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Amica (opera)
''Amica'' is an opera in two acts by Pietro Mascagni, originally composed to a libretto by Paul Bérel (the pseudonym of Paul de Choudens). The only opera by Mascagni with a French libretto, it was an immediate success with both the audience and the critics on its opening night at the Théâtre du Casino in Monte-Carlo on 16 March 1905. Mascagni himself conducted the performance. The opera had its Italian premiere (with an Italian libretto by Mascagni's close collaborator, Giovanni Targioni-Tozzetti) on 13 May 1905 at the Teatro Costanzi in Rome. However, like many of Mascagni's operas apart from ''Cavalleria rusticana'', the work then fell into obscurity. The First modern recording was on 1995 for kikko classic with Katia Ricciarelli conducted by Marco Pace. One of its few revivals in modern times was on 4 August 2007 at the Festival della Valle d'Itria, using the original French libretto. (It has been released on CD and DVD.) In October 2008, Opera di Roma used the Italian lib ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Mascagni
Pietro Mascagni (7 December 1863 – 2 August 1945) was an Italian composer primarily known for his operas. His 1890 masterpiece ''Cavalleria rusticana'' caused one of the greatest sensations in opera history and single-handedly ushered in the ''Verismo'' movement in Italian dramatic music. While it was often held that Mascagni, like Ruggero Leoncavallo, was a "one-opera man" who could never repeat his first success, ''L'amico Fritz'' and ''Iris'' have remained in the repertoire in Europe (especially Italy) since their premieres. Mascagni wrote fifteen operas, an operetta, several orchestral and vocal works, and also songs and piano music. He enjoyed immense success during his lifetime, both as a composer and conductor of his own and other people's music and created a variety of styles in his operas. Biography Early life and education Mascagni was born on 7 December 1863 in Livorno, Tuscany, the second son of Domenico and Emilia Mascagni. His father owned and operated a baker ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verismo Operas
In opera, ''verismo'' (, from , meaning "true") was a post-Romantic operatic tradition associated with Italian composers such as Pietro Mascagni, Ruggero Leoncavallo, Umberto Giordano, Francesco Cilea and Giacomo Puccini. ''Verismo'' as an operatic genre had its origins in an Italian literary movement of the same name. This was in turn related to the international literary movement of naturalism as practised by Émile Zola and others. Like naturalism, the ''verismo'' literary movement sought to portray the world with greater realism. In so doing, Italian ''verismo'' authors such as Giovanni Verga wrote about subject matter, such as the lives of the poor, that had not generally been seen as a fit subject for literature. History A short story by Verga called ' (), then developed into a play by the same author, became the source for what is usually considered to be the first ''verismo'' opera: ''Cavalleria rusticana'' by Mascagni, which premiered on 17 May 1890 at the Teatr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Northeastern University Press
The University Press of New England (UPNE), located in Lebanon, New Hampshire and founded in 1970, was a university press consortium including Brandeis University, Dartmouth College (its host member), Tufts University, the University of New Hampshire, and Northeastern University. It shut in 2018 and in January 2021, Brandeis University became the sole owner of all titles and copyrights of UPNE, excluding Dartmouth College Press titles. Notable fiction authors published by UPNE include Howard Frank Mosher, Roxana Robinson, Ernest Hebert, Cathie Pelletier, Chris Bohjalian, Percival Everett, Laurie Alberts and Walter D. Wetherell. Notable poets distributed by the press include Rae Armantrout, Claudia Rankine, James Tate, Mary Ruefle, Donald Revell, Ellen Bryant Voigt, James Wright, Jean Valentine, Stanley Kunitz, Heather McHugh, and Yusef Komunyakaa. Notable nature and environment authors published include William Sargent, Cynthia Huntington, David Gessner, John Hay, Tom Wessels ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera News
''Opera News'' is an American classical music magazine. It has been published since 1936 by the Metropolitan Opera Guild, a non-profit organization located at Lincoln Center which was founded to engender the appreciation of opera and also support the Metropolitan Opera of New York City. ''Opera News'' was initially focused primarily on the Met, particularly providing information for listeners of the Saturday afternoon live Metropolitan Opera radio broadcasts. Over the years, the magazine has broadened its scope to include the larger American and international opera scenes. Currently published monthly, ''Opera News'' offers opera related feature articles; artist interviews; production profiles; musicological pieces; music-business reportage; reviews of performances in the United States and Europe; reviews of recordings, videos, books and audio equipment; and listings of opera performances in the U.S. The Editor-in-Chief is currently F. Paul Driscoll. Regular contributors to the mag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Jellinek
George Jellinek (December 22, 1919 – January 16, 2010) was the Hungarian-born host of ''The Vocal Scene'', a weekly syndicated radio feature produced by WQXR radio of New York City. Over three decades, from 1969 to 2004, he steadily interviewed opera singers and other figures of classical music on his show, and presented comparative recordings of arias and excerpts with commentary which the New York Times deemed "encyclopedic". Jellinek served in the United States Army and trained in Military Intelligence at Camp Ritchie in the mountains of Maryland, thus making him one of the Ritchie Boys. Born in Újpest, Budapest, Hungary, Jellinek was a longtime resident of the New York City area. He was also familiar to radio audiences for his appearances during intermissions on the Metropolitan Opera radio broadcasts. Jellinek retired from ''The Vocal Scene'' with the broadcast of December 23, 2004. On May 31, 2006, at a ceremony held at the Hungarian Consulate in New York City, h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martina Franca
Martina Franca, or just Martina ( Martinese: ), is a town and ''municipality'' in the province of Taranto, Apulia, Italy. It is the second most populated town of the province after Taranto, and has a population (2016) of 49,086. Since 1975, the town has hosted the annual summer opera festival, the Festival della Valle d'Itria.''Festival della Valle d'Itria'' Official Website History Jewish presence In 1495 one third of the population of Martina was made of practising Jews or Jews converted to Christianity. The escape involved one third of the population: 150 to 200 families (at least one thousand people). Among the privileges granted the city council of Martina in 1495, King Frederick of Aragon forbade Jews and Crypto-Jews and Neofiti to press ch ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fabio Armiliato
Fabio Armiliato (born 17 August 1956, Genoa) is an Italian tenor. Career Armiliato has been referred to critically as "the best Chénier of our time" (Landini, ''L'Opera''). In 1992 he sang the role of Mario Cavaradossi at the Vlaamse Opera. The conductor was Silvio Varviso. In 1993, he debuted in the Metropolitan Opera House in New York in ''Il trovatore'', returning later in ''Aida'' and ''Madama Butterfly''. He has also performed in the Teatro alla Scala, Milan, in the Opéra de Paris, and in San Francisco Opera. He performed ''Madama Butterfly'' in La Scala, in the Puccini Festival in Torre del Lago, and in the New National Theatre Tokyo. He worked with Zubin Mehta in a five-act version of ''Don Carlo'' in Munich and Florence. In the 2007/08 season, he made a debut as Alvaro in ''La forza del destino'' in Monte Carlo, followed by ''La fanciulla del West'' in Rome and ''Norma'' in Bologna; in 2008/09, he performed ''Tosca'' in Florence, ''Adriana Lecouvreur'' in Palermo an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Katia Ricciarelli
Catiuscia Maria Stella Ricciarelli (born 16 January 1946), known as Katia Ricciarelli (), is an Italian soprano and actress. Biography Born in Rovigo, Veneto, to a very poor family, she struggled during her younger years when she studied music. She studied at the Benedetto Marcello Conservatory in Venice, won several vocal competitions in 1968, and made her professional debut as Mimì in ''La bohème'' in Mantua in 1969, followed by a 1970 appearance in ''Il trovatore'' in Parma. In the following year, she won RAI's "Voci Verdiane" award. Between 1972 and 1975, engagements followed in the major European and American opera houses, including Lyric Opera of Chicago (1972); Teatro alla Scala (1973); Royal Opera House, Covent Garden (1974); and the Metropolitan Opera in 1975. In 1981, she began a decade-long association with the Rossini Opera Festival in Pesaro, thus broadening her repertoire of Rossini's operas. Beside her many opera performances, she also appeared as Desdemo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riccardo Stracciari
Riccardo Stracciari (June 26, 1875 – October 10, 1955) was a leading Italian baritone. His repertoire consisted mainly of Italian operatic works, with Rossini's Figaro and Verdi's Rigoletto becoming his signature roles during a long and distinguished career which stretched from 1899 to 1944. Life and career Born in Casalecchio di Reno near Bologna, Italy, Stracciari first sang in an operetta chorus during 1894. He then entered the Bologna Conservatory, undertaking vocal studies with Umberto Masetti. He made his professional debut in 1899, at the Teatro Communale in Bologna, in Pesori's sacred work ''La risurrezione di Christo''. The following year he made his operatic debut as Marcello in Puccini's ''La bohème'' in Rovigo. After appearing in various Italian opera houses, he made his debut at Italy's leading operatic venue, La Scala, Milan, in 1904. Stracciari's career quickly became international, with debuts at the Royal Opera House in London in 1905, followed by hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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