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Anata (band)
Anata is a technical death metal band from Varberg, Sweden that formed in 1993. To date, they have released two demos, four albums and a split album with Bethzaida. In 2005, they completed recordings for an album titled ''The Conductor's Departure'', released in June 2006 on Earache Records/Wicked World Records. Anata have toured Europe with death metal acts such as Dismember, Decapitated, Rotting Christ, and Psycroptic. In 2006 Anata played at Maryland Deathfest, Baltimore, their first United States appearance to date. Anata have also performed at festivals in Europe such as Fuck the Commerce, Neurotic Deathfest, and Gothenburg Deathfest. Anata has remained inactive since Andreas Allenmark left in 2008. Musical style Their style employs significant use of dissonance, including contrapuntal structures employing whole- and half-step harmony, as well as dissonant chords. As their music relies greatly on melody and counterpoint, in contrast to most death metal bands who focus ...
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Maryland Deathfest
Maryland Deathfest (often abbreviated to MDF) is an annual American extreme metal festival founded in 2003 by Ryan Taylor and Evan Harting. The festival is held in Baltimore, Maryland during Memorial Day weekend, and it features many bands from around the world that vary from a wide range of Heavy metal genres, heavy metal subgenres. It is the biggest event of its kind in North America, attracting attendees from more than 40 U.S. states and 25 countries every year. More than 700 bands from more than 35 countries have played at MDF since 2003. The concept of the event is "To bring to the world the best and most extreme bands the underground has to offer. Never conforming to trends, or being limited by genre restrictions, we want to showcase what extreme music, both new and old, is capable of." Due to the COVID-19 pandemic in the United States, COVID-19 pandemic, MDF was cancelled in 2020 and 2021, but returned on May 26-29, 2022. Shortly before the 2022 festival, the organizers ...
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Dark Tranquillity
Dark Tranquillity is a Swedish melodic death metal band from Gothenburg. They are considered one of the pioneering acts of the Gothenburg metal scene, which also includes bands such as In Flames and At the Gates. Dark Tranquillity is regarded as the Gothenburg fathers in the film entitled ''Out of Nothing: A DT Documentary'' released by Century Media, which was filmed in their home town in April 2009. Background Early years and ''Skydancer'' (1989–1993) Dark Tranquillity was formed in 1989 by current vocalist and then-guitarist Mikael Stanne, and guitarist Niklas Sundin, under the name Septic Broiler. Three additional members, Anders Fridén, Anders Jivarp and Martin Henriksson, later joined the line-up. In 1990, the band recorded a demo entitled ''Enfeebled Earth'' before changing their name to Dark Tranquillity, which featured a largely thrash metal-influenced style of death metal, comparable to early Death. After releasing another demo entitled ''Rehearsal December 1990'', ...
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In Flames
In Flames is a Swedish heavy metal band, formed by guitarist Jesper Strömblad in Gothenburg in 1990. Alongside At the Gates and Dark Tranquillity, In Flames pioneered the genres known as Swedish death metal and melodic death metal. During the band's early years, In Flames had a varying group of musicians recording with them, including many session musicians. By the release of ''Colony'' (1999), the group had established a stable lineup. Their sixth studio album ''Reroute to Remain'' (2002) showed the band moving toward a newer style of music that moved further away from melodic death metal and closer to alternative metal. This decision was criticized by fans of the group's heavier metal sound; however, it increased the band's mainstream audience and bolstered their album sales. As of 2008, In Flames has sold over two million records worldwide. Since the band's inception, In Flames have released thirteen studio albums, three EPs, and two live DVDs, their latest release bei ...
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Gothenburg Metal
Melodic death metal (also referred to as melodeath) is a subgenre of death metal that employs highly melodic guitar riffs, often borrowing from traditional heavy metal (including New Wave of British Heavy Metal). The genre features the heaviness of death metal but with highly melodic or harmonized guitar riffs and solos, and often features high-pitched shrieked vocals (differing from traditional death metal) alongside the low-pitched growls commonly featured in traditional death metal. Pioneered by the English heavy metal band Carcass with their 1993 album ''Heartwork'', melodic death metal developed further in Sweden (developed by bands like At the Gates, Dark Tranquillity, and In Flames) in the mid-1990s. The Swedish death metal scene did much to popularise the style, soon centering in the "Gothenburg metal" scene. At the Gates' ''Slaughter of the Soul'', Dark Tranquility's '' The Gallery'', and In Flames' ''The Jester Race'', all released in the mid-1990s, were highly influen ...
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Melodic Death Metal
Melodic death metal (also referred to as melodeath) is a subgenre of death metal that employs highly melodic guitar riffs, often borrowing from traditional heavy metal (including New Wave of British Heavy Metal). The genre features the heaviness of death metal but with highly melodic or harmonized guitar riffs and solos, and often features high-pitched shrieked vocals (differing from traditional death metal) alongside the low-pitched growls commonly featured in traditional death metal. Pioneered by the English heavy metal band Carcass with their 1993 album ''Heartwork'', melodic death metal developed further in Sweden (developed by bands like At the Gates, Dark Tranquillity, and In Flames) in the mid-1990s. The Swedish death metal scene did much to popularise the style, soon centering in the "Gothenburg metal" scene. At the Gates' ''Slaughter of the Soul'', Dark Tranquility's '' The Gallery'', and In Flames' ''The Jester Race'', all released in the mid-1990s, were highly influen ...
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Palm Muting
The palm mute is a playing technique for guitar and bass guitar, executed by placing the side of the picking hand below the little finger across the strings to be plucked, very close to the bridge, and then plucking the strings while the damping is in effect. This produces a muted sound. The name is a slight misnomer, as the muting is performed by the side of the hand, not the palm. Palm muting is a standard technique used in classical guitar performance (under the name of pizzicato, as it creates a sound similar to that of a bowed string instrument when finger picked, despite a very different construction from that of a guitar) and by electric guitarists who play with a pick. Palm muting is so widely used as to be idiomatic in heavy metal, and particularly in thrash, speed and death metal, but it is often found in any style of music that features electric guitars with distortion in the signal's preamplification stage. It is responsible for the characteristic "chugging" and ...
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Distortion (guitar)
Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone. Distortion is most commonly used with the electric guitar, but may also be used with other electric instruments such as electric bass, electric piano, synthesizer and Hammond organ. Guitarists playing electric blues originally obtained an overdriven sound by turning up their vacuum tube-powered guitar amplifiers to high volumes, which caused the signal to distort. While overdriven tube amps are still used to obtain overdrive, especially in genres like blues and rockabilly, a number of other ways to produce distortion have been developed since the 1960s, such as distortion effect pedals. The growling tone of a distorted electric guitar is a key part of many genres, including blues and many rock music genres, notably hard rock, punk rock, hardcore punk, acid rock, ...
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Minor Second
A semitone, also called a half step or a half tone, is the smallest musical interval commonly used in Western tonal music, and it is considered the most dissonant when sounded harmonically. It is defined as the interval between two adjacent notes in a 12-tone scale. For example, C is adjacent to C; the interval between them is a semitone. In a 12-note approximately equally divided scale, any interval can be defined in terms of an appropriate number of semitones (e.g. a whole tone or major second is 2 semitones wide, a major third 4 semitones, and a perfect fifth 7 semitones. In music theory, a distinction is made between a diatonic semitone, or minor second (an interval encompassing two different staff positions, e.g. from C to D) and a chromatic semitone or augmented unison (an interval between two notes at the same staff position, e.g. from C to C). These are enharmonically equivalent when twelve-tone equal temperament is used, but are not the same thing in meantone temper ...
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Major Second
In Western music theory, a major second (sometimes also called whole tone or a whole step) is a second spanning two semitones (). A second is a musical interval encompassing two adjacent staff positions (see Interval number for more details). For example, the interval from C to D is a major second, as the note D lies two semitones above C, and the two notes are notated on adjacent staff positions. Diminished, minor and augmented seconds are notated on adjacent staff positions as well, but consist of a different number of semitones (zero, one, and three). The major second is the interval that occurs between the first and second degrees of a major scale, the tonic and the supertonic. On a musical keyboard, a major second is the interval between two keys separated by one key, counting white and black keys alike. On a guitar string, it is the interval separated by two frets. In moveable-do solfège, it is the interval between ''do'' and ''re''. It is considered a melo ...
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Counterpoint
In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and chords, chromaticism and dissonance. General principles The term "counterpoint" has been us ...
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Consonance And Dissonance
In music, consonance and dissonance are categorizations of simultaneous or successive Sound, sounds. Within the Western tradition, some listeners associate consonance with sweetness, pleasantness, and acceptability, and dissonance with harshness, unpleasantness, or unacceptability, although there is broad acknowledgement that this depends also on familiarity and musical expertise. The terms form a structural dichotomy in which they define each other by mutual exclusion: a consonance is what is not dissonant, and a dissonance is what is not consonant. However, a finer consideration shows that the distinction forms a gradation, from the most consonant to the most dissonant. In casual discourse, as German composer and music theorist Paul Hindemith stressed, "The two concepts have never been completely explained, and for a thousand years the definitions have varied". The term ''sonance'' has been proposed to encompass or refer indistinctly to the terms ''consonance'' and ''dissonance' ...
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