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Amsterdam Concert
''Amsterdam Concert'' is a rare live Miles Davis recording from 1957. This album was recorded at the Concertgebouw in Amsterdam on December 8, 1957, a couple of days after the recording of the movie soundtrack ''Ascenseur pour l'échafaud''. Davis recorded the album with drummer Kenny Clarke and three French musicians: Pierre Michelot on bass, Rene Urtreger on piano, and Barney Wilen on tenor saxophone. Reception In a review for AllMusic, Scott Yanow wrote: "this hard-to-find set is recommended for the rare opportunity to hear Miles Davis stretching out with these musicians." Writing for '' The Guardian'', John Fordham called the album "a real rarity," and commented: "The upshot is that Davis's one-off relationship with the Club St Germain's house rhythm section for the Malle project... doesn't sound quite as compatible as it did for the soundtrack, where the need to swing was reduced - but it's still a fascinating document." Track listing #" Woody 'n' You" (Dizzy Gillespi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woody 'n' You
"Woody 'n' You", is a 1942 jazz standard written by Dizzy Gillespie as an homage to Woody Herman. It was one of three arrangements Gillespie made for Herman's big band, although it was not used at the time; the other two were "Swing Shift" and "Down Under". It was introduced on record in 1944 by Coleman Hawkins initiated by Budd Johnson, Hawkins' musical director of his 12-man orchestra that included the bebop pioneers Oscar Pettiford, Max Roach and Gillespie. Structure The 32-bar composition is in AABA form. The A section "consists of three two-measure sequences on ii-V chords, ending on the tonic (D)": Gm7(5) – C7(9) – Fm7(5) – B7(9) – Em7(5) – A7(9) – Dmaj9 Covers *Miles Davis recorded the song three times, ''Miles Davis Volume 1'', '' Relaxin' with the Miles Davis Quintet'', and the rare ''Amsterdam Concert''. *Hampton Hawes played it in 1956 in his '' All Night Session! Vol. 2''. *Sonny Rollins played the song on his ''A Night at the Village Vanguard'' live album in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
René Urtreger
René Urtreger (born July 6, 1934) is a French bebop pianist. Early life Urtreger was born in Paris and began his piano studies at the age of four, studying privately first, and then at the Conservatory. He studied with an orientation toward jazz, playing in a small Parisian club, the Sully d' Auteuil. Conducted by Hubert Damisch, the Sully boasted an orchestra of talented students including Sacha Distel and Louis Viale. In 1953, Urtreger won first prize in a piano contest for amateurs, and from that moment decided to be a professional musician. Later life and career In a Parisian concert in 1954, he accompanied two great American expatriates: saxophonist Don Byas and trumpeter Buck Clayton. Their collaboration in the "Salon du Jazz" became one of the most highly requested French performances by the American musicians that toured the French capital. After serving in the military from 1955 to 1957, Urtreger would play in a club on the left bank of the Seine, the famous Club Sain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tadd Dameron
Tadley Ewing Peake Dameron (February 21, 1917 – March 8, 1965) was an American jazz composer, arranger, and pianist. Biography Born in Cleveland, Ohio, Dameron was the most influential arranger of the bebop era, but also wrote charts for swing and hard bop players. The bands he arranged for included those of Count Basie, Artie Shaw, Jimmie Lunceford, Dizzy Gillespie, Billy Eckstine, and Sarah Vaughan. In 1940-41 he was the piano player and arranger for the Kansas City band Harlan Leonard and his Rockets. He and lyricist Carl Sigman wrote " If You Could See Me Now" for Sarah Vaughan and it became one of her first signature songs. According to the composer, his greatest influences were George Gershwin and Duke Ellington. In the late 1940s, Dameron wrote arrangements for Gillespie's big band, who gave the première of his large-scale orchestral piece ''Soulphony in Three Hearts'' at Carnegie Hall in 1948. Also in 1948, Dameron led his own group in New York, which included F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lady Bird (composition)
"Lady Bird" is a sixteen-bar jazz standard by Tadd Dameron. This "celebrated" composition, "one of the most performed in modern jazz", was written around 1939, and released in 1948. Featuring, "a suave, mellow theme,"Giddins, Gary (2004). ''Weather Bird: Jazz at the Dawn of Its Second Century'', p.468. . it is the origin of the Tadd Dameron turnaround (in C: CM7 E7 AM7 D7 CM7).Coker, et al (1982). ''Patterns for Jazz: A Theory Text for Jazz Composition and Improvisation'', p.118. . An example of Dameron's interest in keys and/or roots related by thirds, the piece is in binary form ( AABC) and features, through the use of ii-V turnarounds, movement toward three keys other than the tonic; E, A, and G. The first three four-measure phrases end with secondary ii-V's, while the last ends instead with the Tadd Dameron turnaround resolving to the tonic. : IM7 , IM7 , ii7/III , V7/III , IM7 , IM7 , ii7/VI , V7/VI , VIM7 , ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
'Round Midnight (song)
"Round Midnight" (sometimes titled "Round About Midnight") is a 1943 composition by American jazz pianist Thelonious Monk that quickly became a jazz standard and has been recorded by a wide variety of artists. A version recorded by Monk's quintet was added to the Grammy Hall of Fame in 1993. It is one of the most recorded jazz standards composed by a jazz musician. Composition and Monk's first recording It is thought that Monk composed the song sometime in 1940 or 1941. However, Monk's longtime manager Harry Colomby claims the pianist may have written an early version around 1936 (at the age of 19). The song was copyrighted September 24, 1943 in C minor under the title "I Need You So", with lyrics by a friend of Monk's named Thelma Murray. The first recording was made by Cootie Williams on August 22, 1944, after the pianist Bud Powell persuaded Williams to record the tune. Monk first recorded the song on November 21, 1947. It later appeared on the Blue Note album '' Genius of Mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thelonious Monk
Thelonious Sphere Monk (, October 10, 1917 – February 17, 1982) was an American jazz pianist and composer. He had a unique improvisational style and made numerous contributions to the standard jazz repertoire, including " 'Round Midnight", "Blue Monk", " Straight, No Chaser", "Ruby, My Dear", "In Walked Bud", and "Well, You Needn't". Monk is the second-most-recorded jazz composer after Duke Ellington. Monk's compositions and improvisations feature dissonances and angular melodic twists and are consistent with his unorthodox approach to the piano, which combined a highly percussive attack with abrupt, dramatic use of switched key releases, silences, and hesitations. Monk's distinct look included suits, hats, and sunglasses. He also had an idiosyncratic habit during performances: while other musicians continued playing, Monk would stop, stand up, and dance for a few moments before returning to the piano. Monk is one of five jazz musicians to have been featured on the cover of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Well You Needn't
This is a list of compositions by jazz musician Thelonious Monk. 0-9 52nd Street Theme A contrafact based loosely on rhythm changes in C, and was copyrighted by Monk under the title "Nameless" in April 1944. The tune was also called "Bip Bop" by Monk, and he claims that the tune's latter title was the origin of the genre-defining name bebop. It quickly became popular as an opening and closing tune on the clubs on 52nd Street on Manhattan where Dizzy Gillespie and Charlie Parker played. It was first recorded by Dizzy Gillespie's sextet on February 22, 1946, under the title "52nd Street Theme". Leonard Feather claims he gave the latter title. A Ask Me Now A tonally ambiguous ballad in D first recorded on July 23, 1951, for the '' Genius of Modern Music'' sessions. It also appears on ''5 by Monk by 5'', and ''Solo Monk''. Jon Hendricks wrote lyrics to the tune and called it ”How I Wish”; it was first recorded by Carmen McRae on ''Carmen Sings Monk''. Mark Murphy sings a versi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Four (composition)
"Four" is a 1954 jazz standard. It was first recorded and arranged in 1954 by jazz trumpeter Miles Davis and released on his album ''Miles Davis Quartet''. It is a 32-bar ABAC form. The song composition officially credits jazz trumpeter Miles Davis as the writer. However, there is some controversy that it may have actually been composed by someone and purchased by Davis. The American jazz saxophonist Eddie "Cleanhead" Vinson has claimed ownership for the song. Personnel * Miles Davis – trumpet * Horace Silver – piano * Percy Heath – double bass *Art Blakey – drums Recordings The following artists have covered this composition. * Miles Davis – ''Miles Davis Quartet'' (1954) *Stan Getz – ''West Coast Jazz'' (1955) * Miles Davis – '' Workin' with the Miles Davis Quintet'' (1956) *Gene Ammons – ''Jammin' in Hi Fi with Gene Ammons'' (1957) * Anita O'Day – ''Anita O'Day Sings the Winners'' (1958) * Phineas Newborn – '' The Great Jazz Piano of Phineas Newborn Jr. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Night In Tunisia
"A Night in Tunisia" is a musical composition written by Dizzy Gillespie around 1940–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard. It is also known as "Interlude", and with lyrics by Raymond Leveen was recorded by Sarah Vaughan in 1944. Composition Gillespie called the tune "Interlude" and said "some genius decided to call it 'Night in Tunisia'". He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. "A Night in Tunisia" was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame. On the album '' A Night at Birdland Vol. 1'', Art Blakey introduced his 1954 cover version with this statement: "At this time we'd like to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Gershwin
George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions ''Rhapsody in Blue'' (1924) and ''An American in Paris'' (1928), the songs " Swanee" (1919) and "Fascinating Rhythm" (1924), the jazz standards "Embraceable You" (1928) and "I Got Rhythm" (1930), and the opera ''Porgy and Bess'' (1935), which included the hit " Summertime". Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell, and Joseph Brody. He began his career as a song plugger but soon started composing Broadway theater works with his brother Ira Gershwin and with Buddy DeSylva. He moved to Paris, intending to study with Nadia Boulanger, but she refused him, afraid that rigorous classical study would ruin his jazz-influenced style; Maurice Ravel voiced similar objections when Gershwin inq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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