|
Amélie-Julie Candeille
Amélie-Julie Candeille (; night of 30/31 July 1767, parish of Saint-Sulpice (Paris), Saint-Sulpice, Paris – 4 February 1834, Paris) was a French composer, librettist, writer, singer, actress, comedian, and instrumentalist. Life Early life Julie Candeille described herself in her ''Mémoires'' as having "bright blonde hair, brown eyes, white, fine and clear skin, [and] a soft and laughing air". According to her colleague Louise Fusil, Candeille was pretty, with "a well-taken size, a noble gait, [and] traits and whiteness as held by Creole peoples, creole women". Her ancestry was actually Flemish, with no known Creole elements, Candeille, like many women musicians of her time, came from a musical family. Her father Pierre-Joseph Candeille (1744–1827) was a composer, actor and low-bass opera-singer in the chorus, though he ended up exiled in Moulins, Allier, Moulins where he became a theatre director. Her father was her primary teacher, and some have speculated that his deepl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adélaïde Labille-Guiard
Adélaïde Labille-Guiard (; 11 April 1749 – 24 April 1803), also known as Adélaïde Labille-Guiard des Vertus, was a French Portrait miniature, miniaturist and portrait painter. She was an advocate for women to receive the same opportunities as men to become great painters. Labille-Guiard was one of the first women to become a member of the Royal Academy, and was the first female artist to receive permission to set up a studio for her students at the Louvre.Auricchio. Early life and studies Adélaïde Labille was born on 11 April 1749 in Paris. Her father, Claude-Edme Labille (1705–1788) was a haberdasher.''Concise Dictionary of Women Artists'', edited by Delia Gaze, Taylor & Francis Group, 2001. Labille-Guiard became a master at miniatures, pastels, and oil paintings. Little is known about her training due to the practices of the 18th century which dictated masters (who were predominately male) should not take on female pupils. During this time, women were perceived a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Willibald Gluck
Christoph Willibald (Ritter von) Gluck (; ; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period (music), classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire at the time, he gained prominence at the House of Habsburg, Habsburg court in Vienna. There he brought about the practical reform of opera's dramaturgical practices for which many intellectuals had been campaigning. With a series of radical new works in the 1760s, among them ''Orfeo ed Euridice'' and ''Alceste (Gluck), Alceste'', he broke the stranglehold that Metastasio, Metastasian ''opera seria'' had enjoyed for much of the century. Gluck introduced more drama by using orchestral recitative and cutting the usually long da capo aria. His later operas have half the length of a typical baroque opera. The strong influence of French opera encouraged Gluck to move to Paris in November 1773. Fusing the traditions of Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amélie-Julie Candeille
Amélie-Julie Candeille (; night of 30/31 July 1767, parish of Saint-Sulpice (Paris), Saint-Sulpice, Paris – 4 February 1834, Paris) was a French composer, librettist, writer, singer, actress, comedian, and instrumentalist. Life Early life Julie Candeille described herself in her ''Mémoires'' as having "bright blonde hair, brown eyes, white, fine and clear skin, [and] a soft and laughing air". According to her colleague Louise Fusil, Candeille was pretty, with "a well-taken size, a noble gait, [and] traits and whiteness as held by Creole peoples, creole women". Her ancestry was actually Flemish, with no known Creole elements, Candeille, like many women musicians of her time, came from a musical family. Her father Pierre-Joseph Candeille (1744–1827) was a composer, actor and low-bass opera-singer in the chorus, though he ended up exiled in Moulins, Allier, Moulins where he became a theatre director. Her father was her primary teacher, and some have speculated that his deepl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François-Joseph Talma
François Joseph Talma (15 January 1763 – 19 October 1826) was a French actor. Life He was born in Paris. His father, a dentist, moved to London, and saw that his son received a good English education. François Joseph returned to Paris, where for a year and a half he himself practised dentistry. His predilection for the stage was cultivated in amateur theatricals, and on 21 November 1787 he made his debut at the Comédie-Française as Seide in Voltaire's ''Mahomet''. His efforts from the first won approval, but for a considerable time he only obtained secondary parts. It was as a juvenile lead that he first came to prominence, and he only gradually achieved his unrivalled position as the exponent of strong and concentrated passion. Talma was among the earliest advocates of realism in scenery and costume, being aided by his friend, the painter Jacques-Louis David. His first step in this direction was to appear in the small role of Proculus in Voltaire's ''Brutus'', with a to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louise Contat
Louise-Françoise Contat (16 June 1760 – 9 March 1813) was a French Actor, actress. Biography She was born in Paris and made her debut at the Comédie Française in 1766 as Atalide in ''Bajazet (play), Bajazet''. It was in comedy, however, that she made her first success, as Suzanne in Pierre Beaumarchais, Beaumarchais's ''The Marriage of Figaro (play), Mariage de Figaro''; and in several minor character parts, which she raised to the first importance, and as the ''soubrette'' in the plays of Molière and Pierre de Marivaux, she found opportunities exactly fitted to her talents. By Louis, comte de Narbonne-Lara, Louis Marie Jacques Amalric, comte de Narbonne-Lara (17, 23 or 24 August 1755 – 17 November 1813), soldier and diplomat, she had one daughter Louise Amalrique Bathilde Isidore Contat de Narbonne-Lara, born at Saint Pierre de Chaillot, Paris, on 21 September 1788, who married in Paris on 2 December 1811 Dutch Jan Frederik Abbema, born in Amsterdam on 13 June 1773, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dazincourt
Joseph-Jean-Baptiste Albouy (11 December 1747, in Marseille – 28 March 1809, in Paris), stage name Dazincourt, was a Theatre in France, French actor. Life Educated by the Oratory of Jesus, Oratorians, Dazincourt entered the service of the Louis François Armand du Plessis, duc de Richelieu, maréchal de Richelieu in 1766 and had a taste of acting in comedies of manners. Deciding to make this his profession, he left Paris in secret for Brussels to study under D'Hannetaire, then at the peak of his reputation. After acting at the La Monnaie, Théâtre de la Monnaie from 1771 to 1776, Dazincourt returned to Paris and made his debut at the Comédie-Française on 21 November 1776 in the rôle of Crispin in ''Les Folies amoureuses'' by Jean-François Regnard. He became a Sociétaires of the Comédie-Française, sociétaire of this theatre in 1778 and remained one until his death. In December 1776 the ''Mercure de France'' commented on his debuts: "This actor has a well-formed talen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andromaque
''Andromaque'' is a tragedy in five acts by the France, French playwright Jean Racine written in French alexandrine, alexandrine verse. It was first performed on 17 November 1667 before the court of Louis XIV in the Louvre Palace, Louvre in the private chambers of the Queen, Maria Theresa of Spain, Marie Thérèse, by the royal company of actors, called "les Grands Comédiens", with Marquise-Thérèse de Gorla, Thérèse Du Parc in the title role. The company gave the first public performance two days later in the Hôtel de Bourgogne (theatre), Hôtel de Bourgogne in Paris. ''Andromaque'', the third of Racine's plays, written at the age of 27, established its author's reputation as one of the great playwrights in France. Origins of the play Euripides' play ''Andromache (play), Andromache'' and the third book of Virgil's ''Aeneid'' were the points of departure for Racine's play. The play takes place in the aftermath of the Trojan War, during which Andromache's husband Hector, son ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Racine
Jean-Baptiste Racine ( , ; ; 22 December 1639 – 21 April 1699) was a French dramatist, one of the three great playwrights of 17th-century France, along with Molière and Corneille, as well as an important literary figure in the Western tradition and world literature. Racine was primarily a tragedian, producing such "examples of neoclassical perfection" as '' Phèdre'', '' Andromaque'', and '' Athalie''. He did write one comedy, '' Les Plaideurs'', and a muted tragedy, '' Esther'', for the young. Racine's plays displayed his mastery of the dodecasyllabic (12 syllable) French alexandrine. His writing is renowned for its elegance, purity, speed, and fury, and for what American poet Robert Lowell described as a "diamond-edge", and the "glory of its hard, electric rage". Racine's dramaturgy is marked by his psychological insight, the prevailing passion of his characters, and the nakedness of both plot and stage. Biography Racine was born on 21 December 1639 in La Ferté- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comédie-Française
The Comédie-Française () or Théâtre-Français () is one of the few state theatres in France. Founded in 1680, it is the oldest active theatre company in the world. Established as a French state-controlled entity in 1995, it is the only state theatre in France to have its own permanent troupe of actors. The company's primary venue is the Salle Richelieu, which is a part of the Palais-Royal complex and located at 2, Rue de Richelieu on Place André-Malraux in the 1st arrondissement of Paris. The theatre has also been known as the Théâtre de la République and popularly as "La Maison de Molière" (The House of Molière). It acquired the latter name from the troupe of the best-known playwright associated with the Comédie-Française, Molière. He was considered the patron of French actors. He died seven years before his troupe became known as the Comédie-Française, but the company continued to be known as "La Maison de Molière" even after the official change of name. Hist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoinette Saint-Huberty
Anne-Antoinette-Cécile Clavel, better known by her stage name Madame Saint-Huberty or Saint-Huberti (15 December 1756 in Strasbourg – 22 July 1812 in Barnes, London), was a celebrated French operatic soprano whose career extended from until 1790. After her retirement from the stage and the publicising of her second marriage, she was also known as the Comtesse d'Antraigues from around 1797. She and her husband were murdered in England. Early life and musical career Antoinette Clavel (later known professionally as Madame Saint-Huberty) was the daughter of Jean-Pierre Clavel, a musician employed as a répétiteur in the private opera troupe of Charles IV Theodore, Elector Palatine. Her mother was Claude-Antoinette Pariset, the daughter of a grocer from Sélestat.Dorlan (1932), p. 25. Her biographers have often disagreed about her place of birth. Renwick, for example, found instances of it being indicated as Toul, Thionville, or Mannheim, and Clayton gives it as Toulouse – p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mercure De France
The () was originally a French gazette and literary magazine first published in the 17th century, but after several incarnations has evolved as a publisher, and is now part of the Éditions Gallimard publishing group. The gazette was published from 1672 to 1724 (with an interruption in 1674–1677) under the title (sometimes spelled ; 1672–1674) and (1677–1724). The title was changed to in 1724. The gazette was briefly suppressed (under Napoleon) from 1811 to 1815 and ceased publication in 1825. The name was revived in 1890 for both a literary review and (in 1894) a publishing house initially linked with the symbolist movement. Since 1995 has been part of the Éditions Gallimard publishing group. The original ''Mercure galant'' and ''Mercure de France'' The ''Mercure galant'' was founded by the writer Jean Donneau de Visé in 1672. He directed the publication until his death in 1710. The name refers to the god Mercury, the messenger of the gods; the title al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
