Andrea Hamilton
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Andrea Hamilton
Andrea Jarvis Hamilton (born in 1968) is a Conceptual art, conceptual artist and fine-art photography, fine-art photographer best known for her extensive series of photographic images of the ocean, natural phenomena and the Kelvin scale. Her work encompasses the long term, systematic collection of subjects within a strict conceptual framework, creating expansive archives. These are retrospectively organised according to common visual characteristics (movement, colour, light) into series which highlight certain themes: the nature of time and memory, climate change, colour theory and being. Her work also encompasses still life, long exposure, landscape and portraiture, street photography and landscape. Hamilton has been short-listed for several notable photography prizes including the 7th Julia Margaret Cameron Award for Women Photographers, Chantel Paul’s Honorable Mention at The Centre for Fine Art Photography in Colorado, the 9th Arte Laguna Prize and the Judges Choice at the AO ...
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Artist Andrea Hamilton
An artist is a person engaged in an activity related to creating art, practicing the arts, or demonstrating an art. The common usage in both everyday speech and academic discourse refers to a practitioner in the visual arts only. However, the term is also often used in the entertainment business, especially in a business context, for musicians and other performers (although less often for actors). "Artiste" (French for artist) is a variant used in English in this context, but this use has become rare. Use of the term "artist" to describe writers is valid, but less common, and mostly restricted to contexts like used in criticism. Dictionary definitions The ''Oxford English Dictionary'' defines the older broad meanings of the term "artist": * A learned person or Master of Arts. * One who pursues a practical science, traditionally medicine, astrology, alchemy, chemistry. * A follower of a pursuit in which skill comes by study or practice. * A follower of a manual art, such as a m ...
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