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Aline, Reine De Golconde
''Aline, reine de Golconde'' (‘Aline, Queen of Golconda’) is an opera (ballet-héroïque) in three acts by Pierre-Alexandre Monsigny to a libretto by Michel-Jean Sedaine based on a story by Stanislas-Jean de Boufflers. It was first performed in the Salle des Machines in Paris on 15 April 1766. Action The action takes place in India, where queen Aline recognises the newly arrived ambassador Saint Phar as her long lost lover from a time when she was a mere peasant girl. She disguises herself as a shepherdess and meets Saint Phar before leaving him again to test his love. Resuming her role as queen, she offers herself in marriage to Saint Phar, who declines because he loves the shepherdess. The true identity of the shepherdess is then revealed, and the lovers reunited. Reception Although Monsigny had previously written light operas, ''Aline'' was his first and only grand opera. The ''Journal historique'' gave the work a damning review, saying that Sédaine's libretto lacked th ...
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Frontispiece Of ‘ Aline, Reine De Golconde’
Frontispiece may refer to: * Book frontispiece, a decorative illustration facing a book's title page * Frontispiece (architecture) In architecture, the term frontispiece is used to describe the principal face of the building, usually referring to a combination of elements that frame and decorate the main or front entrance of a building. The earliest and most notable variation ...
, the combination of elements that frame and decorate the main, or front, door to a building {{disambig ...
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Johann Abraham Peter Schulz
Johann Abraham Peter Schulz (31 March 1747, Lüneburg – 10 June 1800, Schwedt) was a German musician. He is best known as the composer of the melody for Matthias Claudius's poems "Der Mond ist aufgegangen" and " Wir pflügen und wir streuen", and the Christmas carol "Ihr Kinderlein kommet". Life Schulz attended St. Michaelis school in Lüneburg from 1757 to 1759 and then the Johanneum there from 1759 to 1764. In 1765, he was the student in Berlin of composer Johann Kirnberger, and then taught in Berlin himself. In 1768 Kirnberger recommended Schulz for the position of music teacher and accompanist to the Polish Princess Sapieha Woiwodin von Smolensk. Schulz traveled with her for 3 years throughout Europe, where he came into contact with many new musical ideas. He served as the conductor of the French Theatre in Berlin from 1776 to 1780 and from 1780 to 1787 he was the '' Kapellmeister'' of Prince Henry in Rheinsberg. Schulz then went on to serve as Court ''Kapellmeister'' i ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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1766 Operas
Events January–March * January 1 – Charles Edward Stuart ("Bonnie Prince Charlie") becomes the new Stuart claimant to the throne of Great Britain, as King Charles III, and figurehead for Jacobitism. * January 14 – Christian VII becomes King of Denmark. * January 20 – Outside of the walls of the Thailand capital of Ayutthaya, tens of thousands of invaders from Burma (under the command of General Ne Myo Thihapate and General Maha Nawatra) are confronted by Thai defenders led by General Phya Taksin. The defenders are overwhelmed and the survivors take refuge inside Ayutthaya. The siege continues for 15 months before the Burmese attackers collapse the walls by digging tunnels and setting fire to debris. The city falls on April 9, 1767, and King Ekkathat is killed. * February 5 – An observer in Wilmington, North Carolina reports to the Edinburgh newspaper ''Caledonian Mercury'' that three ships have been seized by British men-of-war, on the ...
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French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ...
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Operas By Pierre-Alexandre Monsigny
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Alina, Regina Di Golconda
''Alina, regina di Golconda'' (''Alina, Queen of Golconda'') is an opera in two acts by Gaetano Donizetti. The Italian libretto was written by Felice Romani after Michel-Jean Sedaine's French libretto for Pierre-Alexandre Monsigny's ballet-heroique ''Aline, reine de Golconde'' (Paris Opera, 1766), in its turn based on the novel by Stanislas de Boufflers. The opera was commissioned for the opening festivities of the Teatro Carlo Felice, Genoa, where it premiered with success on 12 May 1828. Soon after, a revised version debuted at the Teatro Valle, Rome on 10 October 1829. Roles Synopsis :Time: "The mythical past"Osborne 1994, p. 177 :Place: India Act 1 Alina, a humble country girl, has been captured by pirates and taken to the kingdom of Golconda, where the elderly king falls in love with her, marries her, and shortly dies, leaving Alina a widow and queen. Her subjects urge her to choose another husband, and the noble and handsome Seide emerges as leading candidate. Al ...
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Gaetano Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the '' bel canto'' opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy ''Il Pigmalione'', which may never have been performed during his lifetime. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there until productio ...
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Henri-Montan Berton
Henri-Montan Berton (17 September 1767 – 22 April 1844) was a French composer, teacher, and writer, mostly known as a composer of operas for the Opéra-Comique. Career Henri-Montan Berton was born the son of Pierre Montan Berton.Charlton 2001."Henri-Montan Berton" in Sadie 1992, vol. 1, pp. 453–455. He is principally remembered as a composer of operas, most of which were first performed at the Opéra-Comique. Riding a wave of anti-clericalism which arose at the time of the French Revolution, his first real success was with ''Les rigueurs du cloître'' (23 August 1790), "in which a young nun is saved from entombment at the hands of a corrupt mother superior." The work has been described as the first rescue opera. Later more notable operas include ''Montano et Stéphanie'' (15 April 1799), ''Le délire'' (7 December 1799), and ''La Romance'' (26 January 1804). One of his greatest early successes was ''Aline, reine de Golconde'' (3 September 1803), which was performed in ...
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Original Cast Of ‘ Aline, Reine De Golconde’
Originality is the aspect of created or invented works that distinguish them from reproductions, clones, forgeries, or substantially derivative works. The modern idea of originality is according to some scholars tied to Romanticism, by a notion that is often called romantic originality.Smith (1924)Waterhouse (1926)Macfarlane (2007) The validity of "originality" as an operational concept has been questioned. For example, there is no clear boundary between "derivative" and "inspired by" or "in the tradition of." The concept of originality is both culturally and historically contingent. For example, unattributed reiteration of a published text in one culture might be considered plagiarism but in another culture might be regarded as a convention of veneration. At the time of Shakespeare, it was more common to appreciate the similarity with an admired classical work, and Shakespeare himself avoided "unnecessary invention".Royal Shakespeare Company (2007) ''The RSC Shakespeare - Wil ...
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