Allegory Of Divine Providence And Barberini Power (Cortona)
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Allegory Of Divine Providence And Barberini Power (Cortona)
The ''Allegory of Divine Providence and Barberini Power'' is a fresco by Italian painter Pietro da Cortona, filling the large ceiling of the grand salon of the Palazzo Barberini in Rome, Italy. Begun in 1633, it was nearly finished in three years; upon Cortona's return from Venice, it was extensively reworked to completion in 1639. The Palazzo, since the 1620s, had been the palatial home of the Barberini family headed by Maffeo Barberini, by then Urban VIII, who had launched an extensive program of refurbishment of the city with art and architecture. Composition These commissioned artworks often teem with suns and bees (the Barberini family coat of arms had three bees), as also the Cortona fresco does. At one end of the sky sits the eminent solar Divine Providence, while at the other end are putto and flying maidens holding aloft the papal keys, tiara, with robe belt above a swarm of heraldic giant golden bees. Below Providence, the simulated frame crumbles. Time with a scythe see ...
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Pietro Da Cortona
Pietro da Cortona (; 1 November 1596 or 159716 May 1669) was an Italian Baroque painter and architect. Along with his contemporaries and rivals Gian Lorenzo Bernini and Francesco Borromini, he was one of the key figures in the emergence of Roman Baroque architecture. He was also an important designer of interior decorations. He was born Pietro Berrettini, but is primarily known by the name of his native town of Cortona in Tuscany. He worked mainly in Rome and Florence. He is best known for his frescoed ceilings such as the vault of the ''salone'' or main salon of the Palazzo Barberini in Rome and carried out extensive painting and decorative schemes for the Medici family in Florence and for the Oratorian fathers at the church of Santa Maria in Vallicella in Rome. He also painted numerous canvases. Only a limited number of his architectural projects were built but nonetheless they are as distinctive and as inventive as those of his rivals. Biography Early career Berrettini was bo ...
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Giulio Romano
Giulio Romano (, ; – 1 November 1546), is the acquired name of Giulio Pippi, who was an Italian painter and architect. He was a pupil of Raphael, and his stylistic deviations from High Renaissance classicism help define the sixteenth-century style known as Mannerism. Giulio's drawings have long been treasured by collectors; contemporary prints of them engraved by Marcantonio Raimondi were a significant contribution to the spread of sixteenth-century Italian style throughout Europe. Biography Giulio Pippi was born in Rome and he began his career there as a young assistant to the renown Renaissance artist, Raphael. He was an important member of Raphael's studio. He worked on the frescos in the Vatican loggias using designs by Raphael and, in Raphael's ''Stanze'' in the Vatican, painted a group of figures in the '' Fire in the Borgo'' fresco. He also collaborated on the decoration of the ceiling of the Villa Farnesina. Despite his relative youth, increasingly he became ...
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Fresco Paintings In Rome
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appare ...
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Baroque Paintings
Baroque painting is the painting associated with the Baroque cultural movement. The movement is often identified with Absolutism, the Counter Reformation and Catholic Revival,Counter Reformation
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but the existence of important Baroque art and in non-absolutist and states throughout Western Europe underscores its w ...
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1639 Paintings
Events January–March * January 14 – Connecticut's first constitution, the Fundamental Orders, is adopted. * January 19 – Hämeenlinna ( sv, Tavastehus) is granted privileges, after it separates from the Vanaja parish, as its own city in Tavastia. *c. January – The first printing press in British North America is started in Cambridge, Massachusetts, by Stephen Daye. * February 18 – In the course of the Eighty Years' War, a sea battle is fought in the English Channel off of the coast of Dunkirk between the navies of the United Provinces of the Netherlands, with 12 warships, and Spain, with 12 galleons and eight other ships. The Spanish are forced to flee after three of their ships are lost and 1,600 Spaniards killed or injured, while the Dutch sustain 1,700 casualties without the loss of a ship. * March 3 – The early settlement of Taunton, Massachusetts, is incorporated as a town. * March 13 – Harvard University is named for cler ...
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Sant'Ignazio
la, Ecclesia Sancti Ignatii a Loyola in Campo Martio , image = Sant'Ignazio Church, Rome.jpg , imagesize = 300px , caption = Façade of Sant'Ignazio , mapframe =yes , mapframe-caption =Click on the map for a fullscreen view , mapframe-zoom =12 , mapframe-marker =religious-christian , coordinates = , location = Via del Caravita, 8ARome , country = Italy , denomination = Roman Catholic , website = , former name = , bull date = , founded date = , founder = , dedication = , dedicated date = , consecrated date = 1722 , relics = , status = Parish churchtitular church regional church , functional status = Active , heritage designation = , designated date = , architect = Orazio ...
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Andrea Pozzo
Andrea Pozzo (; Latinized version: ''Andreas Puteus''; 30 November 1642 – 31 August 1709) was an Italian Jesuit brother, Baroque painter, architect, decorator, stage designer, and art theoretician. Pozzo was best known for his grandiose frescoes using the technique of quadratura to create an illusion of three-dimensional space on flat surfaces. His masterpiece is the nave ceiling of the Church of Sant'Ignazio in Rome. Through his techniques, he became one of the most noteworthy figures of the Baroque period. He is also noted for the architectural plans of Ljubljana Cathedral (1700), inspired by the designs of the Jesuit churches Il Gesù and S. Ignazio in Rome. Biography Early years Born in Trento (then under Austrian rule), he studied Humanities at the local Jesuit High School. Showing artistic inclinations he was sent by his father to work with an artist; Pozzo was then 17 years old (in 1659). Judging by aspects of his early style this initial artistic training came probab ...
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Sotto In Su
Illusionistic ceiling painting, which includes the techniques of perspective ''di sotto in sù'' and ''quadratura'', is the tradition in Renaissance, Baroque and Rococo art in which ''trompe-l'œil'', perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two-dimensional or mostly flat ceiling surface above the viewer. It is frequently used to create the illusion of an open sky, such as with the oculus in Andrea Mantegna's Camera degli Sposi, or the illusion of an architectural space such as the cupola, one of Andrea Pozzo's frescoes in Sant'Ignazio, Rome. Illusionistic ceiling painting belongs to the general class of illusionism in art, designed to create accurate representations of reality. Di sotto in sù ''Di sotto in sù'' (or ''sotto in su''), which means "seen from below" or "from below, upward" in Italian, developed in late quattrocento Italian Renaissance painting, notably in Andrea ...
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Villa Pisani At Stra
Villa Pisani at Stra refers to the monumental, late- Baroque rural palace located along the Brenta Canal (Riviera del Brenta) at Via Doge Pisani 7 near the town of Stra, on the mainland of the Veneto, northern Italy. This villa is one of the largest examples of Villa Veneta located in the Riviera del Brenta, the canal linking Venice to Padua. The patrician Pisani family of Venice commissioned a number of villas, also known as ''Villa Pisani'' across the Venetian mainland. The villa and gardens now operate as a national museum, and the site sponsors art exhibitions. History Construction of this palace was begun in the early 18th century for Alvise Pisani, the most prominent member of the Pisani family, who was appointed doge in 1735. The initial models of the palace by Paduan architect Girolamo Frigimelica still exist, but the design of the main building was ultimately completed by Francesco Maria Preti. When it was completed, the building had 114 rooms, in honour of its ow ...
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Stockholm
Stockholm () is the Capital city, capital and List of urban areas in Sweden by population, largest city of Sweden as well as the List of urban areas in the Nordic countries, largest urban area in Scandinavia. Approximately 980,000 people live in the Stockholm Municipality, municipality, with 1.6 million in the Stockholm urban area, urban area, and 2.4 million in the Metropolitan Stockholm, metropolitan area. The city stretches across fourteen islands where Mälaren, Lake Mälaren flows into the Baltic Sea. Outside the city to the east, and along the coast, is the island chain of the Stockholm archipelago. The area has been settled since the Stone Age, in the 6th millennium BC, and was founded as a city in 1252 by Swedish statesman Birger Jarl. It is also the county seat of Stockholm County. For several hundred years, Stockholm was the capital of Finland as well (), which then was a part of Sweden. The population of the municipality of Stockholm is expected to reach o ...
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House Of Nobility (Sweden)
The House of Nobility ( sv, Riddarhuset) in Stockholm, Sweden, is a corporation and a building that maintains records and acts as an interest group on behalf of the Swedish nobility. Name The name is literally translated as ''House of Knights'', as the knights ( sv, riddare) belong to the higher ranks of the Swedish nobility, sometimes also together with titles as count ( sv, Greve) and baron ( sv, friherre). All esquires are also represented in the corporation (most of the families are so called ''untitled nobility'', sv, obetitlad adel). This is a tradition from the Middle Ages when Sweden during the Kalmar Union only had one knight: Sten Sture. History Between the 17th and the 19th century the House of Nobility was a chamber in the Riksdag of the Estates. In the 18th century, the building was often used for public concerts. From 1731, public concerts were performed here by Kungliga Hovkapellet. Elisabeth Olin is believed to have debuted here in the 1750s, and foreig ...
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David Klöcker Ehrenstrahl
David Klöcker Ehrenstrahl (23 September 1628 – 23 October 1698) was a Sweden, Swedish nobleman and portrait painter. Biography David Klöcker was born in Hamburg. He was the son of Johann Klöcker and had eight siblings. In 1648, Klöcker traveled to Amsterdam where he learned how to paint following the instructions from Juriaen Jacobsze (1624–1685). In 1652, he left his art studies in the Netherlands and moved to Skokloster Castle (''Skoklosters slott'') on Lake Mälaren, Sweden at the request of Swedish nobleman Carl Gustaf Wrangel (1613–1676). Between 1654 and 1661 he studied in Italy and visited the courts of both France and England. On his return he became entitled Court painter (''hovkonterfejare'') in 1661. He was raised to the nobility in 1674 at which time he took the surname Ehrenstråhl. He became court intendant in 1690. He made portraits of, among others, King Charles XI of Sweden, Erik Dahlbergh, Georg Stiernhielm and Agneta Horn. Among his pu ...
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