Anastenaria (Xenakis)
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Anastenaria (Xenakis)
''Anastenaria'' is a triptych cycle of compositions for SATB, SATB chorus, male chorus and orchestra by Greek composer Iannis Xenakis. It is, also, one of his most successful early compositions. The three movements of this cycle were composed between 1952 and 1954. Composition After winning the first prize in the Bucharest Music Festival in 1953 for ''La colombe de la paix'', one of his unpublished works, Xenakis decided to complete the first and the second movement of his ''Anastenaria'' trilogy, strongly influenced by his Greek roots. He was then studying with Arthur Honegger, Darius Milhaud and, most especially, with Olivier Messiaen, who even made several changes to the original conception of this work. Conception Xenakis claimed that the work is based on a Greek Ritual which, after Constantine the Great, it has been reinterpreted to be a Christian ritual. In this ritual, Xenakis distinguishes up to three different phases: * Phase A: the procession of the priests, the " ...
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SATB
SATB is an initialism that describes the scoring of compositions for choirs, and also choirs (or consorts) of instruments. The initials are for the voice types: S for soprano, A for alto, T for tenor and B for bass. Choral music Four-part harmony using soprano, alto, tenor and bass is a common scoring in classical music, including chorales and most Bach cantatas.Shrock, DennisChoral Repertoire''Oxford University Press'', 2009, p. 298, The letters of the abbreviation are also used by publishers to describe different scorings for soloists and choirs other than four-part harmony. For example, the listing "STB solos, SATB choir", of Bach's ''Wachet auf, ruft uns die Stimme'', BWV 140, indicates that a performance needs three soloists: soprano, tenor and bass, and a four-part choir. "SATB/SATB" is used when a double choir is required, as in Penderecki's ''Polish Requiem''. or SSATB, with divided sopranos, which is a typical scoring in English church music. A listing for Bach's ''M ...
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