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Allan James Foley
Allan James Foley (7 August 1837 – 10 October 1899), distinguished 19th century Irish bass opera singer, was born at Cahir, Tipperary. In accordance with the prevailing preference for Italian artists, he changed the spelling (but not the pronunciation) of his name and was always known as 'Signor Foli.' His family emigrated, and Foli spent much of his youth in Hartford, Connecticut. Originally a carpenter, he studied singing under Bisaccia at Naples and made his first appearance at Catania in 1862. From the Paris Opéra he was engaged by Mapleson for the season of 1865, and made his London debut as St Bris in ''Les Huguenots''. In the absence of Antonio Giuglini the company toured in late 1865 with Mario as principal tenor in Manchester, Dublin, Belfast and Liverpool. In January–April 1866 Mapleson split the company into two parties for a very extensive British provincial tour, Foli joining the ensemble of Mario, Grisi and Lablache under Arditi. Opera, oratorio and con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allan James Foley By HJ Whitlock, C1870s
Allan may refer to: People * Allan (name), a given name and surname, including list of people and characters with this name * Allan (footballer, born 1984) (Allan Barreto da Silva), Brazilian football striker * Allan (footballer, born 1989) (Allan dos Santos Natividade), Brazilian football forward * Allan (footballer, born 1991) (Allan Marques Loureiro), Brazilian football midfielder * Allan (footballer, born 1994) (Allan Christian de Almeida), Brazilian football midfielder * Allan (footballer, born 1997) (Allan Rodrigues de Souza), Brazilian football midfielder Places * Allan, Queensland, Australia * Allan, Saskatchewan, Canada * Allan, the Allaine river's lower course, in France * Allan, Drôme, town in France * Allan, Iran (other), places in Iran Other uses * Allan, a Clan Grant split (or sept) * Ahlawat or Allan, an ethnic clan in India * ''Allan'', a 1966 film directed by Donald Shebib * "Allan" (song), a 1988 song recorded by the French artist Mylène Farmer * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Von Rokitansky
Baron Hans von Rokitansky (German: ''Hans Freiherr von Rokitansky'') (8 March 18352 November 1909) was an Austrian operatic bass who sang for three decades at the Vienna Hofoper (now Vienna State Opera) and in concerts and operas throughout Europe between 1856 and 1877. He performed a wide repertoire that encompassed French grand opera, Italian bel canto opera, the German operas of Richard Wagner, and the works of Wolfgang Amadeus Mozart. He possessed a deep resonant voice which remained clear until the very end of his career when his intonation began to suffer somewhat. After retiring from the stage in 1893, he became a much celebrated singing teacher at the Vienna Conservatory and many of his pupils went on to have highly successful opera careers. Life and career Hans Freiherr von Rokitansky was born in Vienna, the son of Baron Carl von Rokitansky who was a famous physician and natural scientist. Hans's younger brother Baron Victor von Rokitansky (1836–1896), also beca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italo Gardoni
Italo Gardoni (12 March 1821 – 26 March 1882) was a leading operatic tenore di grazia singer from Italy who enjoyed a major international career during the middle decades of the 19th century. Along with Giovanni Mario, Gaetano Fraschini, Enrico Tamberlik and Antonio Giuglini, he was one of the most celebrated Italian tenors of his era. His voice was not large but it was exceptionally pure toned and sweet, lacking any disruptive vibrato. He sang legato passages with impressive smoothness but he could also dispatch florid music with flair and considerable agility. Career Born in Parma, Gardoni studied with Antonio De Cesari (1797–1853). He made his debut as ''Roberto Devereux'' (Donizetti) in Viadana in 1840, and over the following 7 years made his career in France, Italy and Germany. In Paris in December 1844 he was Bothwell in the Paris première of Louis Niedermeyer's opera '' Marie Stuart'' at the Théâtre de l'Académie Royale de Musique opposite the soprano Rosine Sto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christine Nilsson
Christina Nilsson, Countess de Casa Miranda, also called Christine Nilsson (20 August 1843 – 22 November 1921) was a Swedish dramatic coloratura soprano. Possessed of a pure and brilliant voice of first three then two and a half octaves trained in the bel canto technique, and noted for her graceful appearance and stage presence, she enjoyed a twenty-year career as a top-rank international singer before her 1888 retirement. A contemporary of one of the Victorian era's most famous divas, Adelina Patti, the two were often compared by reviewers and audiences, and were sometimes believed to be rivals. Nilsson became a member of the Royal Swedish Academy of Music in 1869. Biography Christina Nilsson was born Christina Jonasdotter in a forester's hut at Sjöabol (or Snugge) farm near Växjö, Småland, the youngest of seven children of the peasants Jonas Nilsson (1798 - 1871) and Stina Cajsa Månsdotter (1804 - 1870). As a young child she received a rudimentary education, attend ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Le Diable
''Robert le diable'' (''Robert the Devil'') is an opera in five acts composed by Giacomo Meyerbeer between 1827 and 1831, to a libretto written by Eugène Scribe and Germain Delavigne. ''Robert le diable'' is regarded as one of the first grand operas at the Paris Opéra. It has only a superficial connection to the medieval legend of ''Robert the Devil''. The opera was immediately successful from its first night on 21 November 1831 at the Opéra; the dramatic music, harmony and orchestration, its melodramatic plot, its star singers and its sensational stage effects compelled Frédéric Chopin, who was in the audience, to say, "If ever magnificence was seen in the theatre, I doubt that it reached the level of splendour shown in ''Robert''...It is a masterpiece...Meyerbeer has made himself immortal".Brown, ''Robert le diable'', p. 572 ''Robert'' initiated the European fame of its composer, consolidated the fame of its librettist, Scribe, and launched the reputation of the new dire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herman Klein
Herman Klein (born Hermann Klein; 23 July 1856 – 10 March 1934) was an English music critic, author and teacher of singing. Klein's famous brothers included Charles and Manuel Klein. His second wife was the writer Kathleen Clarice Louise Cornwell, and one of their children was the writer Denise Robins. For thirteen years, Klein was a vocal teacher at the Guildhall School of Music in London, becoming a lifelong proponent of the methods of Manuel Garcia and helping to edit Garcia's book on the subject. In 1876 he took up musical journalism, writing for ''The Sunday Times'' from 1881–1901, among other publications. He also contributed prolifically to ''The Musical Times''. From 1901 to 1909, Klein lived and taught singing in New York City, where he wrote for ''The New York Herald''. He was one of the first critics to take notice of the gramophone and was appointed "musical adviser" to Columbia Records in 1906 in New York. He returned to England in 1909. Klein wrote ov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ilma De Murska
''Ilma'' is a genus of skipper (butterfly), skippers in the family Hesperiidae. ReferencesNatural History Museum Lepidoptera genus database Hesperiinae Hesperiidae genera {{Hesperiinae-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Flying Dutchman (opera)
The ''Flying Dutchman'' ( nl, De Vliegende Hollander) is a legendary ghost ship, allegedly never able to make port, but doomed to sail the seven seas forever. The myth is likely to have originated from the 17th-century Golden Age of the Dutch East India Company (VOC) and of Dutch maritime power. The oldest known extant version of the legend dates from the late 18th century. According to the legend, if hailed by another ship, the crew of the ''Flying Dutchman'' might try to send messages to land, or to people long dead. Reported sightings in the 19th and 20th centuries claimed that the ship glowed with a ghostly light. In ocean lore, the sight of this phantom ship functions as a portent of doom. It was commonly believed that the ''Flying Dutchman'' was a fluyt. Origins The first print reference to the ship appears in ''Travels in various part of Europe, Asia and Africa during a series of thirty years and upward'' (1790) by John MacDonald: The next literary reference ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rigoletto
''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play ''Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. The work, Verdi's sixteenth in the genre, is widely considered to be the first of the operatic masterpieces of Verdi's middle-to-late career. Its tragic story revolves around the licentious Duchy of Mantua, Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's daughter Gilda. The opera's original title, ''La maledizione'' (The Curse), refers to a curse placed on both the Duke and Rigoletto by a courtier whose daughter the Duke has seduced with Rigoletto's encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from the assassin hired by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norma (opera)
''Norma'' () is a ''tragedia lirica'' or opera in two acts by Vincenzo Bellini with libretto by Felice Romani after the play ''Norma, ou L'infanticide'' (''Norma, or The Infanticide'') by Alexandre Soumet. It was first produced at La Scala in Milan on 26 December 1831. The opera is regarded as a leading example of the bel canto genre, and the soprano prayer "Casta diva" in act 1 is a famous piece. Among the well known singers of Norma of the first half of the 20th century was Rosa Ponselle who played the role in New York and London. Notable exponents of the title role in the post-war period have been Maria Callas, Leyla Gencer, Joan Sutherland, and Montserrat Caballé. Composition history Crivelli and Company were managing both La Scala and La Fenice in Venice, and as a result, in April–May 1830 Bellini was able to negotiate a contract with them for two operas, one at each theatre. The opera for December 1831 at La Scala became ''Norma'', while the one for the 1832 Carnival ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick Gye
Frederick Gye (the younger) (1810–1878) was an English businessman and opera manager who for many years ran what is now the Royal Opera House, Covent Garden. Life Gye, son of Frederick Gye (the elder), was born at Finchley, Middlesex, in 1810, and educated at Frankfurt-am-Main. He assisted his father in the management of Vauxhall Gardens from about 1830, and at the same period had a contract for lighting some of the government buildings. He was afterwards associated with Monsieur Louis Antoine Jullien in the Covent Garden promenade concerts in 1846, and was his acting-manager when Jullien opened Drury Lane Theatre as an English opera house in 1847. When Edward Delafield became lessee of the Italian Opera House, Covent Garden, in 1848, Gye was appointed business manager. On 14 July 1849 Delafield was declared bankrupt; Gye, in conjunction with the artists, carried on the house for the remainder of the season as a joint-stock undertaking. In September 1849 he was the acknowled ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Gazza Ladra
''La gazza ladra'' (, ''The Thieving Magpie'') is a ''melodramma'' or opera semiseria in two acts by Gioachino Rossini, with a libretto by Giovanni Gherardini based on ''La pie voleuse'' by Théodore Baudouin d'Aubigny and Louis-Charles Caigniez. ''The Thieving Magpie'' is best known for the overture, which is musically notable for its use of snare drums. This memorable section in Rossini's overture evokes the image of the opera's main subject: a devilishly clever, thieving magpie. Rossini wrote quickly, and ''La gazza ladra'' was no exception. A 19th-century biography quotes him as saying that the conductor of the premiere performance locked him in a room at the top of La Scala the day before the premiere with orders to complete the opera's still unfinished overture. He was under the guard of four stagehands whose job it was to toss each completed page out the window to the copyist below. Performance history The first performance of ''The Thieving Magpie'' was on 31 May 18 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
