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André Andrejew
André Andrejew (21 January 1887 – 13 March 1967) was one of the most important art directors of the international cinema of the twentieth century. He had a distinctive, innovative style. His décors were both expressive and realistic. French writer Lucie Derain described Andrejew at the peak of his career as "an artist of the grand style, blessed with a vision of lyrical quality." Edith C. Lee wrote recently: "Believing in creative freedom rather than academic reconstruction, André Andrejew fulfilled the 20th century's notion of the romantic, individualistic artist. The unusual titillated his imagination." Early life André Andrejew was born in Schawli (Lithuanian: Šiauliai), Russian Empire (now Lithuania), on 21 January 1887 as Andrej Andreyev (Russian: Андрей Андреев). He studied architecture at the Fine Arts Academy in Moscow. At the time in Russia, architecture could be studied at technical universities and with the more artistic angle at art academies, where a ...
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Art Directors
Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of what constitutes art, and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of the arts. Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts. The nature of art and related concepts, such ...
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Crime And Punishment
''Crime and Punishment'' ( pre-reform Russian: ; post-reform rus, Преступление и наказание, Prestupléniye i nakazániye, prʲɪstʊˈplʲenʲɪje ɪ nəkɐˈzanʲɪje) is a novel by the Russian author Fyodor Dostoevsky. It was first published in the literary journal ''The Russian Messenger'' in twelve monthly installments during 1866.University of Minnesota – Study notes for Crime and Punishment
– (retrieved on 1 May 2006)
It was later published in a single volume. It is the second of Dostoevsky's full-length novels following his return from ten years of exile in Siberia. ''Cri ...
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Luis Buñuel
Luis Buñuel Portolés (; 22 February 1900 – 29 July 1983) was a Spanish-Mexican filmmaker who worked in France, Mexico, and Spain. He has been widely considered by many film critics, historians, and directors to be one of the greatest and most influential filmmakers of all time. When Buñuel died at age 83, his obituary in ''The New York Times'' called him "an iconoclast, moralist, and revolutionary who was a leader of avant-garde surrealism in his youth and a dominant international movie director half a century later". His first picture, ''Un Chien Andalou''—made in the silent era—is still viewed regularly throughout the world and retains its power to shock the viewer, and his last film, ''That Obscure Object of Desire''—made 48 years later—won him Best Director awards from the National Board of Review and the National Society of Film Critics. Writer Octavio Paz called Buñuel's work "the marriage of the film image to the poetic image, creating a new reality...scan ...
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Continental Films
Continental Films was a German-controlled French film production company. It stood as the sole authorized film production organization in Nazi-occupied France. Established in October 1940, it was entirely bankrolled by the German government, and headed by Alfred Greven in Paris, with its finances, production and distribution tightly integrated with the German film industry. Continental's first production was ''Who Killed Santa Claus?'' (''L'Assassinat du père Noël'', 1941). The firm gave Henri-Georges Clouzot his first directoral job for the comic thriller ''The Murderer Lives at Number 21'' (''L'Assassin habite au 21'', 1942), which Clouzot also co-wrote.The Classic French Cinema, 1930-1960, by Colin Crisp, p. 190 Continental released 30 features before ending production four years later. Its last release was ''Majestic Hotel Cellars'' (1944). The film '' Safe Conduct'' (''Laissez-passer'', 2002) depicts life and work at Continental, based on the memoirs of director Jean Dev ...
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Alfred Greven
Alfred may refer to: Arts and entertainment *''Alfred J. Kwak'', Dutch-German-Japanese anime television series * ''Alfred'' (Arne opera), a 1740 masque by Thomas Arne * ''Alfred'' (Dvořák), an 1870 opera by Antonín Dvořák *"Alfred (Interlude)" and "Alfred (Outro)", songs by Eminem from the 2020 album ''Music to Be Murdered By'' Business and organisations * Alfred, a radio station in Shaftesbury, England *Alfred Music, an American music publisher *Alfred University, New York, U.S. *The Alfred Hospital, a hospital in Melbourne, Australia People * Alfred (name) includes a list of people and fictional characters called Alfred * Alfred the Great (848/49 – 899), or Alfred I, a king of the West Saxons and of the Anglo-Saxons Places Antarctica * Mount Alfred (Antarctica) Australia * Alfredtown, New South Wales * County of Alfred, South Australia Canada * Alfred and Plantagenet, Ontario * Alfred Island, Nunavut * Mount Alfred, British Columbia United States * Alfred, Maine, a ...
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Vichy Regime
Vichy France (french: Régime de Vichy; 10 July 1940 – 9 August 1944), officially the French State ('), was the fascist French state headed by Marshal Philippe Pétain during World War II. Officially independent, but with half of its territory occupied under harsh terms of the armistice, it adopted a policy of collaboration with Nazi Germany, which occupied the northern and western portions before occupying the remainder of Metropolitan France in November 1942. Though Paris was ostensibly its capital, the collaborationist Vichy government established itself in the resort town of Vichy in the unoccupied "Free Zone" (), where it remained responsible for the civil administration of France as well as its colonies. The Third French Republic had begun the war in September 1939 on the side of the Allies. On 10 May 1940, it was invaded by Nazi Germany. The German Army rapidly broke through the Allied lines by bypassing the highly fortified Maginot Line and invading through Be ...
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Marcel L'Herbier
Marcel L'Herbier (; 23 April 1888 – 26 November 1979) was a French filmmaker who achieved prominence as an avant-garde theorist and imaginative practitioner with a series of silent films in the 1920s. His career as a director continued until the 1950s and he made more than 40 feature films in total. During the 1950s and 1960s, he worked on cultural programmes for French television. He also fulfilled many administrative roles in the French film industry, and he was the founder and the first President of the French film school Institut des hautes études cinématographiques (IDHEC). Early life Marcel L'Herbier was born in Paris on 23 April 1888 into a professional and intellectual family, and as he grew up he demonstrated a multi-talented disposition for sports, dancing, debating and the arts. He attended a Society of Mary (Marists), Marist school and then the Lycée Voltaire (Paris), Lycée Voltaire, followed by the École des Hautes Études Sociales in Paris. He worked hard ...
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Les Yeux Noirs (film)
''Dark Eyes'' (French: ''Les yeux noirs'') is a 1935 French drama film directed by Viktor Tourjansky and starring Harry Baur, Simone Simon and Jean-Pierre Aumont.Oscherwitz & Higgins p.318 The film's sets were designed by the art director Eugène Lourié. Cast * Harry Baur as Ivan Ivanovitch Petroff * Simone Simon as Tania * Jean-Pierre Aumont as Karpoff * Jean-Max as Roudine * Christiane Ribes as Une demi-mondaine * Jeanne Brindeau as La gouvernante * Max Maxudian * Pierre Labry as Le noceur * André Dubosc as Le maître d'hôtel * Guy Sloux as Le fêtard * Nine Assia as Lucie * Viviane Romance as La comtesse * Georges Paulais * Jacques Berlioz as Le directeur * Adrienne Trenkel * Maxime Fabert as Un convive * Claude Lehmann as Un jeune officier * Marguerite de Morlaye * Émile Genevois * Léon Arvel as Un serveur du restaurant * Raymond Aimos as Un serveur du restaurant * Rodolphe Marcilly Rudolph or Rudolf may refer to: ...
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Adolf Hitler
Adolf Hitler (; 20 April 188930 April 1945) was an Austrian-born German politician who was dictator of Nazi Germany, Germany from 1933 until Death of Adolf Hitler, his death in 1945. Adolf Hitler's rise to power, He rose to power as the leader of the Nazi Party, becoming the Chancellor of Germany, chancellor in 1933 and then taking the title of in 1934. During his dictatorship, he initiated European theatre of World War II, World War II in Europe by invasion of Poland, invading Poland on 1 September 1939. He was closely involved in military operations throughout the war and was central to the perpetration of the Holocaust: the genocide of Holocaust victims, about six million Jews and millions of other victims. Hitler was born in Braunau am Inn in Austria-Hungary and was raised near Linz. He lived in Vienna later in the first decade of the 1900s and moved to Germany in 1913. He was decorated during his Military career of Adolf Hitler, service in the German Army in Worl ...
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German Expressionism
German Expressionism () consisted of several related creative movements in Germany before the First World War that reached a peak in Berlin during the 1920s. These developments were part of a larger Expressionist movement in north and central European culture in fields such as architecture, dance, painting, sculpture and cinema. This article deals primarily with developments in German Expressionist cinema before and immediately after World War I, approximately from 1910 to the 1930s. History The German Expressionist movement was initially confined to Germany due to the country's isolation during World War I. In 1916, the government banned foreign films, creating a sharp increase in the demand for domestic film production: from 24 films in 1914, to 130 films in 1918. With inflation also on the rise, Germans were attending films more freely because they knew that their money's value was constantly diminishing.Thompson, Kristin. Bordwell, David. ''Film History: An Intro ...
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Pandora's Box (1929 Film)
Pandora's box is an artifact in Greek mythology connected with the myth of Pandora in Hesiod's c. 700 B.C. poem ''Works and Days''. Hesiod reported that curiosity led her to open a container left in the care of her husband, thus releasing physical and emotional curses upon mankind. Later depictions of the story have been varied, while some literary and artistic treatments have focused more on the contents than on Pandora herself. The container mentioned in the original account was actually a large storage jar, but the word was later mistranslated. In modern times an idiom has grown from the story meaning "Any source of great and unexpected troubles", or alternatively "A present which seems valuable but which in reality is a curse". In mythology According to Hesiod, when Prometheus stole fire from heaven, Zeus, the king of the gods, took vengeance by presenting Pandora to Prometheus' brother Epimetheus. Pandora opened a jar left in her care containing sickness, death and many o ...
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Christian-Jacque
Christian-Jaque (byname of Christian Maudet; 4 September 1904 – 8 July 1994) was a French filmmaker. From 1954 to 1959, he was married to actress Martine Carol, who starred in several of his films, including ''Lucrèce Borgia'' (1953), ''Madame du Barry'' (1954), and ''Nana'' (1955). Christian-Jaque's 1946 film ''A Lover's Return'' was entered into the 1946 Cannes Film Festival. He won the Best Director award at the 1952 Cannes Film Festival for his popular swashbuckler ''Fanfan la Tulipe''. At the 2nd Berlin International Film Festival, he won the Silver Bear award for the same film. In 1959, he was a member of the jury at the 1st Moscow International Film Festival. Christian-Jaque began his motion picture career in the 1920s as an art director and production designer. By the early 1930s, he had moved into screenwriting and directing. He continued working into the mid-1980s, though from 1970 on, most of his work was done for television. In 1979, he was a member of the ...
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