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Amphitryon (Dryden Play)
''Amphitryon'' is an English language comedy by John Dryden which is based on Molière's 1668 play of the same name which was in turn based on the story of the Greek mythological character Amphitryon as told by Plautus in his play from ca. 190-185 B.C. Dryden's play, which focuses on themes of sexual morality and power, premiered in London in 1690. Notable innovations in Dryden's adaptation compared to previous plays on Amphitryon included music by Henry Purcell and the character of Phaedra, who flirts with Sosia but is eventually won over by Mercury's promises of wealth. Originally staged at the Theatre Royal, Drury Lane by the United Company the cast included Thomas Betterton as Jupiter, Anthony Leigh as Mercury, John Bowman as Phoebus, Joseph Williams as Amphitryon, James Nokes as Sosia, Samuel Sandford as Gripus, George Bright as Polidas, William Bowen as Tranio, Elizabeth Barry as Alcmena, Susanna Mountfort as Phaedra, Katherine Corey as Bromia and Charlotte Butle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Dryden
'' John Dryden (; – ) was an English poet, literary critic, translator, and playwright who in 1668 was appointed England's first Poet Laureate. He is seen as dominating the literary life of Restoration England to such a point that the period came to be known in literary circles as the Age of Dryden. Romanticist writer Sir Walter Scott called him "Glorious John". Early life Dryden was born in the village rectory of Aldwincle near Thrapston in Northamptonshire, where his maternal grandfather was the rector of All Saints. He was the eldest of fourteen children born to Erasmus Dryden and wife Mary Pickering, paternal grandson of Sir Erasmus Dryden, 1st Barone t (1553–1632), and wife Frances Wilkes, Puritan landowning gentry who supported the Puritan cause and Parliament. He was a second cousin once removed of Jonathan Swift. As a boy, Dryden lived in the nearby village of Titchmarsh, where it is likely that he received his first education. In 1644 he was sent to Westm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Nokes
James Nokes (Noke, Noak, Noakes) (died c.1692) was an English actor, whose laughter-arousing genius was attested by Cibber Cibber is a surname. Notable people with the surname include: *Caius Gabriel Cibber, Danish sculptor; father of Colley Cibber * Charlotte Cibber, English actress, playwright, novelist, autobiographer, and noted transvestite *Colley Cibber, British ... and other contemporaries. Life Nokes was one of the male actors who played female roles in the newly reopened playhouses shortly after the Restoration of Charles II. This practice didn't last long, as Thomas Killigrew's King's Company put the first English actress on the stage on December 1660, and from then on they appeared more and more frequently, until in 1662 Charles II ordered that only women should play female roles. There was a brief period in late 1660 and early 1661 when both men and women were playing female roles. On 29 January 1661, the diarist Samuel Pepys went to the Duke’s playhouse, where ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plays Based On Works By Molière
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan * ''Play'' (2011 film), a Swedish film directed by Ruben Östlund * ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * ''The Play'' (film), a 2013 Bengali film Literature and publications * ''Play'' (play), written by Samuel Beckett * ''Play'' (''The New York Times ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plays By John Dryden
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan * ''Play'' (2011 film), a Swedish film directed by Ruben Östlund * ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * ''The Play'' (film), a 2013 Bengali film Literature and publications * ''Play'' (play), written by Samuel Beckett * ''Play'' (''The New York Times ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comedy Plays
Comedy is a genre of fiction that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term originated in ancient Greece: in Athenian democracy, the public opinion of voters was influenced by political satire performed by comic poets in theaters. The theatrical genre of Greek comedy can be described as a dramatic performance pitting two groups, ages, genders, or societies against each other in an amusing '' agon'' or conflict. Northrop Frye depicted these two opposing sides as a "Society of Youth" and a "Society of the Old". A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions posing obstacles to his hopes. In this struggle, the youth then becomes constrained by his lack of social authority, and is left with little choice but to resort to ruses w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1690 Plays
Year 169 ( CLXIX) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Senecio and Apollinaris (or, less frequently, year 922 ''Ab urbe condita''). The denomination 169 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Marcomannic Wars: Germanic tribes invade the frontiers of the Roman Empire, specifically the provinces of Raetia and Moesia. * Northern African Moors invade what is now Spain. * Marcus Aurelius becomes sole Roman Emperor upon the death of Lucius Verus. * Marcus Aurelius forces his daughter Lucilla into marriage with Claudius Pompeianus. * Galen moves back to Rome for good. China * Confucian scholars who had denounced the court eunuchs are arrested, killed or banished from the capital of Luoyang and official life dur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Hawkesworth (book Editor)
John Hawkesworth LLD (c. 1715 – 16 November 1773) was an English writer and book editor, born in London. Biography He is said to have been clerk to an attorney, and was certainly self-educated. In 1744, he succeeded Samuel Johnson as compiler of the parliamentary debates for the ''Gentleman's Magazine'', and from 1741 to 1749 he contributed poems signed Greville, or H Greville, to that journal. In company with Johnson and others he started a periodical called '' The Adventurer'', which ran to 140 issues, of which 70 were from the pen of Hawkesworth himself. On account of what was regarded as his powerful defence of morality and religion, Hawkesworth was rewarded by the Archbishop of Canterbury with the degree of LL.D, In 1754–1755 he published an edition (12 vols) of Swift's works, with a life prefixed which Johnson praised in his ''Lives of the Poets''. A larger edition (27 vols) appeared in 1766–1779. He adapted Dryden's ''Amphitryon'' for the Drury Lane stage in 175 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeremy Collier
Jeremy Collier (; 23 September 1650 – 26 April 1726) was an English theatre critic, non-juror bishop and theologian. Life Born Jeremiah Collier, in Stow cum Quy, Cambridgeshire, Collier was educated at Caius College, University of Cambridge, receiving the BA (1673) and MA (1676). A supporter of James II, he refused, as a nonjuror (see Nonjuring schism) to take the oath of allegiance to William III and Mary II after the Glorious Revolution. Furthering his obvious disapproval of the new monarchs, he publicly absolved two Jacobites who had conspired to assassinate the King and Queen. In 1713 he was consecrated a non-juror bishop by George Hickes and two Scottish bishops, Archibald Campbell and James Gadderar. Works Collier was the primus of the nonjuring line and a strong supporter of the four usages. (see Nonjuring schism) In the years following the Revolution he wrote a series of tracts questioning the legitimacy of the new monarchs and the deprival of the Non-juror b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlotte Butler
Charlotte Butler was an English stage actress and singer of the seventeenth century. She may have joined the Duke's Company in the 1670s, but her first definite recorded performance was in Aphra Behn's '' The Revenge'' (1680) The anonymous ''A Satyr on The Players'' (c. 1682) describes her, And Butler's wiles are now so common grown That by each feather's Cully they are known So that at least to save her tottering Frame At Musick Clubs she strives to get a name But money is the Siren's cheifest aim. At treats her Squeamish stomach cannot bear What Amorous Sparks provide with cost and Care But if she's hungry faith I must be blunt She'll for a dish of Cutlets shew her Cunt. Selected roles * Marinda in '' The Revenge'' by Aphra Behn (1680) * Charlotte in '' The City-Heiress'' by Aphra Behn (1682) * Philidel in ''King Arthur'' by John Dryden (1682) * Mrs Cleremont in ''Dame Dobson'' by Edward Ravenscroft (1683) * Sophia in ''The Fortune Hunters'' by James Carlile (1689) * Charles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Katherine Corey
Katherine Corey (fl. 1660 – 1692) was an English actress of the Restoration era, one of the first generation of female performers to appear on the public stage in Britain. Corey played with the King's Company and the United Company, and had one of the longest careers of any actress in her generation. In "The humble petition of Katherine Corey" (see below), she stated that she "was the first and is the last of all the actresses that were constituted by King Charles the Second at His Restauration." Correy started her career under her maiden name, Mitchell, but was Mrs. Corey by 1663. "Mrs Corey was a big woman with a gift for comedy. She was popular in a variety of roles, but especially in old women parts: scolding wives, mothers, governesses, waiting women, and bawds." In his Diary, Samuel Pepys, who admired Corey's talents, calls her "Doll Common" after her part in Ben Jonson's ''The Alchemist''. In her three decades on the stage, Corey played a wide range of roles; in revivals ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Susanna Verbruggen
Susanna Verbruggen (née Percival) (c. 1667–1703), aka Susanna Mountfort, was an English actress working in London. Life She was the daughter of Thomas Percival, a member of the Duke's Company for more than a decade. Her first recorded stage appearance may have been as early as 1681 in D'Urfey's ''Sir Barnaby Whigg''. In 1686 she married the actor William Mountfort, and after Mountfort's infamous murder in 1692, she married the actor John Verbruggen. She was a successful and popular comedian, known especially for her breeches roles. Her greatest success was as the main character Lucia in Thomas Southerne's ''Sir Anthony Love'', where Lucia partakes of the freedom of the roistering Restoration rake by disguising herself as "Sir Anthony". Both men and women in the audience loved her performance in these types of roles. She was one of the leading actresses at the United Company, but when the company split in two in 1695 (see Restoration comedy) she was, however, not offered a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elizabeth Barry
Elizabeth Barry (1658 – 7 November 1713) was an English actress of the Restoration period. Elizabeth Barry's biggest influence on Restoration drama was her presentation of performing as the tragic actress. She worked in large, prestigious London theatre companies throughout her successful career: from 1675 in the Duke's Company, 1682 – 1695 in the monopoly United Company, and from 1695 onwards as a member of the actors' cooperative usually known as Betterton's Company, of which she was one of the original shareholders. Her stage career began 15 years after the first-ever professional actresses had replaced Shakespeare's boy heroines on the London stage. The actor Thomas Betterton said that her acting gave "success to plays that would disgust the most patient reader", and the critic and playwright John Dennis described her as "that incomparable Actress changing like Nature which she represents, from Passion to Passion, from Extream to Extream, with piercing Force ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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