Amor Vuol Sofferenza
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Amor Vuol Sofferenza
''Amor vuol sofferenza'' is a 1739 commedia per musica in three acts by Leonardo Leo to a libretto by Antonio Federico Gennaro (d.1744). It was first performed at Naples, Teatro Nuovo. Leo was working on a revision to be entitled ''La finta Frascatana'' in 1744 when he died, which was completed by Matteo Capranica. Stefano Capone, Carmela Lombardi - L'opera comica napoletana (1709-1749) 2007 G.A. Federico, opera comica, Napoli, Teatro dei Fiorentini] 1739 - Amor vuol sofferenza ibr. G.A. Federico, opera comica, Napoli, Teatro Nuovo sopra Toledo1 740 - Alidoro ibr. ... Teatro dei Fiorentini1 744 - La finta frascatana bass, premiered by Gioacchino Corrado *Alessandro - young Romano, lover of Eugenia, the enamoured with Camilla, contralto Travesti (theatre), travesti, premiered by Antonia Colasanti *Camilla - innamorata di Ridolfo, soprano, premiered by Maddalena Frizzi *Vastarella - della villa di Portici, enamoured first with Mosca, then with Fazio, soprano, premiered by Margheri ...
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Leonardo Leo
Leonardo Leo (5 August 1694 – 31 October 1744), more correctly Leonardo Ortensio Salvatore de Leo, was a Baroque composer. Biography Leo was born in San Vito degli Schiavoni (currently known as San Vito dei Normanni, province of Brindisi) in the Apulia region, then part of the Kingdom of Naples. He became a student at the Conservatorio della Pietà dei Turchini at Naples in 1703, and was a pupil first of Francesco Provenzale and later of Nicola Fago. It has been supposed that he was a pupil of Pitoni and Alessandro Scarlatti, but he could not possibly have studied with either of these composers, although he was undoubtedly influenced by their compositions. His earliest known work was a sacred drama, ''L'infedelta abbattuta'', performed by his fellow-students in 1712. In 1714 he produced, at the court theatre, an opera, ''Pisistrato'', which was much admired. He held various posts at the royal chapel, and continued to write for the stage, besides teaching at the conservator ...
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Matteo Capranica
Matteo Capranica (26 August 1708 – c. 1776) was an Italian composer. Born in Amatrice, Capranica studied at the Conservatorio di Sant'Onofrio a Porta Capuana in Naples under Nicola Porpora, Ignazio Prota, and Francesco Feo. After completing his studies he worked as maestro di cappella at various churches in Naples and devoted himself to music composition of both sacred and secular works. He was for many years organist at the Naples Cathedral. His first opera, ''Carlo'', premiered at the Teatro Nuovo in Naples in 1736. He went on to compose eight more operas through 1753. His other works include 2 oratorios, 2 masses, 2 sonatas, a cantata, several works for harpsichord A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism ..., and various arias and duets for singers. He died in Naples.Ste ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called "countertenors". The Italian terms "contralto" and "alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard to factors ...
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Travesti (theatre)
''Travesti'' is a theatrical term referring to the portrayal of a character in an opera, play, or ballet by a performer of the opposite sex. For social reasons, female roles were played by boys or men in many early forms of theatre, and ''travesti'' roles continued to be used in several types of context even after actresses became accepted on the stage. The popular British theatrical form of the pantomime traditionally contains a role for a " principal boy", a breeches role played by a young woman, and also one or more pantomime dames, female comic roles played by men. Similarly, in the formerly popular genre of Victorian burlesque, there were usually one or more breeches roles. Etymology The word means "disguised" in French. Depending on sources, the term may be given as travesty, ''travesti'', or ''en travesti''. The ''Oxford Essential Dictionary of Foreign Terms in English'' explains the origin of the latter term as "pseudo- French", although French sources from the mid-19th ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Castrato
A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to an endocrinological condition, never reaches sexual maturity. Castration before puberty (or in its early stages) prevents the larynx from being transformed by the normal physiological events of puberty. As a result, the vocal range of prepubescence (shared by both sexes) is largely retained, and the voice develops into adulthood in a unique way. Prepubescent castration for this purpose diminished greatly in the late 18th century. Methods of castration used to terminate on the onset of puberty varied. Methods involved using opium to medically induce a coma, then submerging the boy into an ice or milk bath where the procedure of either severing the vas deferens (similar to a vasectomy), twisting the testicles until they atrophied, or comp ...
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Nuova Era (record Label)
Nuova Era was an Italian classical record label founded by Marco Rho in 1985. It is primarily known for recordings of live performances from Italian opera houses and broadcast performances from the RAI archives.New York Times 198Operatic Rarities From a Farsighted Italian Label/ref> Originally based in Asti, Piemonte, Italy the label was acquired by Membran Entertainment Group GmbH. in Hamburg (male), (female) en, Hamburger(s), Hamburgian(s) , timezone1 = Central (CET) , utc_offset1 = +1 , timezone1_DST = Central (CEST) , utc_offset1_DST = +2 , postal .... References {{Authority control Italian record labels ...
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1739 Operas
Events January–March * January 1 – Bouvet Island is discovered by French explorer Jean-Baptiste Charles Bouvet de Lozier, in the South Atlantic Ocean. * January 3: A 7.6 earthquake shakes the Ningxia Hui Autonomous Region in China killing 50,000 people. * February 24 – Battle of Karnal: The army of Iranian ruler Nader Shah defeats the forces of the Mughal emperor of India, Muhammad Shah. * March 20 – Nader Shah occupies Delhi, India and sacks the city, stealing the jewels of the Peacock Throne, including the Koh-i-Noor. April–June * April 7 – English highwayman Dick Turpin is executed by hanging for horse theft. * May 12 – John Wesley lays the foundation stone of the New Room, Bristol in England, the world's first Methodist meeting house. * June 13 – (June 2 Old Style); The Royal Swedish Academy of Sciences is founded in Stockholm, Sweden. July–September * July 9 – The first group purporting to represent ...
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Operas By Leonardo Leo
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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