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Annunciation Of San Giovanni Valdarno
The ''Annunciation of San Giovanni Valdarno'' is a painting by Fra Angelico, painted in tempera on panel. It is part of a series of Annunciation panels painted by Fra Angelico in the 1430s. The other two are the '' Annunciation of Cortona'' and the ''Annunciation''. The ''Annunciation of San Giovanni Valdarno'' was looted from Italy during the Second World War by the Germans and returned to the country via the work of Rodolfo Siviero. It is now held at the Museo della Basilica di Santa Maria delle Grazie in San Giovanni Valdarno. History The ''Annunciation of San Giovanni Valdarno'' is one of three panel paintings of the subject by Fra Angelico. The two others are the Annunciation in the Prado in Madrid and the '' Annunciation of Cortona'' in the Museo Diocesano of Cortona. In 1432, Fra Angelico was working on an Annunciation painting for the church of Sant'Alessandro in Brescia, of which no trace remains. Several years later, the same church commissioned another Annunciatio ...
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Fra Angelico
Fra Angelico (born Guido di Pietro; February 18, 1455) was an Italian painter of the Early Renaissance, described by Vasari in his '' Lives of the Artists'' as having "a rare and perfect talent".Giorgio Vasari, ''Lives of the Artists''. Penguin Classics, 1965. He earned his reputation primarily for the series of frescoes he made for his own friary, San Marco, in Florence. He was known to contemporaries as Fra Giovanni da Fiesole (Brother John of Fiesole) and Fra Giovanni Angelico (Angelic Brother John). In modern Italian he is called ''Beato Angelico'' (Blessed Angelic One); the common English name Fra Angelico means the "Angelic friar". In 1982, Pope John Paul II proclaimed him "blessed" in recognition of the holiness of his life, thereby making the title of "Blessed" official. Fiesole is sometimes misinterpreted as being part of his formal name, but it was merely the name of the town where he took his vows as a Dominican friar, and was used by contemporaries to distingu ...
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Masolino Da Panicale
, death_date = ''c.'' 1447 , death_place = Florence , nationality = Italian , field = Painting, fresco , training = , movement = Italian Renaissance , works = frescoes in the Brancacci Chapel , patrons = Pipo of OzoraCardinal Branda Castiglione , influenced by = Lorenzo Monaco, Ghiberti, Massacio , influenced = Masolino da Panicale (nickname of Tommaso di Cristoforo Fini; c. 1383 – c. 1447) was an Italian painter. His best known works are probably his collaborations with Masaccio: '' Madonna with Child and St. Anne'' (1424) and the frescoes in the Brancacci Chapel (1424–1428). Biography Masolino ("Little Tom") was possibly born in Panicale near Florence. He may have been an assistant to Ghiberti in Florence between 1403 and 1407. In 1423, he joined the Florentine guild ''Arte dei Medici e Speziali'' (Doctors and Apothecaries), which included painters as an independent branch. He may have been the first artist to cre ...
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Paintings By Fra Angelico
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ...
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1430s Paintings
143 may refer to: *143 (number), a natural number *AD 143, a year of the 2nd century AD *143 BC, a year of the 2nd century BC * ''143'' (EP), a 2013 EP by Tiffany Evans * ''143'' (album), a 2015 album by Bars and Melody * ''143'' (2004 film), a 2004 Indian Telugu film * ''143'' (2022 film), a 2022 Indian Marathi film *''143'', a song by Set It Off from their 2009 EP, ''Calm Before the Storm'' *"1-4-3 (I Love You)", a 2013 song by Henry Lau *143 (West Midlands) Brigade *143 Records, record label of producer David Foster * KiYa 143 The is a four-axle B-B wheel arrangement diesel-hydraulic locomotive type operated in Japan since 2014 by West Japan Railway Company (JR West). Operations The KiYa 143 locomotives are used as self-propelled snowplough units during the winter ..., a locomotive type See also * List of highways numbered 143 * {{numberdis ...
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Zanobi Strozzi
Zanobi di Benedetto di Caroccio degli Strozzi (17 November 1412 – 6 December 1468), normally referred to more simply as Zanobi Strozzi, was an Italian Renaissance painter and manuscript illuminator active in Florence and nearby Fiesole. He was closely associated with Fra Angelico, probably as his pupil, as told by Vasari.Kanter and Palladino, 228; Gordon, 406 He is the same painter as the Master of the Buckingham Palace Madonna.Gordon, 406 Most of his surviving works are manuscript illuminations but a number of panel paintings have also been attributed to him, including seven altarpieces and six panels with the ''Virgin and Child,'' along with some designs for metalwork. Vasari says Strozzi "painted pictures and panels for a great many private houses in Florence"; he also mentions a double portrait. Strozzi may have been something of a pioneer in small narrative pictures for homes, which departed from the usual subject of the ''Virgin and Child''.Kanter and Palladino, 266 H ...
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Predella
In art a predella (plural predelle) is the lowest part of an altarpiece, sometimes forming a platform or step, and the painting or sculpture along it, at the bottom of an altarpiece, sometimes with a single much larger main scene above, but often (especially in earlier examples), a polyptych or multipanel altarpiece. In late medieval and Renaissance altarpieces, where the main panel consisted of a scene with large figures, it was normal to include a predella below with a number of small-scale narrative paintings depicting events from the life of the dedicatee, whether the ''Life of Christ'', the ''Life of the Virgin'' or a saint. Typically there would be three to five small scenes, in a horizontal format. Sometimes a single space shows different scenes in continuous representation. They are significant in art history, as the artist had more freedom from iconographic conventions than in the main panel as they could only be seen from close up. As the main panels themselves ...
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Beato Angelico - Annunciazione - San Giovanni Valdarno
Beato may refer to: People * Affonso Beato (born 1941), Brazilian cinematographer * Antonio Beato (1835–1906), British-Italian photographer * Felice Beato (1832–1909), British-Italian photographer * Felice A. Beato, collective signature used by the brothers Felice Beato and Antonio Beato * Fiordaliza Beato (born 1995), Dominican footballer * Gerónimo Beato (born 1995), Uruguayan footballer * Pedro Beato (born 1986), Major League Baseball player * Rick Beato (born 1962), American musician * Il Beato Angelico or Fra Angelico (Guido di Pietro, c.1395–1455), Italian painter Other uses * ''Beato'', an Italian epithet for a beatified person * Beato (Lisbon) Beato () is a ''freguesia'' (civil parish) and district of Lisbon, the capital of Portugal. Located in eastern Lisbon, Beato is to the west of Penha de França and south of Marvila and Areeiro. The population in 2011 was 12,737. ...
, a parish (''freguesia'') in Portugal {{disambig ...
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Fall Of Man
The fall of man, the fall of Adam, or simply the Fall, is a term used in Christianity to describe the transition of the first man and woman from a state of innocent obedience to God in Christianity, God to a state of guilty disobedience. * * * * The doctrine of the Fall comes from a biblical interpretation of Book of Genesis, Genesis, chapters 1–3. At first, Adam and Eve lived with God in the Garden of Eden, but the Serpents in the Bible, serpent tempted them into Taboo#In religion and mythology, eating the Forbidden fruit, fruit from the tree of knowledge of good and evil, which God had forbidden. After doing so, they became ashamed of their nakedness and God expelled them from the Garden to prevent them from eating from the Tree of life (biblical), tree of life and becoming Immortality, immortal. In Nicene Christianity, mainstream (Nicene) Christianity, the doctrine of the Fall is closely related to that of original sin or ancestral sin. They believe that the Fall brought sin ...
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Palm Branch
The palm branch is a symbol of victory, triumph, peace, and eternal life originating in the ancient Near East and Mediterranean world. The palm ''(Phoenix)'' was sacred in Mesopotamian religions, and in ancient Egypt represented immortality. In Judaism, the lulav, a closed frond of the date palm is part of the festival of Sukkot. A palm branch was awarded to victorious athletes in ancient Greece, and a palm frond or the tree itself is one of the most common attributes of Victory personified in ancient Rome. In Christianity, the palm branch is associated with Jesus' Triumphal Entry into Jerusalem, celebrated on Palm Sunday, when the Gospel of John says of the citizens, "they took palm branches and went out to meet Him" (12:13 HCSB). Additionally, the palm has meaning in Christian iconography, representing victory, i.e. the victory of the spirit over the flesh (Revelation 7:9). Since a victory signals an end to a conflict or competition, the palm developed into a symbol of peace, ...
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Hortus Conclusus
''Hortus conclusus'' is a Latin term, meaning literally "enclosed garden". At their root, both of the words in ''hortus conclusus'' refer linguistically to enclosure. It describes a genre of garden that was enclosed as a practical concern, a major theme in the history of gardening. Having roots in the '' Song of Songs'' in the Hebrew scriptures, the term ''hortus conclusus'' has importantly been applied as an emblematic attribute and a title of the Virgin Mary in Medieval and Renaissance poetry and art, first appearing in paintings and manuscript illuminations about 1330 The Virgin Mary as ''hortus conclusus'' The term ''hortus conclusus'' is derived from the Vulgate Bible's '' Canticle of Canticles'' (also called the ''Song of Songs'' or ''Song of Solomon'') 4:12, in Latin: "''Hortus conclusus soror mea, sponsa, hortus conclusus, fons signatus''" ("A garden enclosed is my sister, my spouse; a garden enclosed, a fountain sealed up.") This provided the shared linguistic cultur ...
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Annunciation (Masolino)
The ''Annunciation'' of Masolino is a tempera on panel painting dated to or . It is in the collection of the National Gallery of Art in Washington, D.C. History The artwork was painted for the altar of the Guardini chapel on the left wall of the in Florence. It is not known whether the work was painted before or after the Brancacci Chapel (where Masolino worked from 1424 to 1425). The date of the painting is tied to the question of Masolino's capacity for using perspective—he might have developed the technique either on his own or with the help of his collaborator on the Brancacci Chapel, Masaccio. In 1567, the panel was transferred to another chapel, and in 1576 it was placed in the church's sacristy, when it was substituted by a more modern Annunciation painted by Alessandro Fei. It remained in the church until around the beginning of the 19th century—its disappearance from the church was only mentioned in editorial comments from the 1832–1838 edition of Giorgio Vasar ...
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Vanishing Point
A vanishing point is a point on the image plane of a perspective drawing where the two-dimensional perspective projections of mutually parallel lines in three-dimensional space appear to converge. When the set of parallel lines is perpendicular to a picture plane, the construction is known as one-point perspective, and their vanishing point corresponds to the oculus, or "eye point", from which the image should be viewed for correct perspective geometry.Kirsti Andersen (2007) ''Geometry of an Art'', p. xxx, Springer, Traditional linear drawings use objects with one to three sets of parallels, defining one to three vanishing points. Italian humanist polymath and architect Leon Battista Alberti first introduced the concept in his treatise on perspective in art, '' De pictura'', written in 1435. Vector notation The vanishing point may also be referred to as the "direction point", as lines having the same directional vector, say ''D'', will have the same vanishing point. Mathem ...
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