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All Life Records
All Life Records was a French jazz record label. Discography * 001: Christian Escoudé & Charlie Haden – ''Gitane'' * 002: Jimmy Rowles– ''Red 'n' Me'' * 003: Burton Greene – ''The Past Is Also in the Future'' * 004: Cat Anderson – ''Old Folks'' * 005: Bud Freeman – ''Satin Doll'' * 006: Christian Escoudé – ''Gousti'' * 007: Chet Baker – ''Two a Day'' * 008: Eddie "Lockjaw" Davis & Harry Edison – ''All of Me'' * 010: Daniel Humair, Eddy Louiss & Jean-Luc Ponty – ''HLP'' * 012: Maurice Vander Maurice Vanderschueren, better known as Maurice Vander (born 11 June 1929, Vitry-sur-Seine, died 16 February 2017, Montmorillon ) was a French jazz keyboardist. Vander worked in the 1950s with Don Byas, Django Reinhardt, Bobby Jaspar, Jimmy Raney ... – ''Philly'' * 013: Eddy Louiss – ''Blue Tempo'' * 015: Daniel Humair, Eddy Louiss & Jean-Luc Ponty – ''Last Set'' * 017: John Lewis – ''Piano, Paris 1979'' External linksDiscogs French record labels Jazz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie "Lockjaw" Davis
Edward F. Davis (March 2, 1922 – November 3, 1986), known professionally as Eddie "Lockjaw" Davis, was an American jazz tenor saxophonist. It is unclear how he acquired the moniker "Lockjaw" (later shortened in "Jaws"): it is either said that it came from the title of a tune or from his way of biting hard on the saxophone mouthpiece. Other theories have been put forward. Biography Davis played with Cootie Williams, Lucky Millinder, Andy Kirk, Eddie Bonnemère, Louis Armstrong, and Count Basie, as well as leading his own bands and making many recordings as a leader. He played in the swing, bop, hard bop, Latin jazz, and soul jazz genres. Some of his recordings from the 1940s also could be classified as rhythm and blues. In 1940, when Teddy Hill became the manager of the legendary Minton's Jazz club, he put Eddie Davis in charge of deciding which musicians could, or couldn't, sit in during the jam sessions (playing in this Minton's sessions was coveted by many, including mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Lewis (pianist)
John Aaron Lewis (May 3, 1920 – March 29, 2001) was an American jazz pianist, composer and arranger, best known as the founder and musical director of the Modern Jazz Quartet. Early life John Lewis was born in La Grange, Illinois, and after his parents' divorce moved with his mother, a trained singer, to Albuquerque, New Mexico when he was two months old. She died from peritonitis when he was four and he was raised by his grandmother and great-grandmother. He began learning classical music and piano at the age of seven. His family was musical and had a family band that allowed him to play frequently and he also played in a Boy Scout music group. Lyons, p. 77. Even though he learned piano by playing the classics, he was exposed to jazz from an early age because his aunt loved to dance and he would listen to the music she played. He attended the University of New Mexico, where he led a small dance band that he formed Giddins, p. 378. and double majored in Anthropology and Musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Vander
Maurice Vanderschueren, better known as Maurice Vander (born 11 June 1929, Vitry-sur-Seine, died 16 February 2017, Montmorillon ) was a French jazz keyboardist. Vander worked in the 1950s with Don Byas, Django Reinhardt, Bobby Jaspar, Jimmy Raney, Stephane Grappelli, Chet Baker, and Kenny Clarke. He won the Prix Django Reinhardt in 1962. In the 1960s he was a session musician for Roger Guerin, Pierre Gossez, and Boulou Ferré, and played with Claude Nougaro and Ivan Jullien. He played with Baker again in the late 1970s and with Johnny Griffin; his later work included performing and recording with Clarke, Richie Cole, Art Farmer, and Benny Powell. Vander is the adoptive father of Christian Vander (musician) Christian Vander (born 21 February 1948) is a French drummer, musician, and founder of the band Magma. Career Vander is known for his extended compositions, drumming, and shrill falsetto improvisational/scat singing. His music fuses jazz, rock, .... References *Mi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Luc Ponty
Jean-Luc Ponty (born 29 September 1942) is a French jazz violinist and composer. Early life Ponty was born into a family of classical musicians in Avranches, France. His father taught violin, his mother taught piano. At sixteen, he was admitted to the Conservatoire National Supérieur de Musique de Paris, graduating two years later with the institution's highest honor, Premier Prix (first prize). He was hired by the Concerts Lamoureux in which he played for three years. While still a member of the orchestra in Paris, Ponty picked up a side job playing clarinet (which his father had taught him) for a college jazz band, that regularly performed at local parties. It proved life-changing. A growing interest in Miles Davis and John Coltrane compelled him to take up tenor saxophone. One night after an orchestra concert, and still wearing his tuxedo, Ponty found himself at a local club with only his violin. Within four years, he was widely accepted as the leading figure in "jazz fid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddy Louiss
Eddy Louiss (2 May 1941 – 30 June 2015) was a French jazz musician. Eddy started playing in his father Pierre's orchestra in the 1950s. Pierre changed the family name from Louise to Louiss. As a vocalist, he was a member of Les Double Six of Paris from 1961 through 1963. During this time his primary instrument became the Hammond organ. In 1964, he was awarded the Prix Django Reinhardt. For 13 years, between 1964 and 1977, he played with leading French musician Claude Nougaro. After that, he made the decision, one that his son Pierre described as "not that easy", to split from Nougaro to head out on a solo career. He worked with Kenny Clarke, René Thomas, and Jean-Luc Ponty. In 1971 he was a member of the Stan Getz quartet (with René Thomas and Bernard Lubat) that recorded the Getz album ''Dynasty'' (1971). Eddy Louiss had his left leg amputated in the early 1990s after suffering artery problems, following which he made few public appearances. In duet, he recorded wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daniel Humair
Daniel Humair (born 23 May 1938 in Geneva, Switzerland) is a Swiss drummer, composer, and painter. He is widely renowned and became a Chevalier of the Ordre des Arts et des Lettres in 1986 and Officier in 1992. He has played with many jazz performers notably Phil Woods, Jean-Luc Ponty, Chet Baker, Michel Portal, Martial Solal, Dexter Gordon, Gerry Mulligan, Rahsaan Roland Kirk and Eric Dolphy. Humair is also a talented painter. He describes his own work as "figurative abstract" and has created a coherent œuvre proving his passion and knowledge of artistic painting. Discography As leader * ''Hum!'' with Rene Urtreger, Pierre Michelot (Vega, 1960) * ''Trio HLP'' (CBS, 1968) * ''Drumo Vocalo'' (International Music Label, 1971) * ''Our Kind of Sabi'' with Eddy Louiss, John Surman (MPS/BASF, 1970) * ''Beck Mathewson Humair Trio'' (Dire, 1972) * ''La Sorcellerie a Travers Les Ages'' with Jean Luc Ponty, Phil Woods, Eddy Louiss (1977) * ''Suite for Trio'' with Martial Solal, Nie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Edison
Harry "Sweets" Edison (October 10, 1915 – July 27, 1999) was an American jazz trumpeter and a member of the Count Basie Orchestra. His most important contribution was as a Hollywood studio musician, whose muted trumpet can be heard backing singers, most notably Frank Sinatra. Biography Edison was born in Columbus, Ohio, United States. He spent his early childhood in Louisville, Kentucky, being introduced to music by an uncle. After moving back to Columbus at the age of twelve, the young Edison began playing the trumpet with local bands. In 1933, he became a member of the Jeter-Pillars Orchestra in Cleveland. Afterwards, he played with the Mills Blue Rhythm Band and Lucky Millinder. In 1937, he moved to New York and joined the Count Basie Orchestra. His colleagues included Buck Clayton, Lester Young (who named him "Sweets"), Buddy Tate, Freddie Green, Jo Jones, and other original members of that famous band. Speaking in 1956 with ''Down Beat's'' Don Freeman, Edison expla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chet Baker
Chesney Henry "Chet" Baker Jr. (December 23, 1929 – May 13, 1988) was an American jazz trumpeter and vocalist. He is known for major innovations in cool jazz that led him to be nicknamed the "Prince of Cool". Baker earned much attention and critical praise through the 1950s, particularly for albums featuring his vocals: ''Chet Baker Sings'' (1954) and '' It Could Happen to You'' (1958). Jazz historian Dave Gelly described the promise of Baker's early career as "James Dean, Sinatra, and Bix, rolled into one". His well-publicized drug habit also drove his notoriety and fame. Baker was in and out of jail frequently before enjoying a career resurgence in the late 1970s and 1980s. Biography Early years Baker was born and raised in a musical household in Yale, Oklahoma on 23 December 1929. His father, Chesney Baker Sr., was a professional guitarist, and his mother, Vera Moser, was a pianist who worked in a perfume factory. His maternal grandmother was Norwegian. Baker said that o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Label
A record label, or record company, is a brand or trademark of music recordings and music videos, or the company that owns it. Sometimes, a record label is also a publishing company that manages such brands and trademarks, coordinates the production, manufacture, distribution, marketing, promotion, and enforcement of copyright for sound recordings and music videos, while also conducting talent scouting and development of new artists, and maintaining contracts with recording artists and their managers. The term "record label", derives from the circular label in the center of a vinyl record which prominently displays the manufacturer's name, along with other information. Within the mainstream music industry, recording artists have traditionally been reliant upon record labels to broaden their consumer base, market their albums, and promote their singles on streaming services, radio, and television. Record labels also provide publicists, who assist performers in gaining positi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bud Freeman
Lawrence "Bud" Freeman (April 13, 1906 – March 15, 1991) was an American jazz musician, bandleader, and composer, known mainly for playing tenor saxophone, but also the clarinet. Biography In 1922, Freeman and some friends from high school formed the Austin High School Gang. Freeman played the C melody saxophone with band members such as Jimmy McPartland and Frank Teschemacher. before switching to tenor saxophone two years later. The band was influenced by the New Orleans Rhythm Kings and Louis Armstrong. While Armstrong was in King Oliver's Creole Jazz Band, Freeman attended performances at Lincoln Gardens with McPartland. They were nicknamed "Alligators". In 1927, he moved to New York City, where he worked as a session musician and band member with Red Nichols, Roger Wolfe Kahn, Ben Pollack, and Joe Venuti. One of his most notable performances was a solo on Eddie Condon's 1933 recording, ''The Eel'', which became Freeman's nickname for his long snake-like improvisation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cat Anderson
William Alonzo "Cat" Anderson (September 12, 1916 – April 29, 1981) was an American jazz trumpeter known for his long period as a member of Duke Ellington's orchestra and for his wide range, especially his ability to play in the altissimo register. Biography Born in Greenville, South Carolina, Anderson lost both parents when he was four years old, and was sent to live at the Jenkins Orphanage in Charleston, where he learned to play trumpet. Classmates gave him the nickname "Cat" (which he used all his life) based on his fighting style. He toured and made his first recording with the Carolina Cotton Pickers, a small group based at the orphanage. After leaving the Cotton Pickers, Anderson played with guitarist Hartley Toots, Claude Hopkins' big band, Doc Wheeler's Sunset Orchestra (1938–1942), with whom he also recorded, Lucky Millinder, the Erskine Hawkins Orchestra, Sabby Lewis's Orchestra, and Lionel Hampton, with whom he recorded the classic "Flying Home No. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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