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Allianz (arts)
Allianz was a group of Swiss artists which formed in 1937. The Allianz group advocated the concrete art theories of Max Bill with more emphasis on color than their Constructivist counterparts. Their first group exhibition, ''Neue Kunst in der Schweiz'', was held in Kunsthalle Basel in 1937 (January 9-February 2) and was followed by a second at the Kunsthaus in Zürich in 1942 and then in 1947 (October 18-November 23). Further shows were held at the Galerie des Eaux Vives in Zürich, starting with two in 1944. The founder and Director of Galerie des Eaux Vives, as well as a prominent founding artist of the Allianz, was John Konstantin Hansegger, born in St. Gallen in 1908. The ''Almanach Neuer Kunst in der Schweiz'', published by the group in 1941, showed reproductions of their works with those of artists such as Paul Klee, Le Corbusier, Gérard Vulliamy and Kurt Seligmann. The publication included texts by Bill, Leuppi, Le Corbusier, Seligmann, Sigfried Giedion, Gérard Vulliamy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Switzerland
). Swiss law does not designate a ''capital'' as such, but the federal parliament and government are installed in Bern, while other federal institutions, such as the federal courts, are in other cities (Bellinzona, Lausanne, Luzern, Neuchâtel, St. Gallen a.o.). , coordinates = , largest_city = Zürich , official_languages = , englishmotto = "One for all, all for one" , religion_year = 2020 , religion_ref = , religion = , demonym = , german: Schweizer/Schweizerin, french: Suisse/Suissesse, it, svizzero/svizzera or , rm, Svizzer/Svizra , government_type = Federalism, Federal assembly-independent Directorial system, directorial republic with elements of a direct democracy , leader_title1 = Federal Council (Switzerland), Federal Council , leader_name1 = , leader_title2 = , leader_name2 = Walter Thurnherr , legislature = Fe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camille Graeser
Camille Graeser (1892–1980) was a Swiss painter and member of the circle of Zurich Concrete artists. He was born in Switzerland but grew up in Stuttgart, Germany where he became a furniture designer. He took part in major exhibitions by the association Werkbund and in 1927 was invited to create furniture for Mies van der Rohe. In 1933 he fled to Switzerland as a result of the Nazis coming to power. He then became a member of the Swiss artists’ association Allianz. Works Estate The Camille Graeser Foundation was established in 1981, and is responsible for his artistic estate. Exhibitions * 2020 — Camille Graeser, Museum Haus Konstruktiv *2019 — The Amory Show, Pier 94, Von Bartha * 2016 — Camille Graeser und die Musik, Kunstmuseum Stuttgart *1985 — Contrasts of Form: Geometric Abstract Art, 1910–1980, The Museum of Modern Art The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan, New York City, on 53rd Street between Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Art
Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era. The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation. Modern artists experimented with new ways of seeing and with fresh ideas about the nature of materials and functions of art. A tendency away from the narrative, which was characteristic for the traditional arts, toward abstraction is characteristic of much modern art. More recent artistic production is often called contemporary art or postmodern art. Modern art begins with the heritage of painters like Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat and Henri de Toulouse-Lautrec all of whom were essential for the development of modern art. At the beginning of the 20th century Henri Matisse and several other young artists including the Proto-Cubism, pre-c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verena Loewensberg
Verena Loewensberg (May 28, 1912 – April 27, 1986) was a Swiss painter and graphic designer. Life Verena Loewensberg was the oldest daughter of a family of doctors in Zurich. After two years at the Kunstgewerbeschule (now: Schule für Gestaltung) in Basel (1927-1929), she became a textile weaver in Speicher, Switzerland. In 1931 she married the designer Hans Coray. The couple had two children: Stephan in 1943 and Henriette in 1946. She subsequently separated from her husband. Loewensberg had a lifelong friendship with the painter Max Bill and his wife Binia. In 1936 she painted the first concrete pictures and helped in 1937 with the founding of an association of modern artists in Zurich. In the center were the Zürcher Konkreten. Loewensberg associated with Max Bill, Camille Graeser and Richard Paul Lohse. She participated in their successful group exhibitions. In addition, she was inspired by the work of Georges Vantongerloo and Piet Mondrian Pieter Cornelis Mondr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Paul Lohse
Richard Paul Lohse (September 13, 1902 – September 16, 1988) was a Swiss painter and graphic artist and one of the main representatives of the concrete and constructive art movements. Lohse was born in Zürich in 1902. His wish to study in Paris was thwarted due to his difficult economic circumstances. In 1918, he joined the advertising agency Max Dalang, where he trained to become an advertising designer. Lohse, then an autodidact, painted expressive, late-cubist still lifes. In the 1930s, his work as a graphic artist and book designer placed him among the pioneers of modern Swiss graphic design; in paintings of this period, he worked on curved and diagonal constructions. Success eventually allowed him to establish his own graphic design studio in Zürich. He combined art with a political and moral awareness, which led him to be an activist for immigrants. In the 1930s, he was actively involved in protests, which were illegal under the government of the time. He continued to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leo Leuppi
Leo Leuppi (1893–1972) was a Swiss painter, graphic artist, sculptor, and he was a representative of the ''Zürcher Schule der Konkreten''. He was a founder of the avant-garde artists' associations ''Groupe Suisse Abstraction et Surréalisme'' and ''Allianz''. Life Leo Leuppi came from a peasant family with many children. From 1910 to 1914 he attended the class for graphic arts at the Kunstgewerbeschule in Zurich. At the end of the First World War he made contact with the Dada movement and became friends with Jean Arp. In 1934 he founded the ''Groupe Suisse Abstraction et Surréalisme'' to help the modern art movements break through to cultural institutions. In 1936 Leuppi was presented progressive Swiss artists to the wider public for the first time with the exhibition ''Zeitprobleme in der Schweizer Malerei und Plastik''. In 1937, together with Richard Paul Lohse, he launched ''Die Allianz'', an association of modern Swiss artists. After many exhibitions, in 1954 Leuppi resigne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Huber (graphic Designer)
Max Huber (5 June 1919 – 16 November 1992) was an influential Swiss graphic designer. Max Huber was born in Baar, Switzerland in 1919. He graduated from Kunstgewerbeschule in Zurich under the name Hans Williman. In his formative years, he met Werner Bischof, Josef Müller-Brockmann, Carlo Vivarelli and Hans Falk. His career began in 1935 in Zurich, where he worked for an advertising agency and later with Emil Schultness at Conzett&Huber. He met Max Bill and Hans Neuburg. With the beginning of World War II – in order to avoid being drafted in the Swiss army – he moved to Milan to join Studio Boggeri. When Italy entered the war in 1941, Huber was forced to move back to Switzerland, where he began a collaboration with Werner Bischof and Emil Schultness for the influential art magazine ''Du''. He joined the group ''Allianz'', and in 1942, he exhibited his abstract work at the Kunsthaus Zurich with Max Bill, Leo Leuppi, Richard Lohse and Camille Graeser. With th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fritz Glarner
Fritz Glarner (July 20, 1899 in Zurich – September 18, 1972 in Locarno) was a Switzerland, Swiss-American Painting, painter. Glarner was a leading proponent of so-called Concrete Art, an artists' movement whose roots lead back to the painters of De Stijl and the principles of the Bauhaus. He was a disciple of Piet Mondrian, strongly influenced by Mondrian's theories of "dynamic symmetry." As he developed as an artist, his works began to be increasingly influenced by Mondrian's Neoplastic theory. His leaning toward nonrepresentational art had begun as early as 1929 in Paris, where he was a member of the Abstraction-Création group. Glarner took up Mondrian's motif of arranging simplified colors and forms on an architectural pattern. Glarner introduced a diagonal into the strict horizontal and vertical geometric aesthetic of Mondrian, creating new, yet equally systematic principles of composition that he termed "relational painting." Like Mondrian, Glarner limited his color ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Evard
Jean André Evard (1 June 1876 – 20 July 1972) was a Swiss painter and drafter. His special significance lies in the field of constructive art. He is counted among the first artists who did not work figuratively. In the course of his life he produced hundreds of oil paintings, a large number of drawings as well as approximately 2000 to 3000 watercolor and gouache paintings. Biography André Evard was born on 1 June 1876 in Renan (Bernese Jura) as the son of Jean-Félix Evard (1849-1879) and Marie Sagne (1852-1921). After the early death of his father, he and his mother moved to La Chaux-de-Fonds, where Marie Evard ran a pastry shop. Initially working as a pastry chef, André received an inheritance which enabled him to study art. He studied at the École d'Art in La Chaux-de-Fonds from 1905 to 1909 and attended courses in decorative art with Charles L'Eplattenier, a former student of Ferdinand Hodler. Through L'Eplattenier, La Chaux-de-Fonds became a centre of Art nouveau in S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sigfried Giedion
Sigfried Giedion (sometimes misspelled Siegfried Giedion; 14 April 1888, Prague – 10 April 1968, Zürich) was a Bohemian-born Swiss historian and critic of architecture. His ideas and books, ''Space, Time and Architecture'', and ''Mechanization Takes Command'', had an important conceptual influence on the members of the Independent Group at the Institute of Contemporary Arts in the 1950s. Giedion was a pupil of Heinrich Wölfflin. He was the first secretary-general of the Congrès International d'Architecture Moderne, and taught at the Massachusetts Institute of Technology, Harvard University, and the ETH-Zurich. In ''Space, Time & Architecture'' (1941), Giedion wrote an influential standard history of modern architecture, while ''Mechanization Takes Command'' established a new kind of historiography. Biography Sigfried Giedion was the son of a textile manufacturer from Zugersee. He graduated from the University of Vienna in 1913 with a degree in engineering. Not wanting t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concrete Art
Concrete art was an art movement with a strong emphasis on geometrical abstraction. The term was first formulated by Theo van Doesburg and was then used by him in 1930 to define the difference between his vision of art and that of other abstract artists of the time. After his death in 1931, the term was further defined and popularized by Max Bill, who organized the first international exhibition in 1944 and went on to help promote the style in Latin America. The term was taken up widely after World War 2 and promoted through a number of international exhibitions and art movements. Origins After the formal break up of ''De stijl'', following the last issue of its magazine in 1928, van Doesburg began considering the creation of a new collective centered on a similar approach to abstraction. In 1929 he discussed his plans with Uruguayan painter Joaquín Torres-García, with candidates for membership of this group including Georges Vantongerloo, Constantin Brâncuși, František Kupka, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Seligmann
Kurt Leopold Seligmann (1900–1962) was a Swiss-American Surrealist painter and engraver. He was known for his fantastic imagery of medieval troubadors and knights in macabre rituals and inspired by the carnival held annually in his native Basel, Switzerland. Life and career Born in Basel in 1900, the son of a furniture department store owner, his parents were not in favor of Seligmann's artistic aspirations but eventually relented. After studying at the Ecole des Beaux Arts in Geneva and spending several years working in his father's business in Basel, Seligmann left for Paris where he met with his friends from Geneva, sculptor Alberto Giacometti and art critic Pierre Courthion. During this time, he also met Ivy Langton. Through Giacometti he met Hans Arp and Jean Hélion, who admired his sinister bio-morphic paintings and invited him to join their group, Abstraction-Creation Art Non-Figuratif. In the mid-1930s his work began to take on a more baroque aspect, as he a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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