Anne Vanschothorst
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Anne Vanschothorst
Anne Vanschothorst (born 9 July 1974 in Emmen, Netherlands, Emmen, Drenthe) is a Dutch harpist and composer. She plays the pedal harp, celtic harp and historical harps as well; an antique Erard (company), Erard harp (double action) and a Schwieso Grosjean (single action). The Canadian composer Jean Chatillon has dedicated to her a composition for harp solo. Vanschothorst composed her first music piece, "Still Life" at age 15. The composition is originally written for harp and flute and later arranged for harp solo. Vanschothorst is producing CDs and DVDs for her Independent music, indy label Harp and Soul Productions. She is also responsible for the compositions and film recordings of these productions. She has been assigned also for composition projects. The composition "Streetlife" has been selected from many submissions for the ''60x60'' project in 2006–2007, of composer and musician Robert Voisey. Several compositions could be heard on (inter)national radio stations and ...
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Emmen, Netherlands
Emmen () is a municipality and town of the province of Drenthe in the northeastern Netherlands. History A planned city, Emmen arose from several small farming and peat-harvesting communities which have dotted the province of Drenthe since the Middle Ages. Traces of these communities can still be seen in the form of the villages of Westenesch, Noordbarge and Zuidbarge: they have a separate history and layout but are surrounded by the suburbs and the center of Emmen. The expansion of the town did not happen until after the Second World War. Suburbs were built around the old center of Emmen, starting with Emmermeer directly to the north, and followed to the south-east by Angelslo (for which an old village of the same name was demolished), Emmerhout (famed at the time for being separated from the town by an existing forest) to the east, Bargeres, the Rietlanden and Parc Sandur to the south and south-west. Construction of the last suburb, called Delftlanden, is well underw ...
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Minimal Music
Minimal music (also called minimalism)"Minimalism in music has been defined as an aesthetic, a style, and a technique, each of which has been a suitable description of the term at certain points in the development of minimal music. However, two of these definitions of minimalism—aesthetic and style—no longer accurately represent the music that is often given that label." Johnson 1994, 742. is a form of art music or other compositional practice that employs limited or minimal musical materials. Prominent features of minimalist music include repetitive patterns or pulses, steady drones, consonant harmony, and reiteration of musical phrases or smaller units. It may include features such as phase shifting, resulting in what is termed phase music, or process techniques that follow strict rules, usually described as process music. The approach is marked by a non-narrative, non-teleological, and non- representational approach, and calls attention to the activity of listening by focu ...
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