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Alix Faviot
Alix Faviot, known under her stage name Mademoiselle Des Œillets (1620–1670), was a French stage actress.Scott, Virginia (2010). ''Women on the stage in early modern France : 1540-1750''. Cambridge: Cambridge University Press. . Life Her parents and background is unknown. She married Nicolas de Vis (or de Vin), sieur Des Œillets, sometime before 1637, when they became the parents of Claude de Vin des Œillets. It has been suggested by Jean Lemoine that she and her spouse were engaged at the Théâtre du Marais in the 1630s, but this has not been documented. She is likely to have been active as an actor in the provinces before coming to Paris. Career She was engaged at Théâtre du Marais in 1649–1662 and the Hôtel de Bourgogne (theatre) in 1662–1670. She is first documented in 1649 when she was described as a widow living in the rue Vieille-du-Temple in Paris near the Théâtre du Marais, were she is likely to have been employed at the time. She is clearly documented ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude De Vin Des Œillets
Claude de Vin des Œillets, known as Mademoiselle des Œillets (; Provence 1637 – Paris, 18 May 1687), was a mistress of King Louis XIV of France and the companion of the official royal mistress and favourite Madame de Montespan. She was known for her involvement in the famous Affair of the Poisons (1679–1680). Daughter of the actors Nicolas de Vin and Louise Faviot. She became the trusted lady's companion of Montespan before 1669. During the Affair of the Poisons, she was said to have made more than fifty visits to the poisoners. she was pointed out as the replacement of Montespan in the black masses. She was protected from any persecution by the monarch and Colbert, but the affair implicated Montespan and ruined the latter's relationship with the king. Œillets retired from court in 1678 to a comfortable life in her Paris residence and country estate until her death. # She had a child by the king, Louise de Maisonblanche Louise de Maisonblanche (17 June 1676 – 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Marais
The Théâtre du Marais has been the name of several theatres and theatrical troupes in Paris, France. The original and most famous theatre of the name operated in the 17th century. The name was briefly revived for a revolutionary theatre in 1791, and revived again in 1976. The present-day Théâtre du Marais operates at 37, rue Volta in the 3rd arrondissement of Paris. First incarnation (1634–1673) The Théâtre du Marais was founded in 1634, at which time there had been only one theatre company in Paris, the '' comédiens du Roi'' ("comedians of the King"), at the Hôtel de Bourgogne. The actors Charles Lenoir and Montdory decided to create their own troupe, and situated it in the fashionable Le Marais district of Paris, where they converted the Jeu de Paume des "Maretz", an unused tennis court on the Vieille Rue du Temple opposite the Capuchins, into a theatre.Scott 2000, p. 40. The new theatre's repertory was made up mainly of farces by Jodelet and works by Pierre Corn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hôtel De Bourgogne (theatre)
Hôtel de Bourgogne was a theatre, built in 1548 for the first authorized theatre troupe in Paris, the Confrérie de la Passion. It was located on the rue Mauconseil (now the rue Étienne Marcel in the 2nd arrondissement of Paris), on a site that had been part of the residence of the Dukes of Burgundy (the former Hôtel de Bourgogne). The most important French theatre until the 1630s, it continued to be used until 1783,Forman 2010, p. 134 ("Hôtel de Bourgogne"). after which it was converted to a leather market and eventually totally demolished. The Confrérie performed farce and secular dramas, but lacking great success, began renting the theatre to itinerant acting companies, including Italian ''commedia dell'arte'' troupes, who introduced the characters Harlequin and Pantalone, as well as burlesque. In 1628, a French company, the Comédiens du Roi, became permanently established and performed many of the classics of French theatre, including ''Andromaque'' and ''Phèdre'' by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Corneille
Pierre Corneille (; 6 June 1606 – 1 October 1684) was a French tragedian. He is generally considered one of the three great seventeenth-century French dramatists, along with Molière and Racine. As a young man, he earned the valuable patronage of Cardinal Richelieu, who was trying to promote classical tragedy along formal lines, but later quarrelled with him, especially over his best-known play, ''Le Cid'', about a medieval Spanish warrior, which was denounced by the newly formed ''Académie française'' for breaching the unities. He continued to write well-received tragedies for nearly forty years. Biography Early years Corneille was born in Rouen, Normandy, France, to Marthe Le Pesant and Pierre Corneille, a distinguished lawyer. His younger brother, Thomas Corneille, also became a noted playwright. He was given a rigorous Jesuit education at the ''Collège de Bourbon'' (Lycée Pierre-Corneille since 1873), where acting on the stage was part of the training. At 18 he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeanne Auzoult
Jeanne Auzoult, stage name Mademoiselle Baron (1625–1662), was a French stage actress. She was the daughter of actors Jean Auzoult and Jeanne de Creve, and married André Boiron (d. 1655) in 1641. She was the mother of the famous actor Michel Baron. She was engaged in the Grands Comediens ( Comédiens du Roi) at the Hôtel de Bourgogne in 1641–1662. During her career, she was a successful, well known and popular actor, though her popularity has been attributed to her beauty rather than to her artistic abilities. According to Tallemant, Mlle Baron was "very pretty, not a marvelous actress, but a success thanks to her beauty". She was described as "an outstanding interpreter of boys' parts", and was admired by Pierre Corneille Pierre Corneille (; 6 June 1606 – 1 October 1684) was a French tragedian. He is generally considered one of the three great seventeenth-century French dramatists, along with Molière and Racine. As a young man, he earned the valuable patronag .. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corneille
Pierre Corneille (; 6 June 1606 – 1 October 1684) was a French tragedian. He is generally considered one of the three great seventeenth-century French dramatists, along with Molière and Racine. As a young man, he earned the valuable patronage of Cardinal Richelieu, who was trying to promote classical tragedy along formal lines, but later quarrelled with him, especially over his best-known play, ''Le Cid'', about a medieval Spanish warrior, which was denounced by the newly formed ''Académie française'' for breaching the unities. He continued to write well-received tragedies for nearly forty years. Biography Early years Corneille was born in Rouen, Normandy, France, to Marthe Le Pesant and Pierre Corneille, a distinguished lawyer. His younger brother, Thomas Corneille, also became a noted playwright. He was given a rigorous Jesuit education at the ''Collège de Bourbon'' (Lycée Pierre-Corneille since 1873), where acting on the stage was part of the training. At 18 he be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Racine
Jean-Baptiste Racine ( , ) (; 22 December 163921 April 1699) was a French dramatist, one of the three great playwrights of 17th-century France, along with Molière and Corneille as well as an important literary figure in the Western tradition and world literature. Racine was primarily a tragedian, producing such "examples of neoclassical perfection" as ''Phèdre'', ''Andromaque'', and ''Athalie''. He did write one comedy, '' Les Plaideurs'', and a muted tragedy, ''Esther'' for the young. Racine's plays displayed his mastery of the dodecasyllabic (12 syllable) French alexandrine. His writing is renowned for its elegance, purity, speed, and fury, and for what American poet Robert Lowell described as a "diamond-edge", and the "glory of its hard, electric rage". Racine's dramaturgy is marked by his psychological insight, the prevailing passion of his characters, and the nakedness of both plot and stage. Biography Racine was born on 21 December 1639 in La Ferté-Milon (Aisne), i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Racine
Jean-Baptiste Racine ( , ) (; 22 December 163921 April 1699) was a French dramatist, one of the three great playwrights of 17th-century France, along with Molière and Corneille as well as an important literary figure in the Western tradition and world literature. Racine was primarily a tragedian, producing such "examples of neoclassical perfection" as ''Phèdre'', ''Andromaque'', and ''Athalie''. He did write one comedy, '' Les Plaideurs'', and a muted tragedy, ''Esther'' for the young. Racine's plays displayed his mastery of the dodecasyllabic (12 syllable) French alexandrine. His writing is renowned for its elegance, purity, speed, and fury, and for what American poet Robert Lowell described as a "diamond-edge", and the "glory of its hard, electric rage". Racine's dramaturgy is marked by his psychological insight, the prevailing passion of his characters, and the nakedness of both plot and stage. Biography Racine was born on 21 December 1639 in La Ferté-Milon ( Aisne) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mlle Du Parc
Mademoiselle () is a French courtesy title, abbreviated Mlle, traditionally given to an unmarried woman. The equivalent in English is "Miss". The courtesy title "Madame" is accorded women where their marital status is unknown. From around 1970 onwards, the use of the title "Mademoiselle" was challenged in France, particularly by feminist groups who wanted it banned. A circular from François Fillon, then Prime Minister, dated 21 February 2012, called for the deletion of the word "Mademoiselle" in all official documents. On 26 December 2012, the Council of State approved the deletion. See also *Fräulein ''Fräulein'' ( , ) is the German language honorific for unmarried women, comparable to Miss in English and Mademoiselle in French. Description ''Fräulein'' is the diminutive form of ''Frau'', which was previously reserved only for marrie ..., a similar German term References French words and phrases Women's social titles Honorifics {{France-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mademoiselle Molière
Mademoiselle (abbreviated as ''Mlle'' or ''M'') may refer to: * Mademoiselle (title), the French-language equivalent of the title "miss" Film and television * ''Mademoiselle'' (1966 film), a French-British drama directed by Tony Richardson * ''Mademoiselle'' (2001 film), a French comedy directed by Philippe Lioret * Mlle (TV channel), now MOI ET CIE, a Canadian French-language channel Music * "Mademoiselle" (song), by Styx, 1976 * "Mademoiselle", a song by Murray Head from '' Between Us'', 1979 * "Mademoiselle", a song by Eddy Howard, 1952 Other uses * Mademoiselle, a typeface designed by Tommy Thompson * ''Mademoiselle'' (magazine), a defunct American women's magazine See also * * *Damsel (other) *Demoiselle (other) *Fräulein ''Fräulein'' ( , ) is the German language honorific for unmarried women, comparable to Miss in English and Mademoiselle in French. Description ''Fräulein'' is the diminutive form of ''Frau'', which was previously reser ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mlle Champmesle
Mademoiselle () is a French courtesy title, abbreviated Mlle, traditionally given to an unmarried woman. The equivalent in English is "Miss". The courtesy title "Madame" is accorded women where their marital status is unknown. From around 1970 onwards, the use of the title "Mademoiselle" was challenged in France, particularly by feminist groups who wanted it banned. A circular from François Fillon, then Prime Minister, dated 21 February 2012, called for the deletion of the word "Mademoiselle" in all official documents. On 26 December 2012, the Council of State approved the deletion. See also *Fräulein ''Fräulein'' ( , ) is the German language honorific for unmarried women, comparable to Miss in English and Mademoiselle in French. Description ''Fräulein'' is the diminutive form of ''Frau'', which was previously reserved only for marrie ..., a similar German term References French words and phrases Women's social titles Honorifics {{France-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
