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Angel Holding The Body Of Christ
Angel Holding the Body of Christ was a work of art created by Greek painter Nikolaos Kallergis. Kallergis was born in Zakynthos. His family was originally from Crete. His father was a painter. Nikolaos was active from 1715–1747. He was a representative of the Heptanese School. His family owned a church on the island of Zakynthos and a massive library. The family was educated. According to the Institute of Neohellenic Research, thirty-two of his painting’s survived. An integral part of the iconostasis are the royal doors. Sometimes the iconostasis can have three or more doors. The royal doors are closed during important parts of the service. The priest is the only individual allowed to enter the sacred doors. They lead to the sanctuary or holy table. The area behind the iconostasis is the secret place where the priest prepares the holy eucharist. The royal doors were remnants of the destroyed Church of Panagia Tsourouflis. The theme Angel holding the body of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikolaos Kallergis
Nikolaos Kallergis ( el, Νικόλαος Καλλέργης, 1699 – 1747), also known as Kalergis. He was a Greek painter during the Greek Rococo and the Modern Greek Enlightenment in art also known as Neo-Hellenikos Diafotismos. His art also exhibited Venetian influence. Painters of the maniera greca began to refine their art. Philotheos Skoufos, Elias Moskos, and Theodore Poulakis were all active painters on the Ionian Islands prior to Kallergis. They set the stage for the transition to the Heptanese School. Panagiotis Doxaras is the forefather of the new painting style. He was the father of Greek Rococo and the Modern Greek Enlightenment in painting. Kallergis became an active member of the school. Kallergis also represents the Greek Rococo. His art began to exhibit qualities of Greek and Italian Neoclassicism. His style influenced countless painters. Examples include Nikolaos Kantounis, Nikolaos Koutouzis, Nikolaos Doxaras, Spiridione Roma, and Eu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heptanese School (painting)
The Heptanese School of painting ( el, Επτανησιακή Σχολή, , The School of the Seven Islands, also known as the Ionian Islands School) succeeded the Cretan School as the leading school of Greek post-Byzantine painting after Crete fell to the Ottomans in 1669. Like the Cretan school, it combined Byzantine traditions with an increasing Western European artistic influence and also saw the first significant depiction of secular subjects. The school was based in the Ionian Islands, which were not part of Ottoman Greece, from the middle of the 17th century until the middle of the 19th century. The center of Greek art migrated urgently to the Ionian islands but countless Greek artists were influenced by the school including the ones living throughout the Greek communities in the Ottoman Empire and elsewhere in the world. The early Heptanese school was influenced by Flemish, French, Italian and German engravings. Artists representative of that era were Theodore Poulakis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ionian School (painting)
The Heptanese School of painting ( el, Επτανησιακή Σχολή, , The School of the Seven Islands, also known as the Ionian Islands School) succeeded the Cretan School as the leading school of Greek post-Byzantine painting after Crete fell to the Ottomans in 1669. Like the Cretan school, it combined Byzantine traditions with an increasing Western European artistic influence and also saw the first significant depiction of secular subjects. The school was based in the Ionian Islands, which were not part of Ottoman Greece, from the middle of the 17th century until the middle of the 19th century. The center of Greek art migrated urgently to the Ionian islands but countless Greek artists were influenced by the school including the ones living throughout the Greek communities in the Ottoman Empire and elsewhere in the world. The early Heptanese school was influenced by Flemish, French, Italian and German engravings. Artists representative of that era were Theodore Poulakis, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconostasis
In Eastern Christianity, an iconostasis ( gr, εἰκονοστάσιον) is a wall of icons and religious paintings, separating the nave from the sanctuary in a Church (building), church. ''Iconostasis'' also refers to a portable icon stand that can be placed anywhere within a church. The iconostasis evolved from the Byzantine architecture, Byzantine templon, a process complete by the 15th century. A direct comparison for the function of the main iconostasis can be made to the layout of the great Temple in Jerusalem. That Temple was designed with three parts. The holiest and inner-most portion was that where the Ark of the Covenant was kept. This portion, the Holy of Holies, was separated from the second larger part of the building's interior by a curtain, the "parochet, veil of the temple". Only the High Priest (Judaism), High Priest was allowed to enter the Holy of Holies. The third part was the entrance court. This architectural tradition for the two main parts can be seen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eucharist
The Eucharist (; from Greek , , ), also known as Holy Communion and the Lord's Supper, is a Christian rite that is considered a sacrament in most churches, and as an ordinance in others. According to the New Testament, the rite was instituted by Jesus Christ during the Last Supper; giving his disciples bread and wine during a Passover meal, he commanded them to "do this in memory of me" while referring to the bread as "my body" and the cup of wine as "the blood of my covenant, which is poured out for many". The elements of the Eucharist, sacramental bread ( leavened or unleavened) and wine (or non-alcoholic grape juice), are consecrated on an altar or a communion table and consumed thereafter, usually on Sundays. Communicants, those who consume the elements, may speak of "receiving the Eucharist" as well as "celebrating the Eucharist". Christians generally recognize a special presence of Christ in this rite, though they differ about exactly how, where, and when Chr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartholomeus Spranger
Bartholomeus Spranger or Bartholomaeus SprangerBartholomeus Spranger at the (21 March 1546 in – 1611 in ) was a painter, , sculptor, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacob De Backer
Jacob de Backer (c. 1555 – c. 1591) was a Flemish Mannerist painter and draughtsman active in Antwerp between about 1571 and 1585. Even though he died young at the age of 30, the artist was very prolific and an extensive body of work has been attributed to him. Art historians are not agreed on how many of these works are autograph or the product of a workshop. The works attributed to the artist or his workshop are executed in a late-Mannerist style clearly influenced by Italian models. Life Very little is known about this artist. The dates of his death and birth are unknown. Scholars do not agree on his life span nor the definitive scope of his oeuvre.Eckhard Leuschner, ''A Grisaille Oil Sketch from the "De Backer Group" and Workshop Practices in Sixteenth-Century Antwerp'', in: Metropolitan Museum Journal, 43 (2008), pp. 99-110 It is believed that he was born in Antwerp and died there c. 1591–1600. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hendrick Goltzius
Hendrick Goltzius, or Hendrik, (; ; January or February 1558 – 1 January 1617) was a German-born Dutch printmaker, draftsman, and painter. He was the leading Dutch engraver of the early Baroque period, or Northern Mannerism, lauded for his sophisticated technique, technical mastership and "exuberance" of his compositions. According to A. Hyatt Mayor, Goltzius "was the last professional engraver who drew with the authority of a good painter and the last who invented many pictures for others to copy". In the middle of his life he also began to produce paintings. Biography Goltzius was born near Venlo in Bracht or Millebrecht, a village then in the Duchy of Julich, now in the municipality Brüggen in North Rhine-Westphalia. His family moved to Duisburg when he was 3 years old. After studying painting on glass for some years under his father, he learned engraving from the Dutch polymath Dirck Volckertszoon Coornhert, who then lived in Cleves. In 1577 he moved with Coornhe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Whip
A whip is a tool or weapon designed to strike humans or other animals to exert control through pain compliance or fear of pain. They can also be used without inflicting pain, for audiovisual cues, such as in equestrianism. They are generally either a firm stick designed for direct contact, or a flexible line requiring a specialized swing. The former is easier and more precise, the latter offers longer reach and greater force. A hunting whip combines a firm stick (the stock or handle) with a flexible line (the lash or thong). Whips such as the " cat o' nine tails" and knout are specifically developed for flagellation as a means of inflicting corporal punishment or torture on human targets. Certain religious practices and BDSM activities involve the self-use of whips or the use of whips between consenting partners. Misuse on non-humans may be considered animal cruelty, and misuse on humans may be viewed as assault. Use Whips are generally used on animals to provide directional ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rectus Abdominis Muscle
The rectus abdominis muscle, ( la, straight abdominal) also known as the "abdominal muscle" or simply the "abs", is a paired straight muscle. It is a paired muscle, separated by a midline band of connective tissue called the linea alba. It extends from the pubic symphysis, pubic crest and pubic tubercle inferiorly, to the xiphoid process and costal cartilages of ribs V to VII superiorly. The proximal attachments are the pubic crest and the pubic symphysis. It attaches distally at the costal cartilages of ribs 5-7 and the xiphoid process of the sternum. The rectus abdominis muscle is contained in the rectus sheath, which consists of the aponeuroses of the lateral abdominal muscles. The outer, most lateral line, defining the rectus is the linea semilunaris. Bands of connective tissue traverse the rectus abdominis, separating it into distinct muscle bellies. In the abdomens of people with low body fat, these muscle bellies can be viewed externally. They can appear in sets of as f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
18th-century Paintings
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
