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Annunciation (van Eyck, Madrid)
''The Annunciation'' (sometimes ''Diptych of The Annunciation'') is an oil on wood in grisaille painting by the Early Netherlandish artist Jan van Eyck, dated by art historians as between 1434 and 1436. The panels form a diptych, and are currently in the collection of the Museo Thyssen-Bornemisza, Madrid. The figures and iconography are very similar to those in the outer panels of van Eyck's earlier ''Ghent Altarpiece'' completed in 1432.Jacobs, X However, their relative small scale suggests commission for private worship rather than public celebration. Description The panels show the Archangel Gabriel on the left and the Virgin Mary on the right. Both are dressed in white robes. The figures of Mary and Gabriel are disproportionately large in relation to the scale of the rooms they occupy. Art historians agree that this follows the conventions of both the International Gothic and late Byzantine traditions of the icon by showing saints, especially Mary, in a much larger scale tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Holy Spirit
In Judaism, the Holy Spirit is the divine force, quality, and influence of God over the Universe or over his creatures. In Nicene Christianity, the Holy Spirit or Holy Ghost is the third person of the Trinity. In Islam, the Holy Spirit acts as an agent of divine action or communication. In the Baha’i Faith, the Holy Spirit is seen as the intermediary between God and man and "the outpouring grace of God and the effulgent rays that emanate from His Manifestation". Comparative religion The Hebrew Bible contains the term " spirit of God" (''ruach hakodesh'') which by Jews is interpreted in the sense of the might of a unitary God. This interpretation is different from the Christian conception of the Holy Spirit as one person of the Trinity. The Christian concept tends to emphasize the moral aspect of the Holy Spirit more than Judaism, evident in the epithet Spirit that appeared in Jewish religious writings only relatively late but was a common expression in the Christian N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Books In Art
A book is a medium for recording information in the form of writing or images, typically composed of many pages (made of papyrus, parchment, vellum, or paper) bound together and protected by a cover. The technical term for this physical arrangement is ''codex'' (plural, ''codices''). In the history of hand-held physical supports for extended written compositions or records, the codex replaces its predecessor, the scroll. A single sheet in a codex is a leaf and each side of a leaf is a page. As an intellectual object, a book is prototypically a composition of such great length that it takes a considerable investment of time to compose and still considered as an investment of time to read. In a restricted sense, a book is a self-sufficient section or part of a longer composition, a usage reflecting that, in antiquity, long works had to be written on several scrolls and each scroll had to be identified by the book it contained. Each part of Aristotle's ''Physics'' is called a bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings Depicting The Annunciation
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Jan Van Eyck
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1430s Paintings
143 may refer to: *143 (number), a natural number *AD 143, a year of the 2nd century AD *143 BC, a year of the 2nd century BC * ''143'' (EP), a 2013 EP by Tiffany Evans * ''143'' (album), a 2015 album by Bars and Melody * ''143'' (2004 film), a 2004 Indian Telugu film * ''143'' (2022 film), a 2022 Indian Marathi film *''143'', a song by Set It Off from their 2009 EP, ''Calm Before the Storm'' *"1-4-3 (I Love You)", a 2013 song by Henry Lau *143 (West Midlands) Brigade *143 Records, record label of producer David Foster * KiYa 143 The is a four-axle B-B wheel arrangement diesel-hydraulic locomotive type operated in Japan since 2014 by West Japan Railway Company (JR West). Operations The KiYa 143 locomotives are used as self-propelled snowplough units during the winter ..., a locomotive type See also * List of highways numbered 143 * {{numberdis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taschen
Taschen is a luxury art book publisher founded in 1980 by Benedikt Taschen in Cologne, Germany. As of January 2017, Taschen is co-managed by Benedikt and his eldest daughter, Marlene Taschen. History The company began as Taschen Comics, publishing Benedikt's comic collection. Taschen focuses on making lesser-seen art available to mainstream bookstores, including fetishistic imagery, queer art, historical erotica, pornography, and adult magazines (including multiple books with ''Playboy'' magazine). The firm has brought potentially controversial art into broader public view, publishing it alongside its more mainstream books of comics reprints, art photography, painting, design, fashion, advertising history, film, and architecture.Degen Pener''Taschen Books Chief Reveals New Projects, Talks 'Fifty Shades' and $12M Books'' published in The Hollywood Reporter, 25 November 2014 Taschen publications are available in a various sizes, from oversized tomes to small pocket-sized ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Works By Jan Van Eyck
This is a list of works by the Early Netherlandish artist Jan van Eyck. Van Eyck was not a prolific artist, with only twenty-one paintings attributed to him by scholars. Van Eyck was the first major European artist to utilize oil painting. Though the use of oil paint preceded Van Eyck by many centuries, his virtuosic handling and manipulation of oil paint, use of glazes, wet-on-wet and other techniques was such that Giorgio Vasari started the myth that Van Eyck had invented oil paintingBorchert (2008), 92–94 About 20 surviving paintings are confidently attributed to him, as well as the ''Ghent Altarpiece'' and the illuminated miniatures of the Turin-Milan Hours, all dated between 1432 and 1439. Ten are dated and signed with a variation of his motto ALS ICH KAN (''As I (Eyck) can''), a pun on his name, which he typically painted in Greek characters. Paintings Illuminated Manuscripts Drawings Lost Works Contested Workshop References Sources * Borchert, Till-H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Annunciation (van Eyck, Washington)
''The Annunciation'' is an oil painting by the Early Netherlandish master Jan van Eyck, from around 1434–1436. The panel is housed in the National Gallery of Art, in Washington D.C. It was originally on panel but has been transferred to canvas. It is thought that it was the left (inner) wing of a triptych; there has been no sighting of the other wings since before 1817. The annunciation is a highly complex work, whose iconography is still debated by art historians. It was bought by the Tsar of Russia for the Hermitage Museum, but was sold by Stalin's government in 1930. The picture depicts the Annunciation by the Archangel Gabriel to the Virgin Mary that she will bear the son of God (Luke 1:26-38). The inscription shows his words: ''AVE GRÃ. PLENA'' or "Hail, full of grace...". She modestly draws back and responds, ''ECCE ANCILLA DÑI'' or "Behold the handmaiden of the Lord". The words appear upside down because they are directed to God and are therefore inscribed w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trompe-l'œil
''Trompe-l'œil'' ( , ; ) is an artistic term for the highly realistic optical illusion of three-dimensional space and objects on a two-dimensional surface. ''Trompe l'oeil'', which is most often associated with painting, tricks the viewer into perceiving painted objects or spaces as real. Forced perspective is a related illusion in architecture. History in painting The phrase, which can also be spelled without the hyphen and ligature in English as ''trompe l'oeil'', originates with the artist Louis-Léopold Boilly, who used it as the title of a painting he exhibited in the Paris Salon of 1800. Although the term gained currency only in the early 19th century, the illusionistic technique associated with ''trompe-l'œil'' dates much further back. It was (and is) often employed in murals. Instances from Greek and Roman times are known, for instance in Pompeii. A typical ''trompe-l'œil'' mural might depict a window, door, or hallway, intended to suggest a larger room. A version o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Architrave
In classical architecture, an architrave (; from it, architrave "chief beam", also called an epistyle; from Greek ἐπίστυλον ''epistylon'' "door frame") is the lintel or beam that rests on the capitals of columns. The term can also apply to all sides, including the vertical members, of a frame with mouldings around a door or window. The word "architrave" has come to be used to refer more generally to a style of mouldings (or other elements) framing a door, window or other rectangular opening, where the horizontal "head" casing extends across the tops of the vertical side casings where the elements join (forming a butt joint, as opposed to a miter joint). Classical architecture In an entablature in classical architecture, it is the lowest part, below the frieze and cornice. The word is derived from the Greek and Latin words ''arche'' and ''trabs'' combined to mean "main beam". The architrave is different in the different Classical orders. In the Tuscan o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grisaille
Grisaille ( or ; french: grisaille, lit=greyed , from ''gris'' 'grey') is a painting executed entirely in shades of grey or of another neutral greyish colour. It is particularly used in large decorative schemes in imitation of sculpture. Many grisailles include a slightly wider colour range. Paintings executed in brown are referred to as ''brunaille'', and paintings executed in green are called ''verdaille''. A grisaille may be executed for its own sake, as an underpainting for an oil painting (in preparation for glazing layers of colour over it) or as a model from which an engraver may work (as was done by Rubens and his school). Full colouring of a subject makes many demands of an artist, and working in grisaille was often chosen as it may be quicker and cheaper than traditional painting, although the effect was sometimes deliberately chosen for aesthetic reasons. Grisaille paintings resemble the drawings, normally in monochrome, that artists from the Renaissance on were tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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