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Angel (Amanda Perez Song)
"Angel" is a song by American singer-songwriter Amanda Perez. Written by Perez and produced by Mike Quinn, "Angel" was released as a single in August 2002 and was included on Perez's second studio album of the same name, released later the same year. In the United States, the single reached the top five of the ''Billboard'' Mainstream Top 40 and the top 20 of the ''Billboard'' Hot 100. The song was also a top-five hit in Australia and New Zealand, peaking at number one in the latter country for two weeks. Release The song was released to US rhythmic contemporary radio on August 26, 2002. The D-Lo Urban Remix was released to US radio as a Single Mix for Promo. It was also released digitally. Reception Critical The review by AllMusic praised her vocal performance and named it the best song on its parent album. Commercial In the United States, it reached number 20 on the ''Billboard'' Hot 100, spending 19 weeks on the chart. On the Rhythmic chart, the song reached number 13. The s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amanda Perez
Amanda Jane Perez (born May 24, 1980) is an American R&B singer-songwriter and record producer. Personal life Perez, who is of Mexican descent, was raised in Fort Wayne, Indiana. She grew up in the Waynedale community of Fort Wayne, where she attended North Side High School. She spent her teenage years selling drugs to raise money for her family. She also grew up boxing with boys, helping to mold her tough street persona. On October 2, 2019, Amanda Perez announced that she and her wife Ana Laura Perez, had a son, named Sebastian King Perez. Career Perez was discovered in Fort Wayne, Indiana by talent manager and producer (Mighty)Mike Quinn and was signed to the record label Powerhowse/Silverstone Records in 2001. Her debut album ''Where U At?'' was released in 2002 and included the singles "Never" and "Angel". "Never" peaked at No. 10 on the ''Billboard'' Hot 100 sales chart, but the album itself did not see much success until it was re-released by Virgin Records to a wider ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Top 40
''American Top 40'' (previously abbreviated to ''AT40'') is an internationally syndicated, independent song countdown radio program created by Casey Kasem, Don Bustany, Tom Rounds, and Ron Jacobs. The program is currently hosted by Ryan Seacrest and presented as an adjunct to his weekday radio program, ''On Air with Ryan Seacrest''. Originally a production of Watermark Inc. (later a division of ABC Radio known as ABC Watermark, now Cumulus Media Networks), ''American Top 40'' is now distributed by Premiere Networks (a division of iHeartMedia). Nearly 500 radio stations in the United States, and several other territories worldwide air ''American Top 40'', making it one of the most listened-to weekly radio programs in the world. It can also be heard on iHeartRadio, TuneIn, and the official ''American Top 40'' applications on mobile smartphones and tablets as well as on Xbox 360, Xbox One, PlayStation 4 consoles (via iHeartRadio's console app), and the Armed Forces Network ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Number-one Singles In New Zealand
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amanda Perez Songs
Amanda is a Latin feminine gerundive (i.e. verbal adjective) name meaning, literally, “she who must (or is fit to) be loved”. Other translations, with similar meaning, could be "deserving to be loved," "worthy of love," or "loved very much by everyone." Its diminutive form includes Mandy, Manda and Amy. It is common in countries where Germanic and Romance languages are spoken. "Amanda" comes from ''ama-'' (the stem of the Latin verb ''amare'', "to love") plus the feminine nominative singular gerundive ending (''-nda''). Other names, especially female names, were derived from this verb form, such as “Miranda”. The name "Amanda" occasionally appears in Late Antiquity, such as the Amanda who was the 'wife of the ex-advocate and ex-provincial governor Aper (q.v.); she cared for his estates and raised their children after he adopted the monastic life: "curat illa saeculi curas, ne tu cures”' aul. Nol. Epist. 44.4 In England the name "Amanda" first appears in 1212 on a b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Hit Radio
Contemporary hit radio (also known as CHR, contemporary hits, hit list, current hits, hit music, top 40, or pop radio) is a radio format that is common in many countries that focuses on playing current and recurrent popular music as determined by the Top 40 music charts. There are several subcategories, dominantly focusing on rock, pop, or urban music. Used alone, ''CHR'' most often refers to the CHR-pop format. The term ''contemporary hit radio'' was coined in the early 1980s by ''Radio & Records'' magazine to designate Top 40 stations which continued to play hits from all musical genres as pop music splintered into Adult contemporary, Urban contemporary, Contemporary Christian and other formats. The term "top 40" is also used to refer to the actual list of hit songs, and, by extension, to refer to pop music in general. The term has also been modified to describe top 50; top 30; top 20; top 10; hot 100 (each with its number of songs) and hot hits radio formats, but carrying more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythmic Contemporary
Rhythmic contemporary, also known as Rhythmic Top 40, Rhythmic CHR or rhythmic crossover, is a primarily American music-radio format that includes a mix of EDM, upbeat rhythmic pop, hip hop and upbeat R&B hits. Rhythmic contemporary never uses hard rock or country in its airplay, but it may occasionally use a reggae, Latin, reggaeton, or a urban contemporary gospel hit. Essentially, the format is a cross between mainstream radio and urban contemporary radio formats. Format history Although some top-40 stations such as CKLW in Windsor, Ontario, made their mark by integrating a large amount of R&B and soul product into their predominantly pop playlists as early as 1967, such stations were still considered mainstream top 40 (a cycle that continues to dominate the current Top 40/CHR chart). It was not until the disco era of the late 1970s that such stations came to be considered as a format of their own as opposed to top-40 or soul. This development was largely spurred by the high ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recorded Music NZ
Recorded Music NZ (formerly the Recording Industry Association of New Zealand (RIANZ)) is a non-profit trade association of record producers, distributors and recording artists who sell recorded music in New Zealand. Membership of Recorded Music NZ is open to any owner of recorded music rights operating in New Zealand, inclusive of major labels (such as Sony, Universal and Warner Music Group), independent labels and self-released artists. Recorded Music NZ has over 2000 rights-holders. Prior to June 2013 the association called itself the "Recording Industry Association of New Zealand" (RIANZ). RIANZ and PPNZ Music Licensing merged and renamed themselves "Recorded Music NZ". Recorded Music NZ functions in three areas: * member services (the New Zealand Music Awards, the Official New Zealand Music Charts, music grants and direct services to artists and labels) * music licensing (undertaken independently or, in most cases, via OneMusic, a joint licensing venture between Reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival, CBS, RCA, WEA and Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licenses and royalties. The association has more than 100 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a Board of Directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian Recording Industry Association, which was established by the six major record companies operati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canadian Singles Chart
The Canadian Singles Chart was a chart compiled by the American-based music sales tracking company, Nielsen SoundScan, which began publication in November 1996. It was published every Wednesday and also published on Thursday by '' Jam!''/Canoe. It was superseded by the '' Billboard''-published Canadian Hot 100 in 2007. History In the 1960s, the Canadian music industry was disparate and regionally focused, and English-speaking Canadian artists were often overlooked in favour of American acts. To encourage a more national focus and ensure that domestic artists were promoted across Canada, the Maple Leaf System (MLS) was set up in 1969. The MLS produced its own national singles chart, which '' Billboard'' magazine reproduced as Canada's entry in its weekly Hits of the World section. The MLS struggled to achieve widespread support in Canada, however, particularly as participating radio stations failed to give the nominated Canadian records the requisite national airplay. In November ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Top 10
''American Top 20'' was the name given to two weekly spinoffs of the music countdown program ''American Top 40''. They were both hosted by Casey Kasem for Premiere Networks (originally AMFM Radio Networks) and premiered on the weekend of March 28, 1998, the same weekend Kasem returned to host ''American Top 40''. In contrast with its parent series, which catered to popular music stations, ''American Top 20'' provided the same service to adult contemporary stations. One of the weekly countdowns was produced for hot adult contemporary stations, while the other was produced for mainstream adult contemporary stations. The latter of the two series would see its survey cut in half starting with the week ending on March 20, 2004, becoming known as ''American Top 10''. Beginnings Both versions of ''American Top 20'' had their roots in two other countdowns done by Kasem during his time with the Westwood One Radio Network. In 1992, Westwood One decided to launch a new adult contempora ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
