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Anna Storace
Anna (or Ann) Selina Storace (; 27 October 176524 August 1817), known professionally as Nancy Storace, was an English operatic soprano. The role of Susanna in Mozart's ''Le nozze di Figaro'' was written for and first performed by her. Born in London, her singing career as a child prodigy began in England by the age of 12. This led to further study in Italy and to a successful singing career there during the late 1770s. While in Monza (or shortly before in Milan) in 1782,Pesqué 2017, p. 56-57 quotes a letter dated November 1785 from Poet Giovanni Battista Casti who informs his correspondent that Storace and Benucci have been already recruited for Vienna. she was recruited to form part of Emperor Joseph II's new Italian opera company in Vienna, where the assembled singers who joined her "created in the two years leading up to the premiere of ''The Marriage of Figaro'', were welded into the finest buffa ensemble anywhere." In Vienna, she befriended both Mozart and Joseph Haydn. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nancy Storace Portrait By Pietro Bettelini 2
Nancy may refer to: Places France * Nancy, France, a city in the northeastern French department of Meurthe-et-Moselle and formerly the capital of the duchy of Lorraine ** Arrondissement of Nancy, surrounding and including the city of Nancy ** Roman Catholic Diocese of Nancy, surrounding and including the city of Nancy ** École de Nancy, the spearhead of the Art Nouveau in France ** Musée de l'École de Nancy, a museum * Nancy-sur-Cluses, Haute-Savoie United States * Nancy, Kentucky * Mount Nancy, in the White Mountains of New Hampshire * Nancy, Virginia People * Nancy (given name), including a list of people and fictional characters with the name * Nancy (singer) (born Nancy Jewel McDonie), member of Momoland * Jean-Luc Nancy (1940–2021), French philosopher * Nazmun Munira Nancy, Bangladeshi singer Vessels * * ''Nancy'' (1803 ship), a sloop wrecked near Jervis Bay in 1805 * ''Nancy'' (1789 ship), a schooner built in Detroit in 1789, best known for playing a pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Benucci
Francesco Benucci (c. 1745 – 5 April 1824) was an Italian bass/baritone singer of the 18th century. He sang a number of important roles in the operas of Wolfgang Amadeus Mozart, Antonio Salieri and other composers. Life Historical background and early career He was born c. 1745 in Livorno and began his early career there around 1768.Link (2004, vii) The start of Benucci's career took place in an already flourishing world of opera buffa, which provided an existing role type, the comic bass singer or ''buffo'', at which Benucci came to excel. The historical background is described by Rice: :In one of his earliest appearances (Livorno 1768) Benucci sang Tritemio in ''Il filosofo di campagna''. That he began his career in an opera by Galuppi and Goldoni and in a role created by Carattoli is emblematic of his place in the history of opera buffa. He took up the tradition ... to which Goldoni, in collaboration with composers as Galuppi and such singers as Carattoli, had contribut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Scuola De' Gelosi
(''The School of the Jealous'') is a ''dramma giocoso'' in two acts by Antonio Salieri, set to a libretto by Caterino Mazzolà. Performance history It was first performed at the Teatro San Moisè in Venice on 27 December 1778. In 1783 it was given at the Burgtheater#History, Burgtheater in Vienna to inaugurate the reestablishment of the Italian opera troupe. Salieri revised the score for the 1783 performances, creating new arias and expanding the role of woodwinds and brass in the scoring of the work. The cast included Francesco Benucci as Blasio and Nancy Storace as the countess, the original Figaro and Susanna in Mozart's ''The Marriage of Figaro''. It reached London in 1786, where, as in many other European cities, it enjoyed great success. Joseph Haydn composed two insertion arias for the work, one lost, the surviving aria, "Dice benissimo", for the bass role Lumaca and orchestra, H. 24b/5. Among the many admirers of the opera was Johann Wolfgang von Goethe, who wrote to C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Salieri
Antonio Salieri (18 August 17507 May 1825) was an Italian classical composer, conductor, and teacher. He was born in Legnago, south of Verona, in the Republic of Venice, and spent his adult life and career as a subject of the Habsburg monarchy. Salieri was a pivotal figure in the development of late 18th-century opera. As a student of Florian Leopold Gassmann, and a protégé of Christoph Willibald Gluck, Salieri was a cosmopolitan composer who wrote operas in three languages. Salieri helped to develop and shape many of the features of operatic compositional vocabulary, and his music was a powerful influence on contemporary composers. Appointed the director of the Italian opera by the Habsburg court, a post he held from 1774 until 1792, Salieri dominated Italian-language opera in Vienna. During his career, he also spent time writing works for opera houses in Paris, Rome, and Venice, and his dramatic works were widely performed throughout Europe during his lifetime. As the Aus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Da Ponte
Lorenzo Da Ponte (; 10 March 174917 August 1838) was an Italian, later American, opera librettist, poet and Roman Catholic priest. He wrote the libretti for 28 operas by 11 composers, including three of Mozart's most celebrated operas: ''The Marriage of Figaro'' (1786), ''Don Giovanni'' (1787), and '' Così fan tutte'' (1790). Early career Lorenzo Da Ponte was born Emanuele Conegliano in 1749 in Ceneda in the Republic of Venice (now Vittorio Veneto, Italy). He was Jewish by birth, the eldest of three sons. In 1764, his father, Geronimo Conegliano, then a widower, converted himself and his family to Roman Catholicism in order to marry a Catholic woman. Emanuele, as was the custom, took the name of Lorenzo Da Ponte from the bishop of Ceneda who baptised him. Thanks to the bishop, the three Conegliano brothers studied at the Ceneda seminary. The bishop died in 1768, after which Lorenzo moved to the seminary at Portogruaro, where he took Minor Orders in 1770 and became Professor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Durazzo
Count Giacomo Durazzo (27 April 1717 – 15 October 1794) was an Italian diplomat and man of theatre. Biography He was born into the House of Durazzo, one of the most important aristocratic families in Genoa. His older brother was the doge Marcello Durazzo. In 1749, he became ambassador to the court in Vienna, where he was appointed director of the imperial theatres in the city in 1754. He is most famous for working with the composer Christoph Willibald Gluck on reforming Italian opera. In 1750, he married the eighteen-year-old Countess Ernestine Aloisia Ungnad von Weissenwolff (1732–1794). He died in Venice. References *A. Valenti Durazzo, "I Durazzo da schiavi a dogi della Repubblica di Genova", www.storiadurazzo.com, Chra Principauté de Monaco, 2004. *E. Podestà ''Giacomo Durazzo da genovese a cittadino d'Europa,'' Accademia Urbense Ovada, 1992. *M.L. Sebastiani e F. Porticelli, ''Torino musicale "scrinium" di Vivaldi Antonio Lucio Vivaldi (4 March 1678 – 28 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro San Samuele
Teatro San Samuele was an opera house and theatre located at the Rio del Duca, between Campo San Samuele and Campo Santo Stefano, in Venice. One of several important theatres built in that city by the Grimani family, the theatre opened in 1656 and operated continuously until a fire destroyed the theatre in 1747. A new structure was built and opened in 1748, but financial difficulties forced the theatre to close and be sold in 1770. The theatre remained active until 1807 when it was shut down by Napoleonic decree. It reopened in 1815 and was later acquired by impresario Giuseppe Camploy in 1819. In 1853 the theatre was renamed the Teatro Camploy. Upon Camploy's death in 1889, the theatre was bequeathed to the City of Verona. The Venice City Council in turn bought the theatre and demolished it in 1894. History One of the most important Venetian theatres of the 17th and 18th centuries, the Teatro San Samuele was constructed in 1656 through a commission made by the Grimani family a ye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph II
Joseph II (German: Josef Benedikt Anton Michael Adam; English: ''Joseph Benedict Anthony Michael Adam''; 13 March 1741 – 20 February 1790) was Holy Roman Emperor from August 1765 and sole ruler of the Habsburg lands from November 29, 1780 until his death. He was the eldest son of Empress Maria Theresa and her husband, Emperor Francis I, and the brother of Marie Antoinette, Maria Carolina of Austria and Maria Amalia, Duchess of Parma. He was thus the first ruler in the Austrian dominions of the union of the Houses of Habsburg and Lorraine, styled Habsburg-Lorraine. Joseph was a proponent of enlightened absolutism; however, his commitment to secularizing, liberalizing and modernizing reforms resulted in significant opposition, which resulted in failure to fully implement his programs. Meanwhile, despite making some territorial gains, his reckless foreign policy badly isolated Austria. He has been ranked with Catherine the Great of Russia and Frederick the Great of Prussia as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octave
In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music," the use of which is "common in most musical systems." The interval between the first and second harmonics of the harmonic series is an octave. In Western music notation, notes separated by an octave (or multiple octaves) have the same name and are of the same pitch class. To emphasize that it is one of the perfect intervals (including unison, perfect fourth, and perfect fifth), the octave is designated P8. Other interval qualities are also possible, though rare. The octave above or below an indicated note is sometimes abbreviated ''8a'' or ''8va'' ( it, all'ottava), ''8va bassa'' ( it, all'ottava bassa, sometimes also ''8vb''), or simply ''8'' for the octave in the direction indicated by placing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Semitone
A semitone, also called a half step or a half tone, is the smallest musical interval commonly used in Western tonal music, and it is considered the most dissonant when sounded harmonically. It is defined as the interval between two adjacent notes in a 12-tone scale. For example, C is adjacent to C; the interval between them is a semitone. In a 12-note approximately equally divided scale, any interval can be defined in terms of an appropriate number of semitones (e.g. a whole tone or major second is 2 semitones wide, a major third 4 semitones, and a perfect fifth 7 semitones. In music theory, a distinction is made between a diatonic semitone, or minor second (an interval encompassing two different staff positions, e.g. from C to D) and a chromatic semitone or augmented unison (an interval between two notes at the same staff position, e.g. from C to C). These are enharmonically equivalent when twelve-tone equal temperament is used, but are not the same thing in meantone temper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cavatina
Cavatina is a musical term, originally meaning a short song of simple character, without a second strain or any repetition of the air. It is now frequently applied to any simple, melodious air, as distinguished from brilliant arias or recitatives, many of which are part of a larger movement or scena in oratorio or opera. One famous piece that bears the name, although without words, is the 5th movement of Beethoven's String Quartet in B-flat major, Opus 130. "Ecco, ridente in cielo" from Gioachino Rossini's opera ''The Barber of Seville'', "Porgi amor" and "Se vuol ballare" from Mozart's ''The Marriage of Figaro'' are also well-known cavatinas. Ralph Vaughan Williams gave the title of "Cavatina" to the 3rd movement of his Symphony no. 8. In opera, the term has been described as: a musical form appearing in operas and occasionally in cantatas and instrumental music....In opera the cavatina is an aria, generally of brilliant character, sung in one or two sections without repeats ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
