All The Way (Brenda Lee Album)
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All The Way (Brenda Lee Album)
''All the Way'' is the fifth studio album by American singer Brenda Lee. The album was released August 7, 1961, on Decca Records and was produced by Owen Bradley. It was the second of two studio albums released by Brenda Lee in 1961 and spawned the single "Dum Dum", which became a Top 10 hit on the ''Billboard'' Hot 100, and a UK single (not released as a single in the US) " Speak to Me Pretty", which reached No.3 on the UK singles chart (which was the highest placing Lee ever achieved with a single in the UK). Background and content ''All the Way'' was recorded in four separate recording sessions at the Bradley Film and Recording Studio, beginning on August 16, 1960, and ending on May 21, 1961. The album contained twelve tracks of material, seven of which were cover versions of previously recorded songs. The album's cover versions included " Kansas City", first recorded by Little Willie Littlefield. It also included a cover version of Ray Charles's "Talkin' About You" and "O ...
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Brenda Lee
Brenda Mae Tarpley (born December 11, 1944), known professionally as Brenda Lee, is an American singer. Performing rockabilly, pop and country music, she had 47 US chart hits during the 1960s and is ranked fourth in that decade, surpassed only by Elvis Presley, the Beatles and Ray Charles. She is known for her 1960 hit " I'm Sorry" and 1958's "Rockin' Around the Christmas Tree", which has become a Christmas standard. At 4 ft 9 inches tall (approximately 145 cm), she received the nickname "Little Miss Dynamite" in 1957, after recording the song "Dynamite" when she was 12, and was one of the earliest pop stars to have a major contemporary international following. In 1969, Lee returned to the charts with her recording "Johnny One Time" penned by A. L. "Doodle" Owens and Dallas Frazier. The song reached #3 on ''Billboard''s Adult Contemporary Chart and #41 on the ''Billboard'' Hot 100. The song also earned Lee her second Grammy nomination for Best Pop Female Vocal. ...
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On The Sunny Side Of The Street
"On the Sunny Side of the Street" is a 1930 song composed by Jimmy McHugh with lyrics by Dorothy Fields. Some authors say that Fats Waller was the composer, but he sold the rights to the song. It was introduced in the Broadway musical ''Lew Leslie's International Revue'' starring Harry Richman and Gertrude Lawrence. Ted Lewis did the first recording of the song in 1930 (Catalog #2144-D), followed by Harry Richman (Catalog # 4747) and both enjoyed hit records with the song. Other notable recordings Having become a jazz standard, it was played by Louis Armstrong, the Nat King Cole Trio, Dave Brubeck, Earl Hines, Benny Goodman, Lionel Hampton, Erroll Garner, Dizzy Gillespie, Art Tatum, James Booker, Count Basie, and Lester Young. The Louis Armstrong version was recorded in the key of C major, but it has been recorded in a range of keys; Ted Lewis recorded it in D major and Ella Fitzgerald in G major. Cover versions date as far back as 1930, when Layton & Johnstone released the ...
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Jackie DeShannon
Jackie DeShannon (born Sharon Lee Myers, August 21, 1941) is an American singer-songwriter and radio broadcaster with a string of hit song credits from the 1960s onwards, as both singer and composer. She was one of the first female singer-songwriters of the Rock and Roll period. She is best known as the singer of "What the World Needs Now Is Love" and " Put a Little Love in Your Heart", and as the writer of "When You Walk in the Room" and "Bette Davis Eyes", which became hits for, respectively, The Searchers and Kim Carnes. Since 2009, DeShannon has been an entertainment broadcast correspondent reporting Beatles band members' news for the radio program ''Breakfast with the Beatles''. Early life and education DeShannon was born in Hazel, Kentucky, the daughter of musically inclined farming parents, James Erwin Myers and the former Sandra Jeanne Laporte. By age six, she was singing country tunes on a local radio show. By age 11, she was hosting her own radio program. When life on ...
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Jimmy Van Heusen
James Van Heusen (born Edward Chester Babcock; January 26, 1913 – February 6, 1990) was an American composer. He wrote songs for films, television and theater, and won an Emmy and four Academy Awards for Best Original Song. Life and career Born in Syracuse, New York, Van Heusen began writing music while at high school. He renamed himself at age 16, after the shirt makers Phillips-Van Heusen, to use as his on-air name during local shows. His close friends called him "Chet".Coppula, C. (2014). ''Jimmy Van Heusen: Swinging on a Star''. Nashville: Twin Creek Books. Jimmy was raised Methodist. Studying at Cazenovia Seminary and Syracuse University, he became friends with Jerry Arlen, the younger brother of Harold Arlen. With the elder Arlen's help, Van Heusen wrote songs for the Cotton Club revue, including "Harlem Hospitality". He then became a staff pianist for some of the Tin Pan Alley publishers, and wrote "It's the Dreamer in Me" (1938) with lyrics by Jimmy Dorsey. Colla ...
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Sammy Cahn
Samuel Cohen (June 18, 1913 – January 15, 1993), known professionally as Sammy Cahn, was an American lyricist, songwriter, and musician. He is best known for his romantic lyrics to films and Broadway songs, as well as stand-alone songs premiered by recording companies in the Greater Los Angeles Area. He and his collaborators had a series of hit recordings with Frank Sinatra during the singer's tenure at Capitol Records, but also enjoyed hits with Dean Martin, Doris Day and many others. He played the piano and violin, and won an Oscar four times for his songs, including the popular hit " Three Coins in the Fountain". Among his most enduring songs is "Let It Snow! Let It Snow! Let It Snow!", cowritten with Jule Styne in 1945. Life and career Cahn was born Samuel Cohen in the Lower East Side of New York City, the only son (he had four sisters) of Abraham and Elka Reiss Cohen, who were Jewish immigrants from Galicia, then ruled by Austria-Hungary. His sisters, Sadye, Pearl, Flor ...
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All The Way (Frank Sinatra Song)
"All the Way" is a song published in 1957 by Maraville Music Corporation. The music was written by Jimmy Van Heusen with lyrics by Sammy Cahn. Frank Sinatra recording In 1957, a recording of "All the Way", was made famous by Frank Sinatra It was introduced in the film ''The Joker Is Wild.'' Sinatra also had the best-selling recorded version of the song. Aside from this song, he also sang " Chicago (That Toddlin' Town)" for the movie. It wound up as the flipside of "All the Way" when Capitol Records released the song as a single. The single reached #15 in sales and #2 in airplay in Billboard's charts. The track peaked at #3 in the UK Singles Chart. The song in its orchestral arrangement by Nelson Riddle received the 1957 Academy Award for Best Original Song. Sinatra rerecorded the song, with a Nelson Riddle arrangement, for his 1963 album ''Sinatra's Sinatra''. Translations Mina performed "Si, amor", the Italian version of the song, in ''Canzonissima'', a 1968 RAI musical variety ...
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Sigmund Romberg
Sigmund Romberg (July 29, 1887 – November 9, 1951) was a Hungarian-born American composer. He is best known for his musicals and operettas, particularly ''The Student Prince'' (1924), ''The Desert Song'' (1926) and ''The New Moon'' (1928). Early in his career, Romberg was employed by the Shubert brothers to write music for their musicals and revues, including several vehicles for Al Jolson. For the Shuberts, he also adapted several European operettas for American audiences, including the successful '' Maytime'' (1917) and '' Blossom Time'' (1921). His three hit operettas of the mid-1920s, named above, are in the style of Viennese operetta, but his other works from that time mostly employ the style of American musicals of their eras. He also composed film scores. Biography Romberg was born in Hungary as Siegmund Rosenberg to a Jewish
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Oscar Hammerstein II
Oscar Greeley Clendenning Hammerstein II (; July 12, 1895 – August 23, 1960) was an American lyricist, librettist, theatrical producer, and (usually uncredited) director in the musical theater for almost 40 years. He won eight Tony Awards and two Academy Awards for Best Original Song. Many of his songs are standard repertoire for vocalists and jazz musicians. He co-wrote 850 songs. He is best known for his collaborations with composer Richard Rodgers, as the duo Rodgers and Hammerstein, whose musicals include ''Oklahoma!'', '' Carousel'', '' South Pacific'', ''The King and I'', and ''The Sound of Music''. Described by Stephen Sondheim as an "experimental playwright", Hammerstein helped bring the American musical to new maturity by popularizing musicals that focused on stories and character rather than the lighthearted entertainment that the musical had been known for beforehand. He also collaborated with Jerome Kern (with whom he wrote ''Show Boat''), Vincent Y ...
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Lover Come Back To Me
"Lover, Come Back to Me" is a popular song composed by Sigmund Romberg with lyrics by Oscar Hammerstein II for the Broadway show ''The New Moon'', where the song was introduced by Evelyn Herbert and Robert Halliday (as Robert Misson). The song was published in 1928. Film versions The song was performed by Lawrence Tibbett and Grace Moore in '' New Moon'', the 1930 film adaptation of ''The New Moon'', and by Jeanette MacDonald and Nelson Eddy in the 1940 adaptation, also titled '' New Moon''. Barbra Streisand version Arranged and conducted by George Williams, the song was released as Barbra Streisand's second single in November 1962 as a double single with " My Coloring Book". Produced by Mike Berniker, and recorded before Streisand's first album sessions, the single was sent to radio. In 1963, Streisand re-recorded the song for her second album ''The Second Barbra Streisand Album'', which appeared on the compilation ''The Essential Barbra Streisand''. In her first television ...
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Official Charts Company
The Official Charts (legal name: The Official UK Charts Company Limited) is a British inter-professional organization that compiles various "official" record charts in the United Kingdom, Ireland and France. In the United Kingdom, its charts include ones for singles, albums and films, with the data compiled from a mixture of downloads, purchases (of physical media) and streaming. The OCC produces its charts by gathering and combining sales data from retailers through market researchers Kantar, and claims to cover 99% of the singles market and 95% of the album market, and aims to collect data from any retailer who sells more than 100 chart items per week. The OCC is operated jointly by the British Phonographic Industry and the Entertainment Retailers Association (ERA) (formerly the British Association of Record Dealers (BARD)) and is incorporated as a private company limited by shares jointly owned by BPI and ERA. The Chart Information Network (CIN) took over as compilers of the o ...
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UK Albums Chart
The Official Albums Chart is a list of albums ranked by physical and digital sales and (from March 2015) audio streaming in the United Kingdom. It was published for the first time on 22 July 1956 and is compiled every week by the Official Charts Company (OCC) on Fridays (previously Sundays). It is broadcast on BBC Radio 1 (top 5) and found on the OCC website as a Top 100 or on UKChartsPlus as a Top 200, with positions continuing until all sales have been tracked in data only available to industry insiders. However, even though number 100 was classed as a hit album (as in the case of The Guinness Book of British Hit Albums) in the 1980s until January 1989, since the compilations were removed this definition was changed to Top 75 with follow-up books such as The Virgin Book of British Hit Albums book only including this data. As of 2021, the OCC still only tracks how many UK Top 75s album hits and how many weeks in Top 75 albums chart each artist has achieved. To qualify for the Offi ...
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Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ...
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