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Anna Judic
Anne Marie-Louise Damiens, stage name Anna Judic (18 July 1849, Semur-en-Auxois – 15 April 1911, Golfe-Juan) was a French comic actress. Life Niece of Montigny (the director of the Gymnase), in 1866 she entered the Conservatoire de Paris in the class of François-Joseph Regnier, which she left the following year to make her debut at the Théâtre du Gymnase in '' Les Grandes Demoiselles'', a one-act comedy by Edmond Gondinet. However, it was at the Eldorado that she first really became known, in a répertoire of "chansons légères" in which her apparent innocence allowed her to make ruder double-entendres than she might otherwise have done. Over time, she adopted "Judic", the name of her husband whom she had married before she was 17. After the Franco-Prussian War and a spell at the Gaîté, where she was the lead in ''Le Roi Carotte'', an "opéra-féerie" by Jacques Offenbach and Victorien Sardou, she entered the Bouffes-Parisiens where she had her first successes as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Timbale D'argent
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * ''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * ''Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screenings, a tel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mam'zelle Nitouche
''Mam'zelle Nitouche'' is a Opérette vaudeville, vaudeville-opérette in three acts by Hervé (composer), Hervé. The libretto is by Henri Meilhac and Albert Millaud. This story of a respectable musician, transforming himself into a songwriter at night, is partly inspired by the life of the composer of the piece Hervé, who as Florimond Ronger, his real name, was the organist at the important church of Saint-Eustache, Paris by day and wrote the music for and starred in satirical, irreverent operettas under a stage name at night. Performance history It was first performed at the Théâtre des Variétés, Paris on 26 January 1883. The piece was a great success and the work remained in the repertoire of French theatres for many years. ''Mam'zelle Nitouche'' was presented by Palazzetto Bru Zane in a production by Olivier Py, who also appeared in the cast, on a nationwide tour of France from 2017 to 2019. Roles Synopsis Scene: Provincial France sometime in the 19th century. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Roussotte
''La Roussotte'' (''The Redhead'') is a French ''vaudeville-opérette'' in three acts with a prologue. The words were written by Henri Meilhac, Ludovic Halévy, and Albert Millaud, and the music composed by Hervé, Charles Lecocq, and Marius Boullard. It was first performed on 28 January 1881 at the Théâtre des Variétés in Paris with Anna Judic in the title role. Although not quite as successful as '' Niniche'' (1878) or ''Mam'zelle Nitouche'' (1882), it was given over a hundred times in its first run, and Judic performed it around the world on tour as part of her repertoire.Gänzl 2001, "La Roussotte". Notes Bibliography * Gänzl, Kurt (2001). ''The Encyclopedia of the Musical Theatre'', second edition. New York: Schirmer Books. . * Gänzl, Kurt; Andrew Lamb (1992)"Lecocq, (Alexandre) Charles" , , in ''The New Grove Dictionary of Opera ''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hervé (composer)
Louis-Auguste Florimond Ronger (30 June 1825 – 4 November 1892), who used the pseudonym Hervé (), was a French singer, composer, librettist, conductor and scene painter, whom Ernest Newman, following Reynaldo Hahn, credited with inventing the genre of operetta in Paris. Life Hervé was born in Houdain near Arras. Part Spanish by birth, he became a choirboy at the Church of Saint-Roch, Paris. His musical promise was noted, and he was enrolled in the Conservatoire and studied with Daniel Auber, and by the age of fifteen was serving as organist at Bicêtre Hospital and a stage vocalist in provincial theatres, where he trained his fine tenor voice. He won a competition in 1845 for the prestigious Paris post of organist at the Church of Saint-Eustache, while he doubled with his theatrical music career, a situation that he turned to advantage years later, in his most famous work, ''Mam'zelle Nitouche''. Before he became musical director of the Théâtre du Palais Royal in 1851 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Grande-Duchesse De Gérolstein
''La Grande-Duchesse de Gérolstein'' (''The Grand Duchess of Gerolstein'') is an opéra bouffe (a form of operetta), in three acts and four tableaux by Jacques Offenbach to an original French libretto by Henri Meilhac and Ludovic Halévy. The story is a satirical critique of unthinking militarism and concerns a spoiled and tyrannical young Grand Duchess who learns that she cannot always get her way. The opera premiered in Paris in 1867 and starred Hortense Schneider in the title role. Thereafter, it was heard in New York, London and elsewhere, and it is still performed and recorded. Background Offenbach's career was at its height in the 1860s with the premieres of some of his most popular and enduring works, such as ''La Belle Hélène'' (1864) and '' La Vie parisienne'' (1866). With the original production of the latter still running, Offenbach and his librettists hurried to prepare a new opera, ''La Grande-Duchesse de Gérolstein'', to play during the Paris Exposition ('' Expo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Belle Hélène
''La belle Hélène'' (, ''The Beautiful Helen'') is an opéra bouffe in three acts, with music by Jacques Offenbach and words by Henri Meilhac and Ludovic Halévy. The piece parodies the story of Helen of Troy, Helen's elopement with Paris (mythology), Paris, which set off the Trojan War. The premiere was at the Théâtre des Variétés, Paris, on 17 December 1864. The work ran well, and productions followed in three continents. ''La belle Hélene'' continued to be revived throughout the 20th century and has remained a repertoire piece in the 21st. Background and first performance By 1864 Offenbach was well established as the leading French composer of operetta. After successes with his early works – short pieces for modest forces – he was granted a licence in 1858 to stage full-length operas with larger casts and chorus. The first of these to be produced, ''Orpheus in the Underworld, Orphée aux enfers'', achieved notoriety and box-office success for its risqué satire o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hortense Schneider
Hortense Catherine Schneider, ''La Snédèr'', (30 April 1833 in Bordeaux, France – 5 May 1920, in Paris, France) was a French soprano, one of the greatest operetta stars of the 19th century, particularly associated with the works of composer Jacques Offenbach. Biography Born in Bordeaux, where she studied with Schaffner, she made her debut in Agen in 1853, as Inès in ''La favorite''. She came to Paris and was turned down by the director of the Théâtre des Variétés but was noticed by Jacques Offenbach who invited her to the Théâtre des Bouffes Parisiens, where she made her debut in 1855 in '' Le violoneux''. She enjoyed immediate success and created for Offenbach the role of Boulotte in '' Barbe-bleue'' and the title roles in ''La belle Hélène'', ''La Grande-Duchesse de Gérolstein'' and ''La Périchole'', all resounding triumphs. She also appeared in London and Saint Petersburg, to great acclaim. An accomplished singer and actress, she was much admired for her brio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Docteur Ox
''Le docteur Ox'' is an opéra bouffe in three acts and six tableaux of 1877 with music by Jacques Offenbach. The French libretto was by Arnold Mortier and Philippe Gille, adapted from the 1872 short story '' Une fantaisie du docteur Ox'' by Jules Verne. Background Offenbach had already set a libretto based closely on a work by Verne with the opéra féerie ''Le voyage dans la lune'' in 1875. Verne had been a co-librettist for several operas presented at the Théâtre Lyrique, as well as for ''Monsieur de Chimpanze'' for the Bouffes-Parisiens between 1853 and 1855.Walsh TJ. ''Second Empire Opera – The Théâtre-Lyrique Paris 1851-1870.'' John Calder Ltd, London, 1981. For ''Le Docteur Ox'' the novelist collaborated more closely with Offenbach and his librettists, and attended several of the later rehearsals at the Variétés. A first read-through took place on 18 November 1876 and during the course of rehearsals the number of scenes was increased from four to six. In chang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Des Variétés
The Théâtre des Variétés is a theatre and "salle de spectacles" at 7–8, boulevard Montmartre, 2nd arrondissement, in Paris. It was declared a monument historique in 1974. History It owes its creation to the theatre director Mademoiselle Montansier (Marguerite Brunet). Imprisoned for debt in 1803 and frowned upon by the government, a decree of 1806 ordered her company to leave the Théâtre du Palais-Royal which then bore the name of "Variétés". The decree's aim was to move out Montansier's troupe to make room for the company from the neighbouring Théâtre-Français, which had stayed empty even as the Variétés-Montansier had enjoyed immense public favour. Strongly unhappy about having to leave the theatre by 1 January 1807, the 77-year-old Montansier gained an audience with Napoleon himself and received his help and protection. She thus reunited the "Société des Cinq", which directed her troupe, in order to found a new theatre, the one which stands at the side of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Jacobi
Georges Jacobi (3 February 1840 –13 September 1906) was a German violinist, composer and conductor who was musical director of the Alhambra Theatre in London from 1872 to 1898. His best-known work was probably ''The Black Crook'' (1872) written with Frederick Clay for the Parisian operetta-star Anna Judic and which ran for 310 performances. Although never achieving the standing of Hervé, or Offenbach or Sullivan, he composed over 100 pieces for ballet and the theatre which were popular at the time. Biography Born in Berlin in Germany as Georg Jacobi and a German Jew, his musical education began aged 6. Educated in Paris, he began his musical career as a violinist and in 1861 at the age of twenty-one he was awarded the first prize for violin playing at the Conservatoire de Paris where he also studied composition with Daniel Auber. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick Clay
Frederic Emes Clay (3 August 1838 – 24 November 1889) was an English composer known principally for songs and his music written for the stage. Although from a musical family, for 16 years Clay made his living as a civil servant in HM Treasury, composing in his spare time, until a legacy in 1873 enabled him to become a full-time composer. He had his first big stage success with ''Ages Ago'' (1869), a short comic opera with a libretto by W. S. Gilbert, for the small Gallery of Illustration; it ran well and was repeatedly revived. Clay, a great friend of his fellow composer Arthur Sullivan, introduced the latter to Gilbert, leading to the Gilbert and Sullivan partnership. In addition to Gilbert, Clay's librettists during his 24-year career included B. C. Stephenson, Tom Taylor, T. W. Robertson, Robert Reece and G. R. Sims. The last of his four pieces with Gilbert was ''Princess Toto'' (1875), which had short runs in the West End and in New York. Clay's other compositions incl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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