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Animalier School
Animalier school or animalier art was a late-18th and 19th-century artistic genre and school of artists who focused on depictions of animals. The movement was largely centered in France, with some artists producing related subject matter in England, Italy, Germany, Russia, and North America. The term animalier is most often used to refer to a group of sculptors and painters in mid-century France including Antoine-Louis Barye, Rembrandt Bugatti (felines, human figures, and zoo animals). Jules Moigniez (paintings and sculpture of horses), Rosa Bonheur, and Pierre-Jules Mène. History The term animalier was first used by the French press and salon jurors in the 19th century, often as a derogatory term. The Paris salon thought animal subjects too common for fine art, but with the opening of the new Paris Jardin des Plantes zoo and the Ménagerie du Jardin des plantes, interest in animal art increased. The Dukes of Orleans, Luynes, Montpensier, and Nemours were soon to be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Movement
An art movement is a tendency or style in art with a specific common philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years. Art movements were especially important in modern art, when each consecutive movement was considered as a new avant-garde movement. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality ( figurative art). By the end of the 19th century many artists felt a need to create a new style which would encompass the fundamental changes taking place in technology, science and philosophy ( abstract art). Concept According to theories associated with modernism and the concept of postmodernism, ''art movements'' are especially important during the period of time corresponding to modern art. The per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Getty Museum
The J. Paul Getty Museum, commonly referred to as the Getty, is an art museum in Los Angeles, California housed on two campuses: the Getty Center and Getty Villa. The Getty Center is located in the Brentwood neighborhood of Los Angeles and features pre-20th-century European paintings, drawings, illuminated manuscripts, sculpture, decorative arts, and photographs from the inception of photography through present day from all over the world. The original Getty museum, the Getty Villa, is located in the Pacific Palisades neighborhood of Los Angeles and displays art from Ancient Greece, Rome, and Etruria. History In 1974, J. Paul Getty opened a museum in a re-creation of the Villa of the Papyri at Herculaneum on his property in Malibu, California. In 1982, the museum became the richest in the world when it inherited US$1.2 billion. In 1983, after an economic downturn in what was then West Germany, the Getty Museum acquired 144 illuminated medieval manuscripts from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Dubucand
Alfred Dubucand (25 November 1828 – 1894) was a French animalier sculptor who worked in the mid-to-late 19th century. His works were often juried into the annual Salon art exhibition in Paris where he contributed works over the course of his career. Dubucand made his debut at the 1867 Salon with a wax model of a dead pheasant. Early life Dubucand was born in Paris, France, on 25 November 1828. He was one of the prize pupils of Antoine-Louis Barye. Dubucand made his debut at the 1867 Salon with a wax model of a dead pheasant, a rather inauspicious start when considering the higher quality sculptures he would submit later in his career. Career He modeled mainly animal groups, producing a number of deer, dog, and horse sculptures. His better casts feature a warm, mid-brown patination, sometimes coming in even lighter shades bordering on a very light yellow, being nearly the color of the bronze metal itself. He frequently experimented with chemical patinas, learning the patin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul-Edouard Delabrierre
Paul-Édouard Delabrièrre (29 March 1829 – 1912) was a French animalier sculptor who worked in the mid-to-late 19th century and the early 20th century. He had 70 of his sculptures juried into the prestigious Salon (Paris), Salon art exhibition held annually in Paris. His monumental work called ''L'Equitation'' adorns the facade of the Louvre. Early life Delabrièrre was born in Paris, France, on 29 March 1829, the son of Louis Henri Delabrièrre and Marie Zoe Delabrièrre (née Chaffard). He first studied painting under the direction of Jean-Baptiste Delestre but ultimately became a sculptor instead. Little is known of Delabrièrre's life besides the work he left behind which exist in bronze, Plaster cast, plaster, wax, and terra cotta. On 20 June 1868 he was married to Anne-Eugénie Alléon who had been twice widowed when her first two husbands, Émile Rubantel (a designer) and Claude Martin (a pawn broker), both died. She died 23 April 1878 in Paris. Career Delabrièrre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Hyatt Huntington
Anna Vaughn Hyatt Huntington (March 10, 1876 – October 4, 1973) was an American sculptor who was among New York City's most prominent sculptors in the early 20th century. At a time when very few women were successful artists, she had a thriving career. Hyatt Huntington exhibited often, traveled widely, received critical acclaim at home and abroad, and won multiple awards and commissions. During the first two decades of the 20th century, Hyatt Huntington became famous for her animal sculptures, which combine vivid emotional depth with skillful realism. In 1915, she created the first public monument by a woman to be erected in New York City. Her ''Joan of Arc'', located on Riverside Drive at 93rd Street, is the city's first monument dedicated to a historical woman.From a statement by The Miriam and Ira D. Wallach Art Gallery of Columbia University, dated February 12, 2014. Biography Huntington was born in Cambridge, Massachusetts, on March 10, 1876. She was the daughter of Au ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isidore Bonheur
Isidore Jules Bonheur ( Bordeaux 15 May 1827 – 10 November 1901 Paris), best known as one of the 19th century's most distinguished French animalier sculptors. Bonheur began his career as an artist working with his elder sister Rosa Bonheur in the studio of their father, drawing instructor Raymond Bonheur. Initially working as a painter, Isidore Jules Bonheur made his Salon debut in 1848. Life Born in Bordeaux, Jules was the third child of Christine Dorotheé Sophie Marquis (1797–1833), a musician, and Oscar-Raymond Bonheur (1796–1849) (a landscape and portrait painter and an early adherent of Saint-Simonianism, a Christian- socialist sect that promoted the education of women alongside men). Jules was the brother of Auguste Bonheur and Rosa Bonheur (1822–1899). "''It is I who first gave modeling and sculpture lessons to my brother Isidore''" (Rosa Bonheur) In Bordeaux his father had been friends with Francisco Goya who was living there in exile. In 1828 Bonheur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christopher Fratin
Christopher Fratin (1 January 1801 – 16 August 1864), also known as Christophe Fratin, was a noted French sculptor in the animalier style, and one of the earliest French sculptors to portray animals in bronze. Early life Fratin was born in Metz, Moselle, France the son of a taxidermist. He first studied drawing under Pioche in Metz and later worked in Paris at the studio of Théodore Géricault. Work He exhibited at the Paris Salon from 1831 to 1842 and 1850–1862, as well as at the Great Exhibition in London in 1851. Fratin never signed his bronzes but instead used a stamp showing his last name in straight block letters. One of the stamps he used (''pictured'') showed the "n" reversed, not by design but due to an error on the part of the maker of the stamp. Bronzes bearing this stamp have the appearance of not seeming to be genuine when in reality they are. Fratin received monumental commissions in France and elsewhere, including the ''Deux Aigles Gardant Leur Proie'' (''E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Dedreux
Pierre-Alfred Dedreux, who signed his works as Alfred de Dreux (23 March 1810, in Paris – 5 March 1860, in Paris) was a French portrait and animal painter, best known for his scenes with horses. Biography Alfred de Dreux was born in 1810 into a privileged and colourful family. He was the first child and only son of the architect, Pierre-Anne Dedreux (1788-1834). His sister, Élise (1812-1846) was the mother of writer Louis Becq de Fouquières. After his father won the Prix de Rome for architecture in 1815, he lived at the Villa Médicis in Rome. While there, Théodore Géricault, a friend of the family, made portraits of him (pictured) and Élise. In 1823, at the urging of his uncle, the painter Pierre-Joseph Dedreux-Dorcy, he began studying art with Géricault who was a family friend and a lover of horses. Later, he studied at the studio of Léon Cogniet. By this time, horses had become his favorite subject. His first exhibition at the Salon came in 1831 with the painti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Stubbs
George Stubbs (25 August 1724 – 10 July 1806) was an English painter, best known for his paintings of horses. Self-trained, Stubbs learnt his skills independently from other great artists of the 18th century such as Reynolds or Gainsborough. Stubbs' output includes history paintings, but his greatest skill was in painting animals, perhaps influenced by his love and study of anatomy. His series of paintings on the theme of a lion attacking a horse are early and significant examples of the Romantic movement that emerged in the late 18th century. His painting, ''Whistlejacket'' hangs in the National Gallery, London. Biography Stubbs was born in Liverpool, the son of a currier, or leather-dresser, John Stubbs, and his wife Mary. Egerton, Judy (2007). George Stubbs, Painter: Catalogue raisonné'. New Haven, Conn.: Yale University Press. . p. 10. Information on his life until the age of 35 or so is sparse, relying almost entirely on notes made by Ozias Humphry, a fellow ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine-Louis Barye
Antoine-Louis Barye (24 September 179525 June 1875) was a Romantic French sculptor most famous for his work as an ''animalier'', a sculptor of animals. His son and student was the known sculptor Alfred Barye. Biography Born in Paris, France, Barye began his career as a goldsmith, like many sculptors of the Romantic Period. He first worked under his father Pierre, and around 1810 worked under the sculptor Martin-Guillaume Biennais, who was a goldsmith to Napoleon. After studying under sculptor Francois-Joseph Bosio in 1816, and painter Baron Antoine-Jean Gros, he was in 1818 admitted to the École des Beaux-Arts. But it was not until 1823, while working for the goldsmith Emile Fauconnier that he discovered his true predilection from watching the animals in the Jardin des Plantes, making vigorous studies of them in pencil drawings comparable to those of Delacroix, then modeling them in sculpture on a large or small scale. In 1819 while he was studying at the École des Beaux- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Animaliers
An animalier (, ) is an artist, mainly from the 19th century, who specializes in, or is known for, skill in the realistic portrayal of animals. " Animal painter" is the more general term for earlier artists. Although the work may be in any genre or format, the term is most often applied to sculptors and painters. ''Animalier'' as a collective plural noun, or ''animalier bronzes'', is also a term in antiques for small-scale sculptures of animals, of which large numbers were produced, often mass-produced, primarily in 19th-century France and to a lesser extent elsewhere in continental Europe. Although many earlier examples can be found, animalier sculpture became more popular, and reputable, in early 19th-century Paris with the works of Antoine-Louis Barye (1795–1875), for whom the term was coined, derisively, by critics in 1831, and of Émile-Coriolan Guillemin. By the mid-century, a taste for animal subjects was very widespread among all sections of the middle classes. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rembrandt Bugatti Zoo Antwerpen 1910
Rembrandt Harmenszoon van Rijn (, ; 15 July 1606 – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history.Gombrich, p. 420. Unlike most Dutch masters of the 17th century, Rembrandt's works depict a wide range of style and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, biblical and mythological themes and animal studies. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age, when Dutch art (especially Dutch painting Dutch commonly refers to: * Something of, from, or related to the Netherlands * Dutch people () * Dutch language () Dutch may also refer to: Places * Dutch, West Virginia, a commu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
