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Allegory Of Isabella D'Este's Coronation
The ''Allegory of Isabella d'Este's Coronation'' is a painting by the Italian Renaissance painter Lorenzo Costa the Elder, dating to about 1505–1506. It is displayed in the Louvre Museum of Paris, France. History The painting was the fourth commissioned by Isabella d'Este for her ''studiolo'', after two canvasses by Andrea Mantegna (''Parnassus'' and the '' Triumph of the Virtues'', respectively from 1497 and 1499-1502) and Perugino's '' Combat of Love and Chastity'' (1503). The subject was provided by the court poet Paride of Ceresara and was initially assigned to Mantegna. However, after the latter's death in 1506, he was replaced by Lorenzo Costa, who deleted all the work made by his predecessor. Isabella liked the painting, and this granted Costa the position as the new court painter of the Gonzaga of Mantua. Duke Charles I of Nevers gifted this and the other paintings in the ''studiolo'' to Cardinal Richelieu, and the ''Allegory'' thus went to Paris. After belongin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Costa The Elder
Lorenzo Costa (1460 – 5 March 1535) was an Italian painter of the Renaissance. Biography He was born at Ferrara, but moved to Bologna by his early twenties, and was probably influenced by the Bolognese School. However, many artists worked in both cities, and thus some consider him a product of the School of Ferrara. It is possible that he trained with Cosimo Tura. In 1483 he painted the famous ''Bentivoglio Altarpiece'' and other frescoes on the walls of the Bentivoglio chapel in San Giacomo Maggiore. He was a great friend of Francesco Francia, who was much influenced by him. In 1509 he moved to Mantua to become the court painter of Marquis Francesco Gonzaga and Isabella d'Este. For the latter's studiolo in the Ducal Palace, he painted the ''Allegory of Isabella d'Este's Coronation'' (now at the Louvre) and the '' Reign of Comus'', two mythological paintings based on Mantegna's drawings. He died at Mantua in 1535. His sons Ippolito and Girolamo were also painters, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diana (mythology)
Diana is a goddess in Roman and Hellenistic religion, primarily considered a patroness of the countryside, hunters, crossroads, and the Moon. She is equated with the Greek goddess Artemis, and absorbed much of Artemis' mythology early in Roman history, including a birth on the island of Delos to parents Jupiter (mythology), Jupiter and Latona, and a twin brother, Apollo,''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. though she had Diana Nemorensis, an independent origin in Italy. Diana is considered a virgin goddess and protector of childbirth. Historically, Diana made up a triad with two other Roman deities: Egeria (mythology), Egeria the water nymph, her servant and assistant midwife; and Virbius, the woodland god. Diana is revered in modern neopagan religions including Roman polytheistic reconstructionism, Roman neopaganism, Stregheria, and Wicca. In the ancient, medieval, and modern periods, Diana has been considered a triple deity, m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Lorenzo Costa The Elder
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings In The Louvre By Italian Artists
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1500s Paintings
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Pietro Perugino
Pietro Perugino (, ; – 1523), born Pietro Vannucci, was an Italian Renaissance Painting, painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil. Early years He was born Pietro Vannucci in Città della Pieve, Umbria, the son of Cristoforo Maria Vannucci. His nickname characterizes him as from Perugia, the chief city of Umbria. Scholars continue to dispute the socioeconomic status of the Vannucci family. While certain academics maintain that Vannucci worked his way out of poverty, others argue that his family was among the wealthiest in the town. His exact date of birth is not known, but based on his age at death that was mentioned by Giorgio Vasari, Vasari and Giovanni Santi, it is believed that he was born between 1446 and 1452. Pietro most likely began studying painting in local workshops in Perugia such as those of Bartolomeo Caporali or Fiorenzo di Lorenzo. The date of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Costa
Lorenzo Costa (1460 – 5 March 1535) was an Italian painter of the Renaissance. Biography He was born at Ferrara, but moved to Bologna by his early twenties, and was probably influenced by the Bolognese School. However, many artists worked in both cities, and thus some consider him a product of the School of Ferrara. It is possible that he trained with Cosimo Tura. In 1483 he painted the famous ''Bentivoglio Altarpiece'' and other frescoes on the walls of the Bentivoglio chapel in San Giacomo Maggiore. He was a great friend of Francesco Francia, who was much influenced by him. In 1509 he moved to Mantua to become the court painter of Marquis Francesco Gonzaga and Isabella d'Este. For the latter's studiolo in the Ducal Palace, he painted the ''Allegory of Isabella d'Este's Coronation'' (now at the Louvre) and the '' Reign of Comus'', two mythological paintings based on Mantegna's drawings. He died at Mantua in 1535. His sons Ippolito and Girolamo were also painters, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reign Of Comus (Lorenzo Costa)
The ''Reign of Comus'' is a Renaissance painting painted by Lorenzo Costa for the ''Studiolo'' of Isabella d'Este in the Ducal Palace, Mantua. It is in tempera on canvas, and measures 152 cm (59.8 in) by 238 cm (93.7 in). It is now in the Louvre in Paris. The first paintings for the Studiolo were completed by Andrea Mantegna, and he appears to have started this painting, but it was completed by Costa between 1506 - 1511, after Mantegna's death, when Costa had been named court painter. The iconography of this painting is complex. To the left of the foreground tree, a sitting Comus, the ruler of a land of bacchanals, with his head tilted looks at Venus. To his right, Apollo seems to serenade another sitting woman. In the center, Dionysus strokes the hair of a drunken maiden, identified as Nicaea. She had spurned his advances; and he overpowered her with wine in order to rape her. Meanwhile, to the right of an elaborate arch, Janus bifrons and Hermes shoo away poorly clothed figure ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tibullus
Albius Tibullus ( BC19 BC) was a Latin poet and writer of elegies. His first and second books of poetry are extant; many other texts attributed to him are of questionable origins. Little is known about the life of Tibullus. There are only a few references to him by later writers and a short ''Life'' of doubtful authority. Neither his ''praenomen'' nor his birthplace is known, and his gentile name has been questioned. His status was probably that of a Roman '' eques'' (so the ''Life'' affirms), and he had inherited a considerable estate. Like Virgil, Horace and Propertius, he seems to have lost most of it in 41 BC in the confiscations of Mark Antony and Octavian. Life Tibullus's chief friend and patron was Marcus Valerius Messalla Corvinus, himself an orator and poet as well as a statesman and a commander. Messalla, like Gaius Maecenas, was at the centre of a literary circle in Rome. This circle had no relationship with the court, and the name of Augustus is found nowhere in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ovid
PÅ«blius Ovidius NÄsÅ (; 20 March 43 BC – 17/18 AD), known in English as Ovid ( ), was a Roman poet who lived during the reign of Augustus. He was a contemporary of the older Virgil and Horace, with whom he is often ranked as one of the three canonical poets of Latin literature. The Imperial scholar Quintilian considered him the last of the Latin love elegists.Quint. ''Inst.'' 10.1.93 Although Ovid enjoyed enormous popularity during his lifetime, the emperor Augustus banished him to Tomis, a Dacian province on the Black Sea, where he remained a decade until his death. Overview A contemporary of the older poets Virgil and Horace, Ovid was the first major Roman poet to begin his career during Augustus's reign. Collectively, they are considered the three canonical poets of Latin literature. The Imperial scholar Quintilian described Ovid as the last of the Latin love elegists.Quint. ''Inst.'' 10.1.93 He enjoyed enormous popularity during his lifetime, but the emperor Augus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Propertius
Sextus Propertius was a Latin elegiac poet of the Augustan age. He was born around 50–45 BC in Assisium and died shortly after 15 BC. Propertius' surviving work comprises four books of ''Elegies'' ('). He was a friend of the poets Gallus and Virgil and, with them, had as his patron Maecenas and, through Maecenas, the emperor Augustus. Although Propertius was not as renowned in his own time as other Latin elegists, he is today regarded by scholars as a major poet. Life Very little information is known about Propertius outside of his own writing. His praenomen "Sextus" is mentioned by Aelius Donatus, a few manuscripts list him as "Sextus Propertius", but the rest of his name is unknown. From numerous references in his poetry it is clear he was born and raised in Umbria, of a well-to-do family at or near Asisium (Assisi). His birthplace is generally regarded as modern Assisi, where tourists can view the excavated remains of a house thought to have belonged at least to the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Callimachus
Callimachus (; ) was an ancient Greek poet, scholar and librarian who was active in Alexandria during the 3rd century BC. A representative of Ancient Greek literature of the Hellenistic period, he wrote over 800 literary works in a wide variety of genres, most of which did not survive. He espoused an aesthetic philosophy, known as Callimacheanism, which exerted a strong influence on the poets of the Roman Empire and, through them, on all subsequent Western literature. Born into a prominent family in the Greek city of Cyrene in modern-day Libya, he was educated in Alexandria, the capital of the Ptolemaic kings of Egypt. After working as a schoolteacher in the city, he came under the patronage of King Ptolemy II Philadelphus and was employed at the Library of Alexandria where he compiled the ''Pinakes'', a comprehensive catalogue of all Greek literature. He is believed to have lived into the reign of Ptolemy III Euergetes. Although Callimachus wrote prolifically in prose and p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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