe any mythical or fictional creature with parts taken from various animals, to describe anything composed of disparate parts or perceived as wildly imaginative, implausible, or dazzling. Family According to Hesiod, the Chimera's mother was a certain ambiguous "she", which may refer to Echidna, in which case the father would presumably be Typhon, though possibly (unlikely) the Hydra or even Ceto was meant instead. However, the mythographers Apollodorus (citing Hesiod as his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Covering Of The Senne
The covering of the Senne (french: Voûtement de la Senne, nl, Overwelving van de Zenne) was the covering and later diverting of the main river of Brussels, Belgium, and the construction of public buildings and major boulevards in its place. Carried out between 1867 and 1871, it is one of the defining events in the history of Brussels. The Senne/Zenne (French/Dutch) was historically the main waterway of Brussels, but it became more polluted and less navigable as the city grew. By the second half of the 19th century, it had become a serious health hazard and was filled with pollution, garbage and decaying organic matter. It flooded frequently, inundating the lower town and the working class neighbourhoods which surrounded it. Numerous proposals were made to remedy this problem, and in 1865, the City of Brussels' then-mayor, Jules Anspach, selected a design by the architect Léon Suys to cover the river and build a series of grand central boulevards and public buildings. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allegory
As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a hidden meaning with moral or political significance. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas and concepts in ways that are comprehensible or striking to its viewers, readers, or listeners. Writers and speakers typically use allegories to convey (semi-)hidden or complex meanings through symbolic figures, actions, imagery, or events, which together create the moral, spiritual, or political meaning the author wishes to convey. Many allegories use personification of abstract concepts. Etymology First attested in English in 1382, the word ''allegory'' comes from Latin ''allegoria'', the latinisation of the Greek ἀλληγορία (''allegoría''), "veiled language, figurative", which in turn comes from both ἄλλος (''allos''), "another, different" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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