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Ama-no-Iwato
is a cave in Japanese mythology. According to the ''Kojiki'' (''Records of Ancient Matters'') and the '' Nihon Shoki'', the bad behavior of Susano'o, the Japanese god of storms, drove his sister Amaterasu into the Ama-no-Iwato cave. The land was thus deprived of light.Philippi, Donald L. 1968/1969. ''Kojiki''. Princeton, N.J.: Princeton University Press and Tokyo: University of Tokyo Press. In order to get Amaterasu out of the cave the other gods called Yao-yorozu-no-kami threw a party outside with wisdom of Omoikane. The goddess Ame-no-Uzume-no-Mikoto performed a lewd dance, eliciting laughter. Amaterasu grew curious about the source of amusement and peeked out of the cave entrance. She became fascinated by her own reflection in the Yata no Kagami mirror which the other gods had crafted and hung before the cave for that purpose, and stood transfixed. Ame-no-tajikarao then forced the cave open and the world was bathed in light once again. As Amaterasu stepped out of the cave ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amaterasu
Amaterasu, also known as Amaterasu Ōmikami () or Ōhirume no Muchi no Kami (), is the goddess of the sun in Japanese mythology. One of the major deities (''kami'') of Shinto, she is also portrayed in Japan's earliest literary texts, the ''Kojiki'' (c. 712 CE) and the '' Nihon Shoki'' (720 CE), as the ruler (or one of the rulers) of the heavenly realm Takamagahara and the mythical ancestress of the Imperial House of Japan via her grandson Ninigi. Along with her siblings, the moon deity Tsukuyomi and the impetuous storm god Susanoo, she is considered to be one of the "Three Precious Children" (, ), the three most important offspring of the creator god Izanagi. Amaterasu's chief place of worship, the Grand Shrine of Ise in Ise, Mie Prefecture, is one of Shinto's holiest sites and a major pilgrimage center and tourist spot. As with other Shinto ''kami'', she is also enshrined in a number of Shinto shrines throughout Japan. Name The goddess is referred to as 'Amaterasu Ōmikami' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kojiki
The , also sometimes read as or , is an early Japanese chronicle of myths, legends, hymns, genealogies, oral traditions, and semi-historical accounts down to 641 concerning the origin of the Japanese archipelago, the , and the Japanese imperial line. It is claimed in its preface to have been composed by Ō no Yasumaro at the request of Empress Genmei in the early 8th century (711–712), and thus is usually considered to be the oldest extant literary work in Japan. The myths contained in the as well as the are part of the inspiration behind many practices. Later, they were incorporated into Shinto practices such as the purification ritual. Composition It is believed that the compilation of various genealogical and anecdotal histories of the imperial (Yamato) court and prominent clans began during the reigns of Emperors Keitai and Kinmei in the 6th century, with the first concerted effort at historical compilation of which we have record being the one made in 620 under ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Susanoo-no-Mikoto
__FORCETOC__ Susanoo (; historical orthography: , ) is a in Japanese mythology. The younger brother of Amaterasu, goddess of the sun and mythical ancestress of the Japanese imperial line, he is a multifaceted deity with contradictory characteristics (both good and bad), being portrayed in various stories either as a wild, impetuous god associated with the sea and storms, as a heroic figure who killed a monstrous serpent, or as a local deity linked with the harvest and agriculture. Syncretic beliefs that arose after the introduction of Buddhism to Japan also saw Susanoo becoming conflated with deities of pestilence and disease. Susanoo, alongside Amaterasu and the earthly Ōkuninushi (also Ōnamuchi) – depicted as either Susanoo's son or scion depending on the source – is one of the central deities of the imperial Japanese mythological cycle recorded in the ( CE) and the (720 CE). One of the gazetteer reports () commissioned by the imperial court during the same peri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cave
A cave or cavern is a natural void in the ground, specifically a space large enough for a human to enter. Caves often form by the weathering of rock and often extend deep underground. The word ''cave'' can refer to smaller openings such as sea caves, rock shelters, and grottos, that extend a relatively short distance into the rock and they are called ''exogene'' caves. Caves which extend further underground than the opening is wide are called ''endogene'' caves. Speleology is the science of exploration and study of all aspects of caves and the cave environment. Visiting or exploring caves for recreation may be called ''caving'', ''potholing'', or ''spelunking''. Formation types The formation and development of caves is known as ''speleogenesis''; it can occur over the course of millions of years. Caves can range widely in size, and are formed by various geological processes. These may involve a combination of chemical processes, erosion by water, tectonic forces, microorgani ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Mythology
Japanese mythology is a collection of traditional stories, folktales, and beliefs that emerged in the islands of the Japanese archipelago. Shinto and Buddhist traditions are the cornerstones of Japanese mythology. The history of thousands of years of contact with Korea, Ainu, and Okinawan myths are also key influences in Japanese mythology. Japanese myths are tied to the topography of the archipelago as well as agriculturally-based folk religion, and the Shinto pantheon holds countless ''kami'' (Japanese for " god(s)" or "spirits"). This article will discuss cosmogony, important deities, modern interpretations, cultural significance, and the influence of these myths. Two important sources for Japanese myths as they are recognized today are the ''Kojiki'' and the '' Nihon Shoki''. The ''Kojiki'', or "Record of Ancient Matters," is the oldest surviving account of Japan's myths, legends, and history. Additionally, the ''Shintōshū'' describes the origins of Japanese deities from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kami
are the deities, divinities, spirits, phenomena or "holy powers", that are venerated in the Shinto religion. They can be elements of the landscape, forces of nature, or beings and the qualities that these beings express; they can also be the spirits of venerated dead people. Many ''kami'' are considered the ancient ancestors of entire clans (some ancestors became ''kami'' upon their death if they were able to embody the values and virtues of ''kami'' in life). Traditionally, great leaders like the Emperor could be or became ''kami''. In Shinto, ''kami'' are not separate from nature, but are of nature, possessing positive and negative, and good and evil characteristics. They are manifestations of , the interconnecting energy of the universe, and are considered exemplary of what humanity should strive towards. ''Kami'' are believed to be "hidden" from this world, and inhabit a complementary existence that mirrors our own: . To be in harmony with the awe-inspiring aspects of nature ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Omoikane (Shinto)
Omoikane (思兼 or 思金) is a Shinto god of wisdom and intelligence. His name means "serving one's thoughts." A heavenly deity who is called upon to "ponder" and give good counsel in the deliberations of the heavenly deities. In the myth where Amaterasu hid in a cave, he was tasked to find a way to get her out. He is known by other names as ''Tokoyo-no-Omoikane'' (常世思金神) in the ''Kojiki'' (古事記); ''Omoikane'' (思兼神) in the '' Nihon Shoki'' (日本書紀); ''Omokane'' (思金神, 思兼神), ''Tokoyo-no-Omoikane'' (常世思金神), ''Yagokoro-omoikane'' (八意思兼神, 八意思金神) in the ''Kujiki'' (旧事紀 or ''Sendai Kuji Hongi'' 先代旧事本紀), or ''Achihiko'' (阿智彦). He is the son of creator deity Takamimusubi (高御産巣日神) and the older brother of ''Takuhatachiji-hime'' (栲幡千千姫命, or commonly named in the ''Kojiki'': 万幡豊秋津師比売命 ''Yorozuhatatoyo'akitsushi-hime''), who is the wife of the deity '' Ame- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ame-no-Uzume
is the goddess of dawn, mirth, meditation, revelry and the arts in the Shinto religion of Japan, and the wife of fellow-god Sarutahiko Ōkami. She famously relates to the tale of the missing sun deity, Amaterasu Omikami. Her name can also be pronounced as Ama-no-Uzume. She is also known as Ōmiyanome-no-Ōkami, an ''inari kami'' possibly due to her relationship with her husband. She is also known as Ame-no-Uzume-no-Mikoto, The Great Persuader, and The Heavenly Alarming Female. She is depicted in kyōgen farce as Okame, a woman who revels in her sensuality. Mythology Amaterasu and the cave Amaterasu's brother, the storm god Susano'o, had vandalized her rice fields, threw a flayed horse at her loom, and brutally killed one of her maidens due to a quarrel between them. In turn, Amaterasu became furious with him and retreated into the Heavenly Rock Cave, Amano-Iwato. The world, without the illumination of the sun, became dark and the gods could not lure Amaterasu out of her h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imperial Regalia Of Japan
The are the imperial regalia of Japan and consist of the sword , the mirror , and the jewel . They represent the three primary virtues: valour (the sword), wisdom (the mirror), and benevolence (the jewel).ミニ講話 宮司のいい話 (in Japanese). The actual historical status of these legendary treasures is unknown as they are intentionally kept from public view to symbolize authority. Legend 
According to legend, these treasures were brought to Earth by [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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