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Andvari
In Norse mythology, Andvari ( 12th c. Old Norse: ; "careful one") is a dwarf who lives underneath a waterfall and has the power to change himself into a pike (gedda) at will. Andvari had a magical ring Andvaranaut, which helped him become wealthy. Using a net provided by Ran, Loki catches him as a pike and forces him to give up his gold and Andvaranaut. Andvari cursed the stolen gold which would destroy anyone who possessed it. After the deaths of Brynhild and Sigurd, Gunnar left Andvari's gold in a cave. Years later, Andvari discovered the cave and his lost gold, although his ring was lost forever. In Richard Wagner's cycle of music dramas, ''Der Ring des Nibelungen'', the character Alberich is a combination of Andvari and the character of Alberich from the Nibelungenlied The ( gmh, Der Nibelunge liet or ), translated as ''The Song of the Nibelungs'', is an epic poem written around 1200 in Middle High German. Its anonymous poet was likely from the region of Passau. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loki
Loki is a god in Norse mythology. According to some sources, Loki is the son of Fárbauti (a jötunn) and Laufey (mentioned as a goddess), and the brother of Helblindi and Býleistr. Loki is married to Sigyn and they have two sons, Narfi or Nari and Váli. By the jötunn Angrboða, Loki is the father of Hel, the wolf Fenrir, and the world serpent Jörmungandr. In the form of a mare, Loki was impregnated by the stallion Svaðilfari and gave birth to the eight-legged horse Sleipnir. Loki's relation with the gods varies by source; he sometimes assists the gods and sometimes behaves maliciously towards them. Loki is a shape shifter and in separate incidents appears in the form of a salmon, a mare, a fly, and possibly an elderly woman named Þökk (Old Norse 'thanks'). Loki's positive relations with the gods end with his role in engineering the death of the god Baldr, and eventually, Odin's specially engendered son Váli binds Loki with the entrails of one of his sons; in the ''Pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andvaranaut
In Norse mythology, Andvaranaut ( 12th c. Old Norse: , "Andvari's Gift"), first owned by Andvari, is a magic ring that could help with finding sources of gold. The mischievous god Loki stole Andvari's treasure and the ring. In revenge, Andvari cursed the ring to bring misfortune and destruction to whoever possessed it. Loki quickly gave the cursed Andvaranaut to Hreidmar, King of the Dwarves, as reparation for having inadvertently killed Hreidmar's son, Ótr. Ótr's brother, Fafnir, then murdered Hreidmar and took the ring, turning into a dragon to guard it. Sigurd (Siegfried) later killed Fafnir and gave Andvaranaut to Brynhildr (Brünnehilde). Queen Grimhild of the Nibelungs then manipulated Sigurd and Brynhildr into marrying her children, bringing Andvaranaut's curse into her family. See also * Rings in Germanic cultures Rings have a prominent position in Germanic cultures, appearing both in archaeology throughout areas settled by Germanic peoples, and in textual source ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norse Dwarves
A dwarf () is a type of supernatural being in Germanic folklore, including mythology. Accounts of dwarfs vary significantly throughout history however they are commonly, but not exclusively, presented as living in mountains or stones and being skilled craftsmen. In early literary sources, only males are explicitly referred to as dwarfs, although they are described as having sisters and daughters, while both male and female dwarfs feature in later saga literature and folklore. Dwarfs are sometimes described as short, however, scholars have noted that this is neither explicit nor of relevance to their roles in the earliest sources. Dwarfs continue to feature in modern popular culture such as in the works of J.R.R. Tolkien and Terry Pratchett, where they are often, but not exclusively, presented as distinct from elves. Etymology The modern English noun ''dwarf'' descends from ang, dweorg. It has a variety of cognates in other Germanic languages, including non, dvergr and goh, tw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sigurd
Sigurd ( non, Sigurðr ) or Siegfried (Middle High German: ''Sîvrit'') is a legendary hero of Germanic heroic legend, who killed a dragon and was later murdered. It is possible he was inspired by one or more figures from the Frankish Merovingian dynasty, with Sigebert I being the most popular contender. Older scholarship sometimes connected him with Arminius, victor of the Battle of the Teutoburg Forest. He may also have a purely mythological origin. Sigurd's story is first attested on a series of carvings, including runestones from Sweden and stone crosses from the British Isles, dating from the eleventh century. In both the Norse and continental Germanic tradition, Sigurd is portrayed as dying as the result of a quarrel between his wife ( Gudrun/Kriemhild) and another woman, Brunhild, whom he has tricked into marrying the Burgundian king Gunnar/Gunther. His slaying of a dragon and possession of the hoard of the Nibelungen is also common to both traditions. In other respect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nibelung Tradition
The term Nibelung (German) or Niflungr (Old Norse) is a personal or clan name with several competing and contradictory uses in Germanic heroic legend. It has an unclear etymology, but is often connected to the root ''nebel'', meaning mist. The term in its various meanings gives its name to the Middle High German heroic epic the ''Nibelungenlied''. The most widespread use of Nibelung is used to denote the Burgundian royal house, also known as the Gibichungs (German) or Gjúkingar (Old Norse). A group of royal brothers led by king Gunther or Gunnar, the Gibichungs are responsible for the death of the hero Siegfried or Sigurd and are later destroyed at the court of Attila the Hun (called Etzel in German and Atli in Old Norse). This is the only use of the term attested in the Old Norse legends. In medieval German, several other uses of the term Nibelung are documented besides the reference to the Gibichungs: it refers to the king and inhabitants of a mythical land inhabited by dw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alberich
In German heroic legend, Alberich () is a dwarf. He features most prominently in the poems ''Nibelungenlied'' and ''Ortnit''. He also features in the Old Norse collection of German legends called the Thidreksaga under the name Alfrikr. His name means "ruler of supernatural beings (elves)", and is equivalent to Old French ''Auberon'' (English Oberon). The name was later used for a character in Richard Wagner's opera cycle ''Der Ring des Nibelungen''. Mythology Alberich plays a prominent role in the ''Nibelungenlied'', where he is the guardian of the Nibelung's treasure and has the strength of twelve men. Siegfried overpowers him using his cloak of invisibility (Tarnkappe), after which the dwarf serves the hero. Siegfried later pulls his beard in mock combat when he arrives unannounced to claim the treasure. Siegfried seeks to woo the daughter of the heathen king Machorel, Alberich reveals his paternity to Ortnit and aids him in his quest, playing tricks on the heathen king and even ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
U 1163, Drävle (Andvari)
U or u, is the twenty-first and sixth-to-last letter and fifth vowel letter of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''u'' (pronounced ), plural ''ues''. History U derives from the Semitic waw, as does F, and later, Y, W, and V. Its oldest ancestor goes to Egyptian hieroglyphics, and is probably from a hieroglyph of a mace or fowl, representing the sound v.html"_;"title="Voiced_labiodental_fricative.html"_;"title="nowiki/>Voiced_labiodental_fricative">v">Voiced_labiodental_fricative.html"_;"title="nowiki/>Voiced_labiodental_fricative">vor_the_sound_[Voiced_labial–velar_approximant.html" ;"title="Voiced_labiodental_fricative">v.html" ;"title="Voiced_labiodental_fricative.html" ;"title="nowiki/>Voiced labiodental fricative">v">Voiced_labiodental_fricative.html" ;"title="nowiki/>Voiced labiodental fricative">vor the sound [Voiced labial–velar approximant" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
U Of Nebraska Press
The University of Nebraska Press, also known as UNP, was founded in 1941 and is an academic publisher of scholarly and general-interest books. The press is under the auspices of the University of Nebraska–Lincoln, the main campus of the University of Nebraska system. UNP publishes primarily non-fiction books and academic journals, in both print and electronic editions. The press has particularly strong publishing programs in Native American studies, Western American history, sports, world and national affairs, and military history. The press has also been active in reprinting classic books from various genres, including science fiction and fantasy. Since its inception, UNP has published more than 4,000 books and 30 journals, adding another 150 new titles each year, making it the 12th largest university press in the United States. Since 2010, two of UNP's books have received the Bancroft Prize, the highest honor bestowed on history books in the U.S. History UNP began in Novem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nibelungenlied
The ( gmh, Der Nibelunge liet or ), translated as ''The Song of the Nibelungs'', is an epic poetry, epic poem written around 1200 in Middle High German. Its anonymous poet was likely from the region of Passau. The is based on an oral tradition of Germanic heroic legend that has some of its origin in historic events and individuals of the 5th and 6th centuries and that spread throughout almost all of Germanic languages, Germanic-speaking Europe. Scandinavian parallels to the German poem are found especially in the heroic lays of the ''Poetic Edda'' and in the ''Völsunga saga''. The poem is split into two parts. In the first part, the prince Sigurd, Siegfried comes to Worms, Germany, Worms to acquire the hand of the Burgundians, Burgundian princess Kriemhild from her brother King Gunther. Gunther agrees to let Siegfried marry Kriemhild if Siegfried helps Gunther acquire the warrior-queen Brünhild as his wife. Siegfried does this and marries Kriemhild; however, Brünhild and Krie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Ring Des Nibelungen
(''The Ring of the Nibelung''), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the '' Nibelungenlied''. The composer termed the cycle a "Bühnenfestspiel" (stage festival play), structured in three days preceded by a ("preliminary evening"). It is often referred to as the ''Ring'' cycle, Wagner's ''Ring'', or simply ''The Ring''. Wagner wrote the libretto and music over the course of about twenty-six years, from 1848 to 1874. The four parts that constitute the ''Ring'' cycle are, in sequence: * ''Das Rheingold'' (''The Rhinegold'') * '' Die Walküre'' (''The Valkyrie'') * '' Siegfried'' * '' Götterdämmerung'' (''Twilight of the Gods'') Individual works of the sequence are often performed separately, and indeed the operas contain dialogues that mention events in the previous operas, so that a viewer could watch any of them wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Drama
is a German word that means a unity of prose and music. Initially coined by Theodor Mundt in 1833, it was most notably used by Richard Wagner, along with Gesamtkunstwerk, to define his operas. Usage Mundt formulated his definition explicitly in contrast to intermezzo, or a piece that sits in between dramatic entities. To this day, is associated with the works of Richard Wagner where poetry, music and stage performances were not arbitrarily combined. Wagner himself composed the music and libretto and was a consultant on the stage design and choreography. This all-encompassing art, or , called on the diegesis of in order to further the immersive feel. Wagner himself resisted calling his works , which would imply a drama "meant for music," like a libretto. Instead he wanted to put music at the service of the drama, which indeed in its original ancient Greek form was inseparable from music. Nevertheless, the term music drama has become accepted. A major characteristic of Musikd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex textures, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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