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André Beauneveu
André Beauneveu (born c. 1335 in Valenciennes, died c.1400 in Bourges) was an Early Netherlandish sculptor and painter, born in the County of Hainaut (Valenciennes is today in France), who is best known for his work in the service of the French King Charles V, and of the Valois Duke, Jean de Berry. His work in all media shows a generally naturalistic and 'sculptural' style, characteristic of the 'Pucellian revival' of the latter 14th century.By far the must up-to-date and comprehensive account of Beauneveu's life and work is the excellent catalogue from the recent exhibition at the Groeningemuseum; Susie Nash, Till-Holger Borchert and Jim Harris, ''No Equal in Any Land: Andre Beauneveu, Artist to the Courts of France and Flanders'', Paul Holberton Publishing, 2007 Biography As with all northern European artists of this period, reliable biographical information about Beauneveu is extremely sparse, being mainly limited to a few mentions in the financial accounts of his patron ...
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André Beauneveu 001
André — sometimes transliterated as Andre — is the French and Portuguese form of the name Andrew, and is now also used in the English-speaking world. It used in France, Quebec, Canada and other French-speaking countries. It is a variation of the Greek name ''Andreas'', a short form of any of various compound names derived from ''andr-'' 'man, warrior'. The name is popular in Norway and Sweden.Namesearch – Statistiska centralbyrån


Cognate names

Cognate names are: * : Andrei,

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Prophet
In religion, a prophet or prophetess is an individual who is regarded as being in contact with a divine being and is said to speak on behalf of that being, serving as an intermediary with humanity by delivering messages or teachings from the supernatural source to other people. The message that the prophet conveys is called a prophecy. Claims of prophethood have existed in many cultures and religions throughout history, including Judaism, Christianity, Islam, ancient Greek religion, Zoroastrianism, Manichaeism, Hinduism , and many others. Etymology The English word ''prophet'' is the transliteration of a compound Greek word derived from ''pro'' (before/toward) and ''phesein'' (to tell); thus, a προφήτης (''prophḗtēs'') is someone who conveys messages from the divine to humans, including occasionally foretelling future events. In a different interpretation, it means advocate or speaker. In Hebrew, the word נָבִיא (''nāvî''), "spokesperson", traditionally t ...
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Effigy
An effigy is an often life-size sculptural representation of a specific person, or a prototypical figure. The term is mostly used for the makeshift dummies used for symbolic punishment in political protests and for the figures burned in certain traditions around New Year, Carnival and Easter. In European cultures, effigies were in the past also used for punishment in formal justice, when the perpetrator could not be apprehended, and in popular justice practices of social shaming and exclusion. Additionally, "effigy" is used for certain traditional forms of sculpture, namely tomb effigies, funeral effigies and coin effigies. There is a large overlap and exchange between the ephemeral forms of effigies. Traditional holiday effigies are often politically charged, for instance, when the generalised figures Año Viejo (the Old Year) or Burning of Judas, Judas in Latin America are substituted by the effigy of a despised politician. Traditional forms are also borrowed for political p ...
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Basilica Di Saint Denis Tomba Reale
In Ancient Roman architecture, a basilica is a large public building with multiple functions, typically built alongside the town's forum. The basilica was in the Latin West equivalent to a stoa in the Greek East. The building gave its name to the architectural form of the basilica. Originally, a basilica was an ancient Roman public building, where courts were held, as well as serving other official and public functions. Basilicas are typically rectangular buildings with a central nave flanked by two or more longitudinal aisles, with the roof at two levels, being higher in the centre over the nave to admit a clerestory and lower over the side-aisles. An apse at one end, or less frequently at both ends or on the side, usually contained the raised tribunal occupied by the Roman magistrates. The basilica was centrally located in every Roman town, usually adjacent to the forum and often opposite a temple in imperial-era forums. Basilicas were also built in private residences and i ...
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Champmol
The Chartreuse de Champmol, formally the ''Chartreuse de la Sainte-Trinité de Champmol'', was a Carthusian monastery on the outskirts of Dijon, which is now in France, but in the 15th century was the capital of the Duchy of Burgundy. The monastery was founded in 1383 by Duke Philip the Bold to provide a dynastic burial place for the House of Valois, Valois Dukes of Burgundy#House of Valois .281361-1482.29, Dukes of Burgundy,Vaughan, 202 and operated until it was dissolved in 1791, during the French Revolution. Called "the grandest project in a reign renowned for extravagance", it was lavishly enriched with works of art, and the dispersed remnants of its collection remain key to the understanding of the art of the period. Founding Purchase of the land and quarrying of materials began in 1377, but construction did not begin until 1383,
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Capetian Dynasty
The Capetian dynasty (; french: Capétiens), also known as the House of France, is a dynasty of Frankish origin, and a branch of the Robertians. It is among the largest and oldest royal houses in Europe and the world, and consists of Hugh Capet, the founder of the dynasty, and his male-line descendants, who ruled in France without interruption from 987 to 1792, and again from 1814 to 1848. The senior line ruled in France as the House of Capet from the election of Hugh Capet in 987 until the death of Charles IV in 1328. That line was succeeded by cadet branches, the Houses of Valois and then Bourbon, which ruled without interruption until the French Revolution abolished the monarchy in 1792. The Bourbons were restored in 1814 in the aftermath of Napoleon's defeat, but had to vacate the throne again in 1830 in favor of the last Capetian monarch of France, Louis Philippe I, who belonged to the House of Orléans. Cadet branches of the Capetian House of Bourbon house are still rul ...
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Basilica Of St Denis
The Basilica of Saint-Denis (french: Basilique royale de Saint-Denis, links=no, now formally known as the ) is a large former medieval abbey church and present cathedral in the commune of Saint-Denis, a northern suburb of Paris. The building is of singular importance historically and architecturally as its choir, completed in 1144, is widely considered the first structure to employ all of the elements of Gothic architecture. The basilica became a place of pilgrimage and a necropolis containing the tombs of the Kings of France, including nearly every king from the 10th century to Louis XVIII in the 19th century. Henry IV of France came to Saint-Denis to formally renounce his Protestant faith and become a Catholic. The Queens of France were crowned at Saint-Denis, and the royal regalia, including the sword used for crowning the kings and the royal sceptre, were kept at Saint-Denis between coronations. The site originated as a Gallo-Roman cemetery in late Roman times. The arch ...
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John II Of France
John II (french: Jean II; 26 April 1319 – 8 April 1364), called John the Good (French: ''Jean le Bon''), was King of France from 1350 until his death in 1364. When he came to power, France faced several disasters: the Black Death, which killed nearly 40% of its population; popular revolts known as ''Jacqueries''; free companies (''Grandes Compagnies'') of routiers who plundered the country; and English aggression that resulted in catastrophic military losses, including the Battle of Poitiers of 1356, in which John was captured. While John was a prisoner in London, his son Charles became regent and faced several rebellions, which he overcame. To liberate his father, he concluded the Treaty of Brétigny (1360), by which France lost many territories and paid an enormous ransom. In an exchange of hostages, which included his second son Louis, Duke of Anjou, John was released from captivity to raise funds for his ransom. Upon his return to France, he created the franc to stab ...
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Joan The Lame
Joan of Burgundy (french: Jeanne; c. 1293 – 12 December 1349), also known as Joan the Lame (french: Jeanne la Boiteuse), was Queen of France as the first wife of King Philip VI. Joan ruled as regent while her husband fought on military campaigns during the Hundred Years' War during the years 1340, 1345–1346 and 1347. Early life Joan was the daughter of Duke Robert II of Burgundy and Agnes of France. Her older sister, Margaret, was the first wife of King Louis X of France. Joan married Philip of Valois, Louis's cousin, in July 1313. From 1314 to 1328, they were Count and Countess of Maine; from 1325, they were also Count and Countess of Valois and Anjou. Queenship The sons of King Philip IV - Louis X, Philip V, and Charles IV - left no surviving sons of their own, which led to the accession of Joan's husband to the French throne in 1328 as the eldest son of Charles of Valois, Philip IV's younger brother. The Hundred Years' War ensued in 1337, with Edward III of Engla ...
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Philip VI Of France
Philip VI (french: Philippe; 1293 – 22 August 1350), called the Fortunate (french: le Fortuné, link=no) or the Catholic (french: le Catholique, link=no) and of Valois, was the first king of France from the House of Valois, reigning from 1328 until his death in 1350. Philip's reign was dominated by the consequences of Succession to the French throne#The succession in 1328, a succession dispute. When Charles IV of France, King Charles IV of France died in 1328, the Proximity of blood, nearest male relative was his nephew Edward III of England, King Edward III of England, but the French nobility preferred Charles's paternal cousin Philip. At first, Edward seemed to accept Philip's succession, but he pressed English claims to the French throne, his claim to the throne of France after a series of disagreements with Philip. The result was the beginning of the Hundred Years' War in 1337. After initial successes at sea, Philip's navy was annihilated at the Battle of Sluys in 1340, e ...
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Hours Of Jeanne D'Evreux
The Hours of Jeanne d'Evreux is an illuminated book of hours in the Gothic style. According to the usual account, it was created between 1324 and 1328 by Jean Pucelle for Jeanne d'Evreux, the third wife of Charles IV of France. It was sold in 1954 to the Metropolitan Museum of Art in New York where it is now part of the collection held at The Cloisters (accession number 54.1.2), and usually on display. The book is very lavishly decorated, mostly in grisaille drawings, and is a highly important example of an early royal book of hours, a type of book designed for the personal devotions of a wealthy lay-person, which was then less than a century old. It has been described as "the high point of Parisian court painting", showing "the unprecedentedly refined artistic tastes of the time". Description The book is very small: the size of each vellum folio or page is 3 5/8 x 2 7/16 in. (9.2 x 6.2 cm), and the overall size including the current replacement binding is 3 7/8 x 2 13/16 ...
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Foreshortening
Linear or point-projection perspective (from la, perspicere 'to see through') is one of two types of graphical projection perspective in the graphic arts; the other is parallel projection. Linear perspective is an approximate representation, generally on a flat surface, of an image as it is seen by the eye. Perspective drawing is useful for representing a three-dimensional scene in a two-dimensional medium, like paper. The most characteristic features of linear perspective are that objects appear smaller as their distance from the observer increases, and that they are subject to ''foreshortening'', meaning that an object's dimensions along the line of sight appear shorter than its dimensions across the line of sight. All objects will recede to points in the distance, usually along the horizon line, but also above and below the horizon line depending on the view used. Italian Renaissance painters and architects including Masaccio, Paolo Uccello, Piero della Francesca and Luca ...
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