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America (Paul Simon Song)
"America" is a song performed by American music duo Simon & Garfunkel, which they included on their fourth studio album, '' Bookends,'' in 1968. It was produced by the duo and Roy Halee. The song was later issued as the B-side of the single "For Emily, Whenever I May Find Her (live version)" in 1972 to promote the release of the compilation album ''Simon and Garfunkel's Greatest Hits''. After peaking in the charts in July 1972, the song was switched to the A-side of the single and re-entered the charts in November 1972. The song was written and composed by Paul Simon, and concerns young lovers hitchhiking their way across the United States, in search of "America", in both a literal and figurative sense. It was inspired by a 1964 road trip that Simon took with his then-girlfriend Kathy Chitty. The song has been regarded as one of Simon's strongest songwriting efforts and one of the duo's best songs. A 2014 ''Rolling Stone'' reader's poll ranked it the group's fourth-best son ...
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Simon & Garfunkel
Simon & Garfunkel were an American folk rock duo consisting of the singer-songwriter Paul Simon and the singer Art Garfunkel. They were one of the best-selling music groups of the 1960s, and their biggest hits—including the electric remix of " The Sound of Silence" (1965), "Mrs. Robinson" (1968), "The Boxer" (1969), and " Bridge over Troubled Water" (1970)—reached number one on singles charts worldwide. Simon and Garfunkel met in elementary school in Queens, New York, in 1953, where they learned to harmonize and began writing songs. As teenagers, under the name Tom & Jerry, they had minor success with "Hey Schoolgirl" (1957), a song imitating their idols, the Everly Brothers. In 1963, aware of a growing public interest in folk music, they regrouped and were signed to Columbia Records as Simon & Garfunkel. Their debut album, ''Wednesday Morning, 3 A.M.,'' sold poorly; Simon returned to a solo career, this time in England. In June 1965, a new version of "The Sound of Silence" a ...
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Wednesday Morning, 3 A
Wednesday is the day of the week between Tuesday and Thursday. According to international standard ISO 8601, it is the third day of the week. In countries which have Friday as their holiday, Wednesday is the fifth day of the week. In countries which use the Sunday-first convention, and in both the Islamic and Jewish calendars, Wednesday is the fourth day of the week. In English, the name is derived from Old English and Middle English , 'day of Woden', reflecting the religion practiced by the Anglo-Saxons, the English equivalent to the Norse god Odin. In some other languages, such as the French , Spanish or Italian , the day's name is a calque of Latin 'day of Mercury'. Wednesday is in the middle of the common Western five-day workweek that starts on Monday and finishes on Friday. Etymology :''See Names of the days of the week for more on naming conventions.'' The name Wednesday continues Middle English . Old English still had , which would be continued as ''*Wodnesday'' ...
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Fade (audio Engineering)
In audio engineering, a fade is a gradual increase or decrease in the level of an audio signal. The term can also be used for film cinematography or theatre lighting in much the same way (see fade (filmmaking) and fade (lighting)). A recorded song may be gradually reduced to silence at its end (fade-out), or may gradually increase from silence at the beginning (fade-in). Fading-out can serve as a recording solution for pieces of music that contain no obvious ending. Both fades and crossfades are very valuable since they allow the engineer to quickly and easily make sure that the beginning and the end of any audio is smooth, without any prominent glitches.Langford, S. 2014. Digital Audio Editing. Burlington: Focal Press. pp. 47-57. It is necessary that there is a clear section of silence prior to the audio. Fade-ins and -outs can also be used to change the characteristics of a sound, such as to soften the attack in vocals where very plosive (‘b’, ‘d’, and ‘p’) s ...
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Joe Osborn
Joseph Osborn (August 28, 1937 – December 14, 2018Joe Osborn, Wrecking Crew Bassist, Dies at 81
''Billboard''. Retrieved January 8, 2019.
) was an American player known for his work as a in with the Wrecking Crew and in

Larry Knechtel
Lawrence William Knechtel (August 4, 1940 – August 20, 2009) was an American keyboard player and bassist who was a member of the Wrecking Crew, a collection of Los Angeles-based session musicians who worked with such renowned artists as Simon & Garfunkel, Duane Eddy, the Beach Boys, the Mamas & the Papas, the Monkees, the Partridge Family, Billy Joel, the Doors, the Grass Roots, Jerry Garcia, and Elvis Presley, and as a member of the 1970s band Bread. Biography Born in Bell, California, in 1940, Knechtel began his musical education with piano lessons. In 1957, he joined the Los Angeles-based rock and roll band Kip Tyler and the Flips. In August 1959, he joined instrumentalist Duane Eddy as a member of his band the Rebels. After four years on the road with the band, and continuing to work with Eddy in the recording studio, Knechtel became part of the Los Angeles session musician scene, working with Phil Spector as a pianist to help create Spector's famous "Wall of Sound". Knec ...
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Hal Blaine
Hal Blaine (born Harold Simon Belsky; February 5, 1929 – March 11, 2019) was an American drummer and session musician, thought to be among the most recorded studio drummers in the music industry, claiming over 35,000 sessions and 6,000 singles. His drumming is featured on 150 US top 10 hits, 40 of which went to number one. Born in Holyoke, Massachusetts, Blaine moved with his family to California in 1943 and began playing jazz and big band music before taking up rock and roll session work. He became one of the regulars in Phil Spector's de facto house band, which Blaine nicknamed " the Wrecking Crew". Some of the records Blaine played on include the Ronettes' single "Be My Baby" (1963), which contained a drum beat that became widely imitated, as well as works by popular artists such as Frank Sinatra, Elvis Presley, the Beach Boys, Simon & Garfunkel, the Carpenters, Neil Diamond, and the Byrds. Blaine's workload declined in the 1980s as recording and musical practices changed ...
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E (musical Note)
E is the third note and the fifth semitone of the C major scale, and mi in fixed-do solfège. It has enharmonic equivalents of F♭ F-flat) which is by definition a diatonic semitone above Eand D (D-double sharp), amongst others. When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of Middle E (E4) is approximately 329.628 Hz. See pitch (music) for a discussion of historical variations in frequency. Designation by octave Scales Common scales in the key of E. * E major: E F G A B C D E * E natural minor: E F G A B C D E * E harmonic minor: E F G A B C D E * E melodic minor ascending: E F G A B C D E * E melodic minor descending: E D C B A G F E E major modes (diatonic scales). * E Ionian: E F G A B C D E * E Dorian: E F G A B C D E * E Phrygian: E F G A B C D E * E Lydian: E F G A B C D E * E Mixolydian: E F G A B C D E * E Aeolian: E F G A B C D E * E Locrian: E F G A B C D E E melodic (Jazz) minor modes * E ascending ...
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A (musical Note)
A or La is the sixth note and the tenth semitone of the fixed-do solfège. Its enharmonic equivalents are B (B double flat) which is a diatonic semitone above A and G (G double sharp) which is a diatonic semitone below A. "A" is generally used as a standard for tuning. When the orchestra tunes, the oboe plays an "A" and the rest of the instruments tune to match that pitch. Every string instrument in the orchestra has an A string, from which each player can tune the rest of their instrument. "A" is also used in combination with a number (e.g. A-440) to label the pitch standard. The number designates the frequency in hertz. A lower number equals a lower pitch. The International Standards Organization (ISO) has standardized the pitch at A-440. However, tuning has varied over time, geographical region, or instrument maker. In 17th-century Europe, tunings ranged from about A-374 to A-403, approximately two to three semitones below A-440. Historical examples exist of instruments, ...
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Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ...
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Groove (music)
In music, groove is the sense of an effect ("feel") of changing pattern in a propulsive rhythm or sense of " swing". In jazz, it can be felt as a quality of persistently repeated rhythmic units, created by the interaction of the music played by a band's rhythm section (e.g. drums, electric bass or double bass, guitar, and keyboards). Groove is a significant feature of popular music, and can be found in many genres, including salsa, rock, soul, funk, and fusion. From a broader ethnomusicological perspective, groove has been described as "an unspecifiable but ordered sense of something that is sustained in a distinctive, regular and attractive way, working to draw the listener in." Musicologists and other scholars have analyzed the concept of "groove" since around the 1990s. They have argued that a "groove" is an "understanding of rhythmic patterning" or "feel" and "an intuitive sense" of "a cycle in motion" that emerges from "carefully aligned concurrent rhythmic patterns" t ...
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D Major
D major (or the key of D) is a major scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has two sharps. Its relative minor is B minor and its parallel minor is D minor. The D major scale is: : Characteristics According to Paolo Pietropaolo, D major is Miss Congeniality: it is persistent, sunny, and energetic. D major is well-suited to violin music because of the structure of the instrument, which is tuned G D A E. The open strings resonate sympathetically with the D string, producing a sound that is especially brilliant. This is also the case with all other orchestral strings. Thus, it is no coincidence that many classical composers throughout the centuries have chosen to write violin concertos in D major, including those by Mozart ( No. 2, 1775, No. 4, 1775); Ludwig van Beethoven (1806); Paganini ( No. 1, 1817); Brahms (1878); Tchaikovsky (1878); Prokofiev ( No. 1, 1917); Stravinsky (1931); and Korngold ( 1945). The k ...
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The Saginaw News
''The Saginaw News'' is a newspaper publication based in Saginaw, Michigan, owned by Booth Newspapers, a division of Advance Publications. Published on Thursdays, Fridays and Sundays (along with a joint Tuesday edition with ''The Bay City Times''), the paper has approximately 30,000 readers each day. It celebrated its 150th year in 2009. ''The Saginaw News'' is the sister publication of the neighboring ''Bay City Times'' and ''Flint Journal'', all owned by Booth Newspapers. The paper was originally published seven days a week until June 1, 2009, when the ''News'' and its sister papers, ''The Bay City Times'' and ''The Flint Journal'', reduced publishing to three times a week—Thursday, Friday and Sunday, while increasing their web presence. In addition, ''The Saginaw News'' began to be published at the Booth-owned Valley Publishing Co. printing plant in Monitor Township, near Bay City. On March 30, 2010, ''The Saginaw News'' and ''The Bay City Times'' launched a joint Tuesday ...
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