All Fourths
Among alternative tunings for the guitar, all-fourths tuning is a regular tuning.: In contrast, the standard tuning has one irregularity—a major third between the third and second strings—while having perfect fourths between the other successive strings. The standard tuning's irregular major-third is replaced by a perfect fourth in all-fourths tuning, which has the open notes E2-A2-D3-G3-C4-F4. Among regular tunings, this all-fourths tuning best approximates the standard tuning. In all guitar tunings, the higher-octave version of a chord can be found by translating a chord by twelve frets higher along the fretboard. In every regular tuning, for example in all-fourths tuning, chords and intervals can be moved also ''diagonally''. For all-fourths tuning, all twelve major chords (in the first or open positions) are generated by two chords, the open F major chord and the D major chord. The regularity of chord-patterns reduces the number of finger&nb ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Open note
On string instruments, a stopped note is a note whose pitch has been altered from the pitch of the open string by the player's left hand pressing (stopping) the string against the fingerboard. Bowed strings On bowed string instruments, a stopped note is a played note that is fingered with the left hand, i.e. not an open string.Andrea Pejrolo, Rich DeRosa (2007). ''Acoustic and MIDI Orchestration for the Contemporary Composer'', p.99-100. . This assists with tone production, the addition of vibrato, and sometimes additional volume but creates difficulty in that bowed string instruments do not have frets, requiring ear training and accurate finger placement. The lack of frets, as on the guitar fretboard, does allow greater variability in intonation though a bowed string instrumentalist, such as a violinist, "when unaccompanied, does not play consistently in either the tempered or the natural scale, but tends on the whole to conform with the Pythagorean scale" The open no ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Chord Shapes For Perfect Fourths (P4) Tuning - 1
Chord may refer to: * Chord (music), an aggregate of musical pitches sounded simultaneously ** Guitar chord a chord played on a guitar, which has a particular tuning * Chord (geometry), a line segment joining two points on a curve * Chord (astronomy), a line crossing a foreground astronomical object during an occultation which gives an indication of the object's size and/or shape * Chord (graph theory), an edge joining two nonadjacent nodes in a cycle * Chord in truss construction – an outside member of a truss, as opposed to the inner "webbed members" * Chord (aeronautics), the distance between the front and back of a wing, measured in the direction of the normal airflow. The term chord was selected due to the curved nature of the wing's surface * Chord (peer-to-peer), a peer-to-peer protocol and algorithm for distributed hash tables (DHT) * Chord (concurrency), a concurrency construct in some object-oriented programming languages * In British railway terminology, a chord c ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Laúd
Laúd ( es, "lute") is a plectrum-plucked chordophone from Spain, played also in diaspora countries such as Cuba and the Philippines. The laúd belongs to the cittern family of instruments. The Spanish and Cuban instruments have six double courses in unison (i.e. twelve strings in pairs); the Philippine instrument has 14 strings with some courses singled or tripled. A similar, but smaller instrument, with a shorter neck, is the bandurria, which also exists in 12- and 14-string versions. Traditionally the laúd is used by folk string musical groups, such as Spanish or Filipino rondalla string ensembles, together with the guitar and the bandurria. Like the bandurria, it is tuned in fourths, but its range is one octave lower. Tuning For the Spanish laud the tuning is: *1st: A4 A4 *2nd: E4 E4 *3rd: B3 B3 *4th: F#3 F#3 *5th: C#3 C#3 *6th: G#2 G#2 The Cuban tuning is: *1st: C#5 C#5 (or sometimes D4 D4) *2nd: F#4 F#4 *3rd: B3 B3 *4th: E3 E3 *5th: A2 A2 *6th: D2 D2 The Filipi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Scordatura
Scordatura (; literally, Italian for "discord", or "mistuning") is a tuning of a string instrument that is different from the normal, standard tuning. It typically attempts to allow special effects or unusual chords or timbre, or to make certain passages easier to play. It is common to notate the finger position as if played in regular tuning, while the actual pitch resulting is altered (scordatura notation). When all the strings are tuned by the same interval up or down, as in the case of the viola in Mozart's ''Sinfonia Concertante for Violin, Viola and Orchestra'', the part is transposed as a whole. Bowed string instruments The invention of scordatura tuning has been attributed to Thomas Baltzar, a prodigious German violinist and composer who is known to have used the technique in around the 1660s, at least a decade before Biber composed his ''Rosary Sonatas'' in which he employed the tuning technique. Of course, German violinist Hans Hake (1628 – after 1667) includes three ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Inverted Chord
In music theory, an inversion is a type of change to intervals, chords, voices (in counterpoint), and melodies. In each of these cases, "inversion" has a distinct but related meaning. The concept of inversion also plays an important role in musical set theory. Intervals An interval is inverted by raising or lowering either of the notes by one or more octaves so that the positions of the notes reverse (i.e. the higher note becomes the lower note and vice versa). For example, the inversion of an interval consisting of a C with an E above it (the third measure below) is an E with a C above it – to work this out, the C may be moved up, the E may be lowered, or both may be moved. : The tables to the right show the changes in interval quality and interval number under inversion. Thus, perfect intervals remain perfect, major intervals become minor and vice versa, and augmented intervals become diminished and vice versa. (Doubly diminished intervals become doubly augmented ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Inverse Interval
In music theory, an inversion is a type of change to intervals, chords, voices (in counterpoint), and melodies. In each of these cases, "inversion" has a distinct but related meaning. The concept of inversion also plays an important role in musical set theory. Intervals An interval is inverted by raising or lowering either of the notes by one or more octaves so that the positions of the notes reverse (i.e. the higher note becomes the lower note and vice versa). For example, the inversion of an interval consisting of a C with an E above it (the third measure below) is an E with a C above it – to work this out, the C may be moved up, the E may be lowered, or both may be moved. : The tables to the right show the changes in interval quality and interval number under inversion. Thus, perfect intervals remain perfect, major intervals become minor and vice versa, and augmented intervals become diminished and vice versa. (Doubly diminished intervals become doubly augmented ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Perfect Fifth
In music theory, a perfect fifth is the Interval (music), musical interval corresponding to a pair of pitch (music), pitches with a frequency ratio of 3:2, or very nearly so. In classical music from Western culture, a fifth is the interval from the first to the last of five consecutive Musical note, notes in a diatonic scale. The perfect fifth (often abbreviated P5) spans seven semitones, while the Tritone, diminished fifth spans six and the augmented fifth spans eight semitones. For example, the interval from C to G is a perfect fifth, as the note G lies seven semitones above C. The perfect fifth may be derived from the Harmonic series (music), harmonic series as the interval between the second and third harmonics. In a diatonic scale, the dominant (music), dominant note is a perfect fifth above the tonic (music), tonic note. The perfect fifth is more consonance and dissonance, consonant, or stable, than any other interval except the unison and the octave. It occurs above the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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All-fifths Tuning
Among guitar tunings, all-fifths tuning refers to the set of tunings in which each interval between consecutive open strings is a perfect fifth. All-fifths tuning is also called fifths, perfect fifths, or mandoguitar. The conventional "standard tuning" consists of perfect fourths and a single major third between the ''g'' and ''b'' strings: :E-A-d-g-b-e' All-fifths tuning has the set of open strings :C-G-d-a-e'-b' or G'-D-A-e-b-f', which have intervals of 3 octaves minus a half-step between the lowest and highest string. The conventional tuning has an interval of 2 octaves between lowest and highest string. All-fifths tuning is a tuning in intervals of perfect fifths like that of a mandolin or a violin. It has a wide range. It was used by jazz guitarist Carl Kress in the form : B'-F-c-g-d'-a'. An approximation: new standard tuning All-fifths tuning has been approximated with tunings that avoid the high b' replacing it with a g' in the New Standard Tuning of King ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Allan Holdsworth
Allan Holdsworth (6 August 1946 – 15 April 2017) was a British jazz fusion and progressive rock guitarist and composer. Holdsworth was known for his esoteric and idiosyncratic usage of advanced music theory concepts, especially with respect to melody and harmony. His music incorporates a vast array of complex chord progressions, often using unusual chord shapes in an abstract way based on his understanding of "chord scales", and intricate improvised solos, frequently across shifting tonal centres. He used myriad scale forms often derived from those such as the Lydian, diminished, harmonic major, augmented, whole tone, chromatic and altered scales, among others, often resulting in an unpredictable and dissonant " outside" sound. His unique legato soloing technique stemmed from his original desire to play the saxophone. Unable to afford one, he strove to use the guitar to create similarly smooth lines of notes. He also became associated with playing an early form of gu ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bajo sexto
Bajo sexto (Spanish: "sixth bass") is a Mexican string instrument from the guitar family with 12 strings in six double courses. A closely related instrument is the bajo quinto (Spanish: "fifth bass") which has 10 strings in five double courses. In playing, the left hand holds the strings against frets on a fingerboard, while the right hand plucks or strums the strings. When played in older styles of music where the instrument assumes the role of a bass, the strings are usually plucked with the fingers. In modern chordal and melodic styles, a pick is frequently used. Origins and use The history of the bajo sexto is somewhat unclear. There are few written sources, and until very recently most music dictionaries and encyclopedias did not mention the instrument. A few contemporary researchers have been working from oral sources—living players and luthiers—to tracing the background of the instrument. They descend from the Spanish bandurrias and lutes that used double strings and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bass guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the guitar family. It is a plucked string instrument similar in appearance and construction to an electric or acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric bass guitars require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bass o ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Guitar Player
''Guitar Player'' is an American popular magazine for guitarists, founded in 1967 in San Jose, California. It contains articles, interviews, reviews and lessons of an eclectic collection of artists, genres and products. It has been in print since late 1967. The magazine is currently edited by Christopher Scapelliti. Contents A typical issue of ''Guitar Player'' includes in-depth artist features, extensive lessons, gear and music reviews, letters to the magazine, and various front-of-book articles. Guitar Player TV In May 2006, the Music Player Network partnered with TrueFire TV to launch an internet-based television station for guitarists. It provides content similar to that of the magazine such as interviews and lessons. Guitar Player TV is provided at no cost to the user because of advertising and sponsorship. |