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Another Country (The Chieftains Album)
''Another Country'' is a 1992 album by The Chieftains. It is a collaboration between the Irish band and many top country music musicians including Ricky Skaggs, Don Williams, Colin James, Emmylou Harris, members from The Nitty Gritty Dirt Band, Willie Nelson, Chet Atkins and Sam Bush. The album won the 1993 Grammy Award for Best Contemporary Folk Album and was nominated in three other categories: Best Pop Instrumental Performance (for "Tahitian Skies"), Best Country Vocal Collaboration (for "Killybegs"), and Best Country Instrumental Performance (for "Cotton Eyed Joe"). The Chieftains also took home the Award for Best Traditional Folk Album that year for their 1992 live album, ''An Irish Evening''. There was also an ''Another Country'' documentary with video footage of the performances. Track listing # "Happy to Meet" (Moloney) - 3:03 # "I Can't Stop Loving You" (Gibson) - 3:26 erformance with Don Williams# "Wabash Cannonball/Morning Dew/Father Kelly's Reels" ...
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The Chieftains
The Chieftains are a traditional Irish folk band formed in Dublin in 1962, by Paddy Moloney, Seán Potts and Michael Tubridy. Their sound, which is almost entirely instrumental and largely built around uilleann pipes, has become synonymous with traditional Irish music. They are regarded as having helped popularise Irish music around the world. They have won six Grammy Awards during their career and they were given a Lifetime Achievement Award at the 2002 BBC Radio 2 Folk Awards. Some music experts have credited The Chieftains with bringing traditional Irish music to a worldwide audience, so much so that the Irish government awarded them the honorary title of 'Ireland's Musical Ambassadors' in 1989. Name The band's name came from the book ''Death of a Chieftain'' by Irish author John Montague. Assisted early on by Garech Browne, they signed with his company Claddagh Records. They needed financial success abroad, and succeeded in this. Career Origins Paddy Moloney was a member ...
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Chet Atkins
Chester Burton Atkins (June 20, 1924 – June 30, 2001), known as "Mr. Guitar" and "The Country Gentleman", was an American musician who, along with Owen Bradley and Bob Ferguson, helped create the Nashville sound, the country music style which expanded its appeal to adult pop music fans. He was primarily a guitarist, but he also played the mandolin, fiddle, banjo, and ukulele, and occasionally sang. Atkins's signature picking style was inspired by Merle Travis. Other major guitar influences were Django Reinhardt, George Barnes, Les Paul, and, later, Jerry Reed. His distinctive picking style and musicianship brought him admirers inside and outside the country scene, both in the United States and abroad. Atkins spent most of his career at RCA Victor and produced records for the Browns, Hank Snow, Porter Wagoner, Norma Jean, Dolly Parton, Dottie West, Perry Como, Floyd Cramer, Elvis Presley, the Everly Brothers, Eddy Arnold, Don Gibson, Jim Reeves, Jerry Reed, Sk ...
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Cimbalom
The cimbalom (; ) or concert cimbalom is a type of chordophone composed of a large, trapezoidal box on legs with metal strings stretched across its top and a damping pedal underneath. It was designed and created by V. Josef Schunda in 1874 in Budapest, based on his modifications to the existing Hammered dulcimer instruments which were already present in Central and Eastern Europe. Today the instrument is mainly played in Hungary, Slovakia, Moravia, Romania, Moldova, and Ukraine. The cimbalom is typically played by striking two sticks, often with cotton-wound tips, against the strings which are on the top of the instrument. The steel treble strings are arranged in groups of 4 and are tuned in unison. The bass strings which are over-spun with copper, are arranged in groups of 3 and are also tuned in unison. The Hornbostel–Sachs musical instrument classification system registers the cimbalom with the number 314.122-4,5. The name “cimbalom” is also sometimes used to descr ...
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Harp
The harp is a stringed musical instrument that has a number of individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orchestras or concerts. Its most common form is triangular in shape and made of wood. Some have multiple rows of strings and pedal attachments. Ancient depictions of harps were recorded in Current-day Iraq (Mesopotamia), Iran (Persia), and Egypt, and later in India and China. By medieval times harps had spread across Europe. Harps were found across the Americas where it was a popular folk tradition in some areas. Distinct designs also emerged from the African continent. Harps have symbolic political traditions and are often used in logos, including in Ireland. History Harps have been known since antiquity in Asia, Africa, and Europe, dating back at least as early as 3000 BCE. The instrument had great popularity in Europe during the ...
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Derek Bell (musician)
George Derek Fleetwood Bell, MBE (21 October 1935 – 17 October 2002) was a Northern Irish harpist, pianist, oboist, musicologist and composer who was best known for his accompaniment work on various instruments with The Chieftains. As classical composer and virtuoso Bell was born in Belfast, Northern Ireland. Because he had been misdiagnosed at an early age as having a disease that would lead to blindness, his parents gave him a musical upbringing. He was something of a child prodigy, composing his first concerto at the age of 12. He graduated from the Royal College of Music in 1957. While studying there, he became friends with the flautist James Galway. From 1958 to 1990 he composed several classical works, including three piano sonatas, two symphonies, ''Three Images of Ireland in Druid Times'' (in 1993) for harp, strings and timpani, ''Nocturne on an Icelandic Melody'' (1997) for oboe d'amore and piano and ''Three Transcendental Concert Studies'' (2000) for oboe and piano. H ...
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Kevin Conneff
Kevin Conneff (born 8 January 1945) is an Irish singer and musician. He is best known as the lead singer and bodhrán player of Irish folk group; The Chieftains. He joined the group in 1976 after contributing to their album '' The Chieftains 6: Bonaparte's Retreat''. Conneff was born and raised in the Donore Avenue area in Dublin. Music was an important part of his home life but; as he later related, "I didn't hear traditional music from the womb," as did other members of the Chieftains. It was not until he began work as a photographic assistant for a printing machine company, at age 18, that he was introduced to Irish traditional music. A group of his work colleagues would hire a car every week to drive to local fleadhs (traditional Irish music festivals). Conneff began attending weekend jam sessions, occasionally joining the musicians for some songs. He was heavily influenced by the traditional style of singing from the Donegal/Fermanagh region in Ireland, particularly the si ...
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Cotton Eyed Joe
"Cotton-Eyed Joe" (also known as "Cotton-Eye Joe") is a traditional American country folk song popular at various times throughout the United States and Canada, although today it is most commonly associated with the American South. The song is also an instrumental banjo and bluegrass fiddle standard. "Cotton-Eyed Joe" has inspired both a partner dance and more than one line dance that is often danced at country dance venues in the United States and around the world. The 1980 film ''Urban Cowboy'' sparked a renewed interest in the dance. In 1985, The Moody Brothers' version of the song received a Grammy Award nomination for Best Country Instrumental Performance. Irish group The Chieftains received a Grammy nomination for Best Country Vocal Collaboration for their version of the song with lead vocals by Ricky Skaggs on their 1992 album '' Another Country''. In 1994 a version of the song recorded by the Swedish band Rednex as " Cotton Eye Joe" became popular worldwide. History ...
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Cúnla
"Cúnla" is an Irish folk song, originally composed in the Irish language. History Cúnla is a sean-nós children's song believed to have been composed sometime in the 14th century. The song is still well known and widely sung in Ireland and recordings have been published by many artists including Joe Heaney on the album '' The Road from Connemara'', The Dubliners, John Spillane, The Chieftains, Christy Moore, Gaelic Storm, Planxty and The Scratch. An original musical setting of a version of the text by composer Michael McGlynn entitled "Cúnnla" has been recorded by Anúna. Irish Version and translation :''Véarsa a haon'' :Cé hé siúd thíos 'tá ag leagadh na gclaíochaí? x 3 :(Who is that down there knocking down the (stone) walls?) :"Mise mé féin" a deir Cúnnla. :("Me, myself" says Cúnla.) :''Curfá'' :A Chúnla a chroí ná tar níos goire dhom! x 3 :(Cúnnla dear don't come any nearer to me!) :Go deimhin muise tiocfaidh! a deir Cúnla. :("Surely I will!" says Cú ...
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Grammy Award For Best Traditional Folk Album
The Grammy Award for Best Traditional Folk Album was awarded from 1987 to 2011. Until 1993 the award was known as the Grammy Award for Best Traditional Folk Recording. An award for Best Contemporary Folk Album was also presented. Prior to 1987 contemporary and traditional folk were combined as the Best Ethnic or Traditional Folk Recording. The award was discontinued in a major overhaul of Grammy categories. In 2012 this category was merged with Best Contemporary Folk Album to form the new Best Folk Album The Grammy Award for Best Folk Album is an award presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, to recording artists for releasing albums in the folk genre. Honors in several ... category. Years reflect the year in which the Grammy Awards were presented, for works released in the previous year. Recipients References {{DEFAULTSORT:Grammy Award For Best Traditional Folk Album Album awards Gra ...
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Grammy Award For Best Country Instrumental Performance
The Grammy Award for Best Country Instrumental Performance was awarded from 1970 to 2011. Between 1986 and 1989 the award was presented as the Grammy Award for Best Country Instrumental Performance (Orchestra, Group or Soloist). In 2012 the award was discontinued in a major overhaul of Grammy categories. From 2012, the best instrumental performances in the country category were shifted to either the Best Country Solo Performance The Grammy Award for Best Country Solo Performance is an award presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards. According to the 54th Grammy Awards description guide it is design ... or Best Country Duo/Group Performance categories, both newly formed. Years reflect the year in which the Grammy Awards were presented, for works released in the previous year. Recipients References {{DEFAULTSORT:Grammy Award For Best Country Instrumental Performance Grammy Awards for country musi ...
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Grammy Award For Best Country Collaboration With Vocals
The Grammy Award for Best Country Collaboration with Vocals was an honor presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, to quality country music collaborations for artists who do not normally perform together. Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position". Originally called the Best Country Vocal Performance, Duet, the award was first presented to Kenny Rogers and Ronnie Milsap at the 30th Grammy Awards in 1988 for the single " Make No Mistake, She's Mine". The next year, the category's name was changed to Best Country Vocal Collaboration, a name it held until 1996 when it was awarded as the Best Country Collaboration with Vocals. In 2011, the category was merged w ...
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Grammy Award For Best Pop Instrumental Performance
The Grammy Award for Best Pop Instrumental Performance was awarded between 1969 and 2011. *In 1969 it was awarded as Best Contemporary-Pop Performance, Instrumental *From 1970 to 1971 it was awarded as Best Contemporary Instrumental Performance *In 1972 it was awarded as Best Pop Instrumental Performance *In 1973 it was awarded as Best Pop Instrumental Performance by an Instrumental Performer *From 1974 to 1975 it was again awarded as Best Pop Instrumental Performance *From 1986 to 1989 it was awarded as Best Pop Instrumental Performance (Orchestra, Group or Soloist) *Since 1990 it has again been awarded as Best Pop Instrumental Performance *The award was discontinued from 2011 in a major overhaul of Grammy categories. From 2012, all instrumental performances in the pop category (solo or with a duo/group) were shifted to either the newly formed Best Pop Solo Performance or Best Pop Duo/Group Performance categories. A similar award for Best Instrumental Performance was awarded f ...
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