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Anapest
An anapaest (; also spelled anapæst or anapest, also called antidactylus) is a metrical foot used in formal poetry. In classical quantitative meters it consists of two short syllables followed by a long one; in accentual stress meters it consists of two unstressed syllables followed by one stressed syllable. It may be seen as a reversed dactyl. This word comes from the Greek , ''anápaistos'', literally "struck back" and in a poetic context "a dactyl reversed". Because of its length and the fact that it ends with a stressed syllable and so allows for strong rhymes, anapaest can produce a very rolling verse, and allows for long lines with a great deal of internal complexity. Apart from their independent role, anapaests are sometimes used as substitutions in iambic verse. In strict iambic pentameter, anapaests are rare, but they are found with some frequency in freer versions of the iambic line, such as the verse of Shakespeare's last plays, or the lyric poetry of the 19th centur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anapestic Tetrameter
Anapestic tetrameter ( British spelling: anapaestic) is a poetic meter that has four anapestic metrical feet per line. Each foot has two unstressed syllables followed by a stressed syllable. It is sometimes referred to as a "reverse dactyl", and shares the rapid, driving pace of the dactyl. Description and uses Anapestic tetrameter is a rhythm well suited for comic verse, and prominent examples include Clement Clarke Moore's " A Visit from St. Nicholas" and the majority of Dr. Seuss's poems. When used in comic form, anapestic tetrameter is often highly regular, as the regularity emphasizes the breezy, melodic feel of the meter, though the initial unstressed beat of a line may often be omitted. Non comic usage The verse form is not solely comic. Lord Byron's " The Destruction of Sennacherib" is in anapestic tetrameter. Eminem's hit song " The Way I Am" uses the meter for all parts of the song except the chorus. In non-comic works, it is likely that anapestic tetrameter will be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetry
Poetry (from the Greek language, Greek word ''poiesis'', "making") is a form of literature, literary art that uses aesthetics, aesthetic and often rhythmic qualities of language to evoke meaning (linguistics), meanings in addition to, or in place of, Denotation, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet. Poets use a variety of techniques called poetic devices, such as assonance, alliteration, Phonaesthetics#Euphony and cacophony, euphony and cacophony, onomatopoeia, rhythm (via metre (poetry), metre), and sound symbolism, to produce musical or other artistic effects. They also frequently organize these effects into :Poetic forms, poetic structures, which may be strict or loose, conventional or invented by the poet. Poetic structures vary dramatically by language and cultural convention, but they often use Metre (poetry), rhythmic metre (patterns of syllable stress or syllable weight, syllable (mora) weight ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scansion
Scansion ( , rhymes with ''mansion''; verb: ''to scan''), or a system of scansion, is the method or practice of determining and (usually) graphically representing the Metre (poetry), metrical pattern of a line of Poetry, verse. In classical poetry, these patterns are quantitative based on the different lengths of each syllable, while in English poetry, they are based on the different levels of stress placed on each syllable. In both cases, the meter often has a regular Foot (prosody), foot. Over the years, many systems have been established to mark the scansion of a poem. Overview Systems of scansion, and the assumptions (often tacit or even subconscious) that underlie them, are so numerous and contradictory that it is often difficult to tell whether differences in scansion indicate opposed metrical theories, conflicting understandings of a line's linguistic character, divergent practical goals, or whether they merely constitute a trivial argument over who has the "better ear" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iambic Pentameter
Iambic pentameter ( ) is a type of metric line used in traditional English poetry and verse drama. The term describes the rhythm, or meter, established by the words in each line. Meter is measured in small groups of syllables called feet. "Iambic" indicates that the type of foot used is the iamb, which in English is composed of an unstressed syllable followed by a stressed syllable (as in ''a-BOVE''). "Pentameter" indicates that each line has five metrical feet. Iambic pentameter is the most common meter in English poetry. It was first introduced into English by Chaucer in the 14th century on the basis of French and Italian models. It is used in several major English poetic forms, including blank verse, the heroic couplet, and some of the traditionally rhymed stanza forms. William Shakespeare famously used iambic pentameter in his plays and sonnets, John Milton in his ''Paradise Lost'', and William Wordsworth in '' The Prelude''. As lines in iambic pentameter usually c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Limerick (poetry)
A limerick ( ) is a form of verse that appeared in England in the early years of the 18th century. In combination with a refrain, it forms a limerick (song), limerick song, a traditional humorous drinking song often with obscene verses. It is written in five-line, predominantly Anapaest, and amphibrach trimeter with a strict rhyme scheme of AABBA, in which the first, second and fifth line rhyme, while the third and fourth lines are shorter and share a different rhyme. It was popularized by Edward Lear in the 19th century, although he did not use the term. From a Folklore, folkloric point of view, the form is essentially transgressive; violation of taboo is part of its function. According to Gershon Legman, who compiled the largest and most scholarly anthology, this folk form is always obscene and the exchange of limericks is almost exclusive to comparatively well-educated men. Women are figuring in limericks almost exclusively as "villains or victims". Legman dismissed the "clea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Destruction Of Sennacherib
"The Destruction of Sennacherib" is a poem by Lord Byron first published in 1815 in his ''Hebrew Melodies'' (in which it was titled The Destruction of Semnacherib). The poem is based on the biblical account of the historical Assyrian siege of Jerusalem in 701 BC by Assyrian king Sennacherib, as described in 2 Kings 18–19, Isaiah 36–37. The rhythm of the poem has a feel of the beat of a galloping horse's hooves (an anapestic tetrameter) as the Assyrian rides into battle. Biblical story The poem relates to the Biblical account of Sennacherib's attempted siege of Jerusalem. According to the Bible record in 2 Kings 18:13, the Assyrian army came "against all the fenced cities of Judah, and took them." When the Assyrians were besieging Jerusalem, Hezekiah prayed to Jehovah in the Temple, and Isaiah sent the reply from Jehovah to Hezekiah: "I will defend this city, to save it, for mine own sake, and for my servant David's sake" (2 Kings 19:34), and during the following nig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Triumph Of Time
''The'' is a grammatical article in English, denoting nouns that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pronoun ''thee' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Possum's Book Of Practical Cats
''Old Possum's Book of Practical Cats'' (1939) is a collection of whimsical Light poetry, light poems by T. S. Eliot about Cat, feline psychology and sociology, published by Faber and Faber. It serves as the basis for Andrew Lloyd Webber's 1981 musical ''Cats (musical), Cats''. Eliot wrote the poems in the 1930s and included them, under his assumed name "Old Possum", in letters to his godchildren. Eliot tried to persuade the poet Ralph Hodgson to illustrate the poems but failed. They were collected and published in 1939, with cover illustrations by the author, and quickly re-published in 1940, illustrated in full by Nicolas Bentley. They have also been published in versions illustrated by Edward Gorey (1982), Axel Scheffler (2009) and Rebecca Ashdown (2014). Contents The contents of ''Old Possum's Book of Practical Cats'', along with the names of the featured cats where appropriate, are: * "The Naming of Cats" * "The Old Gumbie Cat" (Jennyanydots) * "Growltiger's Last Stand" * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Book Of Nonsense
''The'' is a grammatical article in English, denoting nouns that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pronoun ''thee' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Lear
Edward Lear (12 May 1812 – 29 January 1888) was an English artist, illustrator, musician, author and poet, who is known mostly for his literary nonsense in poetry and prose and especially his limerick (poetry), limericks, a form he popularised. His principal areas of work as an artist were threefold: as a draughtsman employed to make illustrations of birds and animals, making coloured drawings during his journeys (which he reworked later, sometimes as plates for his travel books) and as a minor illustrator of Alfred, Lord Tennyson's poems. As an author, he is known principally for his popular nonsense collections of poems, songs, short stories, botanical drawings, recipes and alphabets. He also composed and published twelve musical settings of Tennyson's poetry. Biography Early years Lear was born into a middle-class family at Holloway, London, Holloway, North London, the penultimate of 21 children (and youngest to survive) of Ann Clark Skerrett and Jeremiah Lear, a stockbr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Hunting Of The Snark
''The Hunting of the Snark'', subtitled ''An Agony, in Eight Fits'', is a poem by the English writer Lewis Carroll. It is typically categorised as a nonsense poem. Written between 1874 and 1876, it borrows the setting, some creatures, and eight portmanteau words from Carroll's earlier poem "Jabberwocky" in his children's novel ''Through the Looking-Glass'' (1871). Macmillan published ''The Hunting of the Snark'' in the United Kingdom at the end of March 1876, with nine illustrations by Henry Holiday. It had mixed reviews from reviewers, who found it strange. The first printing of the poem consisted of 10,000 copies. There were two reprints by the conclusion of the year; in total, the poem was reprinted 17 times between 1876 and 1908. The poem also has been adapted for musicals, movies, opera, plays, and music. The narrative follows a crew of ten trying to hunt the Snark, a creature which may turn out to be a highly dangerous ''Boojum''. The only crew member to find the Snar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lewis Carroll
Charles Lutwidge Dodgson (27 January 1832 – 14 January 1898), better known by his pen name Lewis Carroll, was an English author, poet, mathematician, photographer and reluctant Anglicanism, Anglican deacon. His most notable works are ''Alice's Adventures in Wonderland'' (1865) and its sequel ''Through the Looking-Glass'' (1871). He was noted for his facility with word play, logic, and fantasy. His poems ''Jabberwocky'' (1871) and ''The Hunting of the Snark'' (1876) are classified in the genre of literary nonsense. Some of Alice's nonsensical wonderland logic reflects his published work on mathematical logic. Carroll came from a family of high-church Anglicanism, Anglicans, and pursued his clerical training at Christ Church, Oxford, where he lived for most of his life as a scholar, teacher and (necessarily for his academic fellowship at the time) Anglican deacon. Alice Liddell – a daughter of Henry Liddell, the Dean of Christ Church, Oxford, Dean of Christ Church – is wide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
