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Annibale Lippi
Annibale Lippi (16th century-Rome, after 18 November 1581) was an Italian architect active during the second half of 16th century. He was son of the sculptor and architect Nanni di Baccio Bigio. Pupil of Francesco Salviati, his only certain works are the church of Our Lady of Loreto at Spoleto, built around 1572, where he adopts a Vignola style, the churches of Santa Maria a Monte Cavallo and Santa Maria della Pietà a Piazza Colonna, both in Rome. The Villa Medici in Rome, who used to be assigned to it, is probably due to his father, but he worked there during the construction. In Rome Lippi restored the Palazzo dei Convertendi at Piazza Scossacavalli in Borgo, when this was bought by Cardinal Francesco Commendone (1523–84), and gave to the building its definitive facade.Gigli (1992) p. 48 In 1578 he appeared among the members of the Accademia dei Virtuosi at Pantheon. He died after 18 November 1581 when, already ill, wrote his testament, and was buried in the family tomb in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spoleto
Spoleto (, also , , ; la, Spoletum) is an ancient city in the Italian province of Perugia in east-central Umbria on a foothill of the Apennines. It is S. of Trevi, N. of Terni, SE of Perugia; SE of Florence; and N of Rome. History Spoleto was situated on the eastern branch of the Via Flaminia, which forked into two roads at Narni and rejoined at ''Forum Flaminii'', near Foligno. An ancient road also ran hence to Nursia. The ''Ponte Sanguinario'' of the 1st century BC still exists. The Forum lies under today's marketplace. Located at the head of a large, broad valley, surrounded by mountains, Spoleto has long occupied a strategic geographical position. It appears to have been an important town to the original Umbri tribes, who built walls around their settlement in the 5th century BC, some of which are visible today. The first historical mention of ''Spoletium'' is the notice of the foundation of a colony there in 241 BC; and it was still, according to Cicero ''colonia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nanni Di Baccio Bigio
Nanni di Baccio Bigio, a pseudonym of Giovanni Lippi (1507? – 1568), was an Italian architect who lived during the 16th century. Works A versatile architect, he had originally set out to be a sculptor working under Raffaello da Montelupo. After arriving in Rome, he made a good copy of Michelangelo's Pietà. Michelangelo disliked him while Nanni worked to supplant Michelangelo. Nanni also took over the reconstruction of the Bridge of Santa Maria from Michelangelo in 1551, but his work proved to be inadequate and the bridge was destroyed in the 1557 flood. He worked primarily in Rome where he designed the Palazzo Salviati alla Lungara in the style of Giuliano da Sangallo, he directed the reconstruction of the Castel Sant'Angelo, and built the Porta del Popolo. In addition, he completed the Palazzo Sacchetti in via Giulia and contributed to the fortifications of Fano and Civitavecchia. In Monte San Savino, he contributed to the construction of the Palazzo di Monte and the Lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco De' Rossi
Francesco de' Rossi (1510–11 November 1563) was an Italian Mannerist painter who lived and worked in Florence, with periods in Bologna and Venice, ending with a long period in Rome, where he died. He is known by various names, usually the adopted one of Francesco Salviati or Il Salviati, after an early patron, but also Francesco Rossi and Cecchino del Salviati. He worked in fresco and oils, on ambitious history paintings, but also painted many portraits, and designed tapestries for the Medici. Biography Salviati was born in Florence. He apprenticed under Giuliano Bugiardini, Baccio Bandinelli, Raffaele Brescianino, and finally Andrea del Sarto in 1529–30. In 1531 he traveled to Rome, where he met another Bandinelli pupil, Giorgio Vasari, and helped to complete the frescoes on the ''Life of John the Baptist'' in the Palazzo Salviati for the Cardinal Giovanni Salviati. It is from his attachment to this household that he took on the surname. He frescoed an ''Annunciatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villa Medici
The Villa Medici () is a Mannerist villa and an architectural complex with a garden contiguous with the larger Borghese gardens, on the Pincian Hill next to Trinità dei Monti in Rome, Italy. The Villa Medici, founded by Ferdinando I de' Medici, Grand Duke of Tuscany and now property of the French State, has housed the French Academy in Rome since 1803. A musical evocation of its garden fountains features in Ottorino Respighi's ''Fountains of Rome''. History In ancient times, the site of the Villa Medici was part of the gardens of Lucullus, which passed into the hands of the Imperial family with Messalina, who was murdered in the villa. In 1564, when the nephews of Cardinal Giovanni Ricci of Montepulciano acquired the property, it had long been abandoned to viticulture. The sole dwelling was the Casina of ''Cardinale'' Marcello Crescenzi, who had maintained a vineyard here and had begun improvements to the villa under the direction of the Florentine Nanni Lippi, who had died ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Dei Convertendi
Palazzo dei Convertendi (also Palazzo della Congregazione per le Chiese orientali) is a reconstructed Renaissance palace in Rome. It originally faced the Piazza Scossacavalli, but was demolished and rebuilt along the north side of Via della Conciliazione, the wide avenue constructed between 1936 and 1950, which links St Peter's Basilica and the Vatican City to the centre of Rome. The palace is famous as the last home of the painter Raphael, who died there in 1520. Location The palace is located in the rione Borgo of Rome along the north side of Via della Conciliazione. The palazzo's principal facade faces south.Gigli (1992), Inside front cover The east facade faces Via dell'erba, which separates it from Palazzo Torlonia, another Renaissance building. To the west lies Palazzo Rusticucci-Accoramboni, another Renaissance building demolished and reconstructed in the 1940. History Palazzo Caprini Towards the middle of the 15th century, a house named "della stufa" stood at the n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piazza Scossacavalli
Piazza Scossacavalli, also named Piazza di San Clemente, Piazza di Trento, Piazza d'Aragona, Piazza Salviati, was a square in Rome, Italy, important for historical and architectonic reasons. The square was demolished together with the surrounding quarter in 1937 due to the construction of Via della Conciliazione. Location Located in the Borgo (rione of Rome), Borgo ''Rioni of Rome, rione'', the square, of quadrangular shape, was located between the two roads of Borgo Nuovo (Rome), Borgo Nuovo and Borgo Vecchio (Rome), Borgo Vecchio, which crossed it tangentially respectively along its north and south side at about two-thirds of their length in direction of Saint Peter's Basilica. Piazza Scossacavalli was the center of the so–called ''spina'' (the name derives from its resemblance with the median strip of a Circus (building), Roman circus), composed of several blocks elongated in E–W direction between Castel Sant'Angelo, the castle and Saint Peter. Naming The square's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Borgo (rione Of Rome)
Borgo (sometimes called also I Borghi) is the 14th ''Rioni of Rome, rione'' of Rome, Italy. It is identified by the initials R. XIV and is included within Municipio I. Its coat of arms shows a lion (after the name "Leonine City", which was also given to the district), lying in front of three mounts and a star. These – together with a Heraldry, lion rampant – are also part of the coat of arms of Pope Sixtus V, who annexed Borgo as the 14th rione of Rome. History Roman Age: ''Ager Vaticanus'' During the Roman age, the Borgo district was part of the 14th 14 regions of the Augustan Rome, Regio (Regio XIV Transtiberim) and was named ''Ager Vaticanus'', after the auguries (''vaticinii'') performed there by the Etruscan civilisation, Etruscan ''Augurs''. Since it lay outside the Pomerium (the religious city border inside which burial was forbidden) and was plagued by malaria, this territory was used as a burial place. Some tombs reached notable proportions, including the ''Terebinth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Francesco Commendone
Giovanni Francesco Commendone (17 March 1523 – 26 December 1584) was an Italian cardinal and papal nuncio. Life Commendone was born at Venice. After an education in the humanities and in jurisprudence at the University of Padua, he came to Rome in 1550. The ambassador of Venice presented him to Pope Julius III, who appointed him one of his secretaries. After successfully performing various papal missions of minor importance, he accompanied Cardinal Legate Girolamo Dandino to the Netherlands, whence Pope Julius III sent him in 1553 on an important mission to Queen Mary Tudor, who had just succeeded Edward VI on the English throne. He was to treat with the new queen concerning the restoration of the Catholic faith in England. Accompanied by Penning, a servant and confidant of Cardinal Reginald Pole, Commendone arrived in London on 8 August 1553. Though Mary Tudor was a loyal Catholic, she was surrounded at court by numerous opponents of papal authority, who made it diffi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pontifical Academy Of Fine Arts And Letters Of The Virtuosi Al Pantheon
The Pontifical Academy of Fine Arts and Letters of the Virtuosi al Pantheon is one of the Pontifical Academy, Pontifical Academies under the direction of the Holy See. The complete Italian name of the academy, Pontificia Insigne Accademia di Belle Arti e Letteratura dei Virtuosi al Pantheon, includes the adjective ''insigne'' (illustrious), often omitted in official English translations. The term ''Virtuosi al Pantheon'' (virtuosos of the Pantheon) is also usually left untranslated, but, in any event, should not be taken in the English musical sense of “virtuoso” but rather “artists of great merit”. The Pantheon in Rome was the historical home of the academy. The term “academy” is meant in the Renaissance definition of the term as an association of learned persons and not an institution of instruction. History The academy was founded as the “Congregation of Saint Joseph of the Holy Land” in 1542 under the auspices of the Cistercian monk, Desiderio d’Adiutorio and w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trinità Dei Monti
The church of the Santissima Trinità dei Monti, often called merely the Trinità dei Monti ( French: ''La Trinité-des-Monts''), is a Roman Catholic late Renaissance titular church in Rome, central Italy. It is best known for its position above the Spanish Steps which lead down to the famous Piazza di Spagna. The church and its surrounding area (including the Villa Medici) are a French State property. History In 1494, Saint Francis of Paola, a hermit from Calabria, bought a vineyard from the papal scholar and former patriarch of Aquileia, Ermolao Barbaro, and then obtained the authorization from Pope Alexander VI to establish a monastery for the Minimite Friars. In 1502, Louis XII of France began construction of the church of the Trinità dei Monti next to this monastery, to celebrate his successful invasion of Naples. Building work began in a French style with pointed late Gothic arches, but construction lagged. The present Italian Renaissance church was eventually built ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannerist Architects
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century Italian Architects
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
