Amado M. Peña Jr.
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Amado M. Peña Jr.
Amado Maurilio Peña Jr. (born 1943) is an American visual artist and art educator of Mexican and Yaqui ancestry. He is known as an important Mexican American artist who emerged from the historical Chicano Movement. He works primarily in printmaking. His artwork was featured in the important exhibition Chicano Art: Resistance and Affirmation. Biography Amado M. Peña Jr. was born in the border town of Laredo, Texas, in 1943. He received bachelor's and master's degrees in art and education at Texas A&M University-Kingsville. He has taught art at various Texas schools in Laredo, Crystal City, and Austin. Peña refers to himself as Mestizo due to his mixed Mexican and Yaqui ancestry, a fact that informs his artistic practice. He is a member and recognized as an artisan in the Pascua Yaqui Tribe of Arizona. Art Growing up with a working class family in a border town, Amado M. Peña Jr. witnessed firsthand the conditions that led to the Chicano Movement. In the 1970s ...
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Pascua Yaqui Tribe Of Arizona
The Pascua Yaqui Tribe of Arizonais a federally recognized tribe of Yaqui Native Americans in state of Arizona. Descended from the Yaqui people whose original homelands include the Yaqui River valley in western Sonora, Mexico and southern Arizona. The Pascua Yaqui Tribe sought refuge from the United States government in mass during the Mexican Revolution (1910–1920). The United States subsequently recognized lands that were part of Yaqui territories near Nogales and south Tucson. In the early 20th century, the tribe began to return to settlements south of Tucson in an area they named Pascua Village, and in Guadalupe, near Tempe. They gained recognition by the United States government on September 18, 1978. History In ancient times, Yaquis were living in family groups along the Yaqui River (Yoem Vatwe) north to the Gila River, where they gathered wild desert foods, hunted game, and cultivated corn, beans, and squash. Yaquis traded local foods, furs, shells, salt, and other goo ...
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21st-century American Artists
The 1st century was the century spanning AD 1 ( I) through AD 100 ( C) according to the Julian calendar. It is often written as the or to distinguish it from the 1st century BC (or BCE) which preceded it. The 1st century is considered part of the Classical era, epoch, or historical period. The 1st century also saw the appearance of Christianity. During this period, Europe, North Africa and the Near East fell under increasing domination by the Roman Empire, which continued expanding, most notably conquering Britain under the emperor Claudius ( AD 43). The reforms introduced by Augustus during his long reign stabilized the empire after the turmoil of the previous century's civil wars. Later in the century the Julio-Claudian dynasty, which had been founded by Augustus, came to an end with the suicide of Nero in AD 68. There followed the famous Year of Four Emperors, a brief period of civil war and instability, which was finally brought to an end by Vespasian, ninth Roman em ...
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Smithsonian American Art Museum
The Smithsonian American Art Museum (commonly known as SAAM, and formerly the National Museum of American Art) is a museum in Washington, D.C., part of the Smithsonian Institution. Together with its branch museum, the Renwick Gallery, SAAM holds one of the world's largest and most inclusive collections of art, from the colonial period to the present, made in the United States. The museum has more than 7,000 artists represented in the collection. Most exhibitions take place in the museum's main building, the old Patent Office Building (shared with the National Portrait Gallery), while craft-focused exhibitions are shown in the Renwick Gallery. The museum provides electronic resources to schools and the public through its national education program. It maintains seven online research databases with more than 500,000 records, including the Inventories of American Painting and Sculpture that document more than 400,000 artworks in public and private collections worldwide. Since 1951, ...
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Art In Embassies Program
Art in Embassies, an office within the U.S. Department of State, promotes cultural diplomacy through exhibitions, permanent collections, site-specific commissions and two-way artist exchanges in more than 200 U.S. Embassies and Consulates around the world. Through art, international audiences gain a sense of the quality, scope, and diversity of American and host country art and culture. Initiated by President Kennedy in 1963, the program is funded by the U.S. Department of State. Exhibition planning The amount of money allotted for art in each building is calculated with a formula based on the gross square footage. AIEP's curatorial team develops thematic exhibitions in collaboration with each ambassador, taking into account the host country's artistic traditions and cultural mores. They recommend artists and works of art, negotiate all loans, and propose placement of the art within the embassy residences. After all loans are secured and the art insured, AIE's registrars coordinate ...
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United States Department Of State
The United States Department of State (DOS), or State Department, is an executive department of the U.S. federal government responsible for the country's foreign policy and relations. Equivalent to the ministry of foreign affairs of other nations, its primary duties are advising the U.S. president on international relations, administering diplomatic missions, negotiating international treaties and agreements, and representing the United States at the United Nations conference. Established in 1789 as the first administrative arm of the U.S. executive branch, the State Department is considered among the most powerful and prestigious executive agencies. It is headed by the secretary of state, who reports directly to the U.S. president and is a member of the Cabinet. Analogous to a foreign minister, the secretary of state serves as the federal government's chief diplomat and representative abroad, and is the first Cabinet official in the order of precedence and in the pres ...
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Chicano Art Movement
The Chicano Art Movement represents groundbreaking movements by Mexican-American artists to establish a unique artistic identity in the United States. Much of the art and the artists creating Chicano Art were heavily influenced by Chicano Movement (El Movimiento) which began in the 1960s. Chicano art was influenced by post-Mexican Revolution ideologies, pre-Columbian art, European painting techniques and Mexican-American social, political and cultural issues. The movement worked to resist and challenge dominant social norms and stereotypes for cultural autonomy and self-determination. Some issues the movement focused on were awareness of collective history and culture, restoration of land grants, and equal opportunity for social mobility. Women used ideologies from the feminist movement to highlight the struggles of women within the Chicano art movement. Throughout the movement and beyond, Chicanos have used art to express their cultural values, as protest or for aesthetic value. Th ...
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Jose Encarnacion Peña
Jose Encarnacion Peña, also known as Encarnacion Peña, and Soqween (1902–1979) was a Native American painter from San Ildefonso Pueblo in Santa Fe County, New Mexico. He is best known for his watercolors of Pueblo ceremonies and he was an early participant in the San Ildefonso school and later in the "Santa Fe Studio Style" art movement. History Born in 1902 in San Ildefonso Pueblo, New Mexico. His name Soqween (So Kwa Wi, So Kwa A Weh) translates to "Frost on the Mountain". His aunt was potter Maria Martinez. In the 1920s he was painting in the San Ildefonso Pueblo alongside many of the other early San Ildefonso school artists. In the early 1930s, Pena studied with painting with Dorothy Dunn at "The Studio" of the Santa Fe Indian School. His artwork was exhibited widely including at the Riverside Museum (1969) in New York City; Renaissance Society (1958) in Chicago; Santa Fe Indian Market (1959, winning first place for painting at the Fiesta Indian Market), and many other ...
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Indigenous Peoples Of The Americas
The Indigenous peoples of the Americas are the inhabitants of the Americas before the arrival of the European settlers in the 15th century, and the ethnic groups who now identify themselves with those peoples. Many Indigenous peoples of the Americas were traditionally hunter-gatherers and many, especially in the Amazon basin, still are, but many groups practiced aquaculture and agriculture. While some societies depended heavily on agriculture, others practiced a mix of farming, hunting, and gathering. In some regions, the Indigenous peoples created monumental architecture, large-scale organized cities, city-states, chiefdoms, states, kingdoms, republics, confederacies, and empires. Some had varying degrees of knowledge of engineering, architecture, mathematics, astronomy, writing, physics, medicine, planting and irrigation, geology, mining, metallurgy, sculpture, and gold smithing. Many parts of the Americas are still populated by Indigenous peoples; some countries have ...
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Mel Casas
Melesio "Mel" Casas (November 24, 1929 – November 30, 2014) was an American artist, activist, writer and teacher who is best known for his paintings that address Chicano topics. He used visual statements, his sense of humor and love of puns to "address cultural stereotypes." His work has been collected by the San Antonio Museum of Art, Smithsonian American Art Museum, Museum of Fine Arts, Houston, Crystal Bridges Museum of American Art (Bentonville, Arkansas), as well as national and international private collectors. His most important series consists of 150+ large-scale paintings called "Humanscapes" that were painted between 1965 and 1989. Casas, who served as president of the Con Safo art group, was also well known as a writer and theorist. His "Brown Paper Report" is regarded as an important Chicano document. Casas emphasized the importance of "self-determination" and equality for Chicanos/as. He is regarded as one of the foundational figures of Chicano Art. Casas felt th ...
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Working Class
The working class (or labouring class) comprises those engaged in manual-labour occupations or industrial work, who are remunerated via waged or salaried contracts. Working-class occupations (see also " Designation of workers by collar colour") include blue-collar jobs, and most pink-collar jobs. Members of the working class rely exclusively upon earnings from wage labour; thus, according to more inclusive definitions, the category can include almost all of the working population of industrialized economies, as well as those employed in the urban areas (cities, towns, villages) of non-industrialized economies or in the rural workforce. Definitions As with many terms describing social class, ''working class'' is defined and used in many different ways. The most general definition, used by many socialists, is that the working class includes all those who have nothing to sell but their labour. These people used to be referred to as the proletariat, but that term has gone out of ...
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