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Alive Alive-O
''Alive Alive-O'' is a double album by the Irish Folk Group The Dubliners which was recorded live throughout several Evenings in December 1996 in Germany at the end of their European tour. After the departure of Ronnie Drew, The Dubliners were joined by the famous Irish singer Paddy Reilly who lends his voice to several ballads on the album. John Sheahan's daughter Ceoladh guests with her father, duetting on fiddle with him on his composition, "Among Friends". The album is notable for some mixed German-English song introductions by Sean Cannon, causing widespread laughter among the audience. Track listing Disc One # "Fairmoye Lassies and Sporting Paddy" # "The Banks of the Roses" # "The Black Velvet Band" # " The Foggy Dew" # "The Town I Loved So Well" # "The Showman's Fancy/The Wonder Hornpipe/The Swallow's Tail" # "The Sick Note" # "The Manchester Rambler" # "Job of Journeywork/The Cork Hornpipe" # "The Maid Behind the Bar/The Boyne Hunt/The Shaskeen Reel/The Mason's Apron" Di ...
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The Dubliners
The Dubliners were an Folk music of Ireland, Irish folk band founded in Dublin in 1962 as The Ronnie Drew Ballad Group, named after its founding member; they subsequently renamed themselves The Dubliners. The line-up saw many changes in personnel over their fifty-year career, but the group's success was centred on lead singers Luke Kelly and Ronnie Drew. The band garnered international success with their lively Irish folk songs, traditional street ballads and instrumentals. The band were regulars on the folk scenes in both Dublin and London in the early 1960s, and were signed to the Major Minor Records, Major Minor label in 1965 after backing from Dominic Behan who was paid by Major-Minor to work with the Dubliners and help them to build a better act fit for larger concert hall venues. The Dubliners worked with Behan regularly between 1965 and 1966; Behan wrote numerous songs for this act including the song McAlpine's Fusiliers created specifically to showcase Ronnie Drew's grave ...
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The Town I Loved So Well
"The Town I Loved So Well" is a song written by Phil Coulter about his childhood in Derry, Northern Ireland. The first three verses are about the simple lifestyle he grew up with in Derry, while the final two deal with the Troubles, and lament how his placid hometown had become a major military outpost, plagued with violence. The final verse includes a message of hope for a "bright, brand new day", saying "They will not forget but their hearts are set / on tomorrow and peace once again". Stuart Bailie has described the song as one of the few "nuanced" songs during the Troubles that both Unionists and Republicans could sing. Background While Phil Coulter had written several Top 10 pop songs in the late 1960s (including Eurovision entries '' Puppet on a String'' and ''Congratulations''), collaborations as a producer with The Dubliners and Luke Kelly, led to him writing a number of folk songs with more "grown-up" themes including those with a political aspect. Kelly had encourage ...
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Barney McKenna
Bernard Noël "Banjo Barney" McKenna (16 December 1939 – 5 April 2012) was an Irish musician and a founding member of The Dubliners. He played the tenor banjo, violin, mandolin, and melodeon. He was most renowned as a banjo player. Biography Born in Donnycarney, Dublin, McKenna played the banjo from an early age, beginning because he could not afford to buy the instrument of his choice, a mandolin. He was a member of The Dubliners from 1962 and was the only living member of the original (1962) formation at the time of his death. Prior to joining the Dubliners, he had spent a few months in The Chieftains. In addition to his work on traditional Irish music, he also played jazz on occasion. Artistic performance Barney used GDAE tuning on a 19-fret tenor banjo, an octave below fiddle/mandolin and, according to musician Mick Moloney, was single-handedly responsible for making the GDAE-tuned tenor banjo the standard banjo in Irish music. Barney remained a great favourite with li ...
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Seán Cannon
Seán Cannon (born 29 November 1940 in Galway) is an Irish musician. Since 1982 he has been a guitarist for The Dubliners and their follow-up-band The Dublin Legends. Early life Seán Cannon was born in Galway, Ireland. He travelled around Europe at an early age, rambling in England, Germany, Switzerland and Spain. It was during these trips that Cannon learned to speak several languages. He moved to England and became a renowned solo artist, playing in almost every folk club in Britain. Family Cannon married Pamela Blick and has two sons, James and Robert Cannon. They later divorced. Seán Cannon lives in Coventry, United Kingdom. His father, Jim Cannon, was born in Donegal, but moved to Galway City and married Kathleen Byrne, who came from Ballinue, Aughrim, Co Galway. Family still living in Ireland: cousin Martin Byrne, living in Banagher Co Offaly, Seamus Byrne Florencecourt Enniskillen Co Fermanagh, cousin Tom Forde living in Ballinasloe, Co Galway. Career By 1969, Cannon ha ...
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Eamonn Campbell
Eamonn Campbell (29 November 1946 – 18 October 2017) was an Irish musician who was a member of The Dubliners from 1987 until his death. He was also in the Dubliners when they recorded their 25th anniversary show on '' The Late Late Show'' hosted by Gay Byrne. He is known as a guitarist and has a rough voice similar to the late Dubliner founding member Ronnie Drew. He toured with three other ex-Dubliners as "The Dublin Legends", now that the group name has been retired with the death of Barney McKenna. Campbell was originally from Drogheda in County Louth, but latterly lived in Walkinstown, a suburb of Dublin. It was his suggestion that the Dubliners work with London-based Irish band The Pogues in the mid-1980s, thus giving them their second biggest UK hit to date ("The Irish Rover"); their biggest hit was Seven Drunken Nights which reached number 7 in the charts in 1967. and an appearance on ''Top of the Pops''. He produced all of the Dubliners' albums from 1987 onwards, a ...
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Francis O'Neill
Francis O'Neill (August 28, 1848 – January 26, 1936) was an Irish-born American police officer and collector of Irish traditional music. His biographer Nicholas Carolan referred to him as "the greatest individual influence on the evolution of Irish traditional dance music in the twentieth century". Life O'Neill was born in Tralibane (also Trawlebane), near Bantry, County Cork. At an early age he heard the music of local musicians, among them Peter Hagarty, Cormac Murphy and Timothy Dowling. At the age of 16, he became a cabin boy on an English merchant vessel and remained a seaman until 1869. On a voyage to New York, he met Anna Rogers, a young emigrant whom he later married in Bloomington, Illinois. The O'Neills moved to Chicago, and in 1873 O'Neill became a Chicago policeman. He rose through the ranks quickly, eventually succeeding Joseph Kipley as the Chief of Police from 1901 to 1905.To Serve and Collect, Richard Lindberg accessed 2 November 2018 He had the rare distinc ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Molly Malone
"Molly Malone" (also known as "Cockles and Mussels" or "In Dublin's Fair City") is a traditional song set in Dublin, Ireland, which has become its unofficial anthem. A statue representing Molly Malone was unveiled on Grafton Street by then Lord Mayor of Dublin, Ben Briscoe, during the 1988 Dublin Millennium celebrations, when 13 June was declared to be Molly Malone Day. In July 2014, the statue was relocated to Suffolk Street, in front of the Tourist Information Office, to make way for Luas track-laying work at the old location. History The song tells the fictional tale of a fishwife who plied her trade on the streets of Dublin and died young, of a fever. In the late 20th century, a legend grew up that there was a historical Molly, who lived in the 17th century. She is typically represented as a hawker by day and a part-time prostitute by night.Siobhán Marie Kilfeather, ''Dublin: a cultural history'', Oxford University Press US, 2005, p. 6. In contrast, she has also been port ...
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The Wild Rover
"The Wild Rover" (Roud 1173) is a very popular and well-travelled folk song. Many territories have laid claim to have the original version. History In 2015 the English Folk Song and Dance periodical "Folk Music Journal" vol 10 No 5 had an article by Brian Peters. He claims that the origin of the song was a seventeenth century English Broadside written by Thomas Lanfiere. This evolved into several distinct versions. They have been found in England, Scotland, Ireland and North America. Shortly afterwards it became popular in Australia. The song tells the story of a young man who has been away from his hometown for many years. When he returns to his former alehouse, the landlady refuses him credit, until he presents the gold which he has gained while he has been away. He sings of how his days of roving are over and he intends to return to his home and settle down. Other overview or significant versions According to Professor T. M. Devine in his book ''The Scottish Nation 1700 ...
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Whiskey In The Jar
"Whiskey in the Jar" ( Roud 533) is an Irish traditional song set in the southern mountains of Ireland, often with specific mention of counties Cork and Kerry. The song, about a rapparee ( highwayman) who is betrayed by his wife or lover, is one of the most widely performed traditional Irish songs and has been recorded by numerous artists since the 1950s. The song first gained wide exposure when Irish folk band The Dubliners performed it internationally as a signature song, and recorded it on three albums in the 1960s. In the U.S., the song was popularised by The Highwaymen, who recorded it on their 1962 album ''Encore''. Irish rock band Thin Lizzy hit the Irish and British pop charts with the song in 1973. In 1990, The Dubliners re-recorded the song with The Pogues with a faster rocky version charting at No. 63 in the UK. American metal band Metallica in 1998 played a version very similar to that of Thin Lizzy's, though with a heavier sound, winning a Grammy for the song in ...
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Dirty Old Town
"Dirty Old Town" is a song written by Ewan MacColl in 1949 that was made popular by The Dubliners and The Pogues. History The song was written about Salford, Lancashire, England, the city where MacColl was born and brought up. It was originally composed for an interlude to cover an awkward scene change in his 1949 play ''Landscape with Chimneys'', set in a North of England industrial town, but with the growing popularity of folk music the song became a standard. The first verse refers to the gasworks croft, which was a piece of open land adjacent to the gasworks, and then speaks of the old canal, which was the Manchester, Bolton & Bury Canal. The line in the original version about smelling a spring on “the Salford wind” is sometimes sung as “the sulphured wind”. But in any case, most singers tend to drop the Salford reference altogether, in favour of calling the wind “smoky”. The Pogues The Pogues were an English or Anglo-Irish Celtic punk band fronted b ...
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South Australia (song)
"South Australia" (Roud # 325) is a sea shanty, also known under such titles as "Rolling King" and "Bound for South Australia". As an original worksong it was sung in a variety of trades, including being used by the wool and later the wheat traders who worked the clipper ships between Australian ports and London. In adapted form, it is now a very popular song among folk music performers that is recorded by many artists and is present in many of today's song books. History as a shanty Information on the age, spread, and practical use of the shanty is relatively sparse. However, the evidence at hand does not suggest there is anything particularly or locally "Australian" about the song, contrary to how it has become popularly envisioned since the late 20th century. It was first noted by sea music author L.A. Smith, who collected it "from a coloured seaman at the ailors''Home'" in London and published it in her 1888 collection, ''The Music of the Waters''.Smith, Laura Alexandri ...
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