''Aline, reine de Golconde'' (‘Aline, Queen of Golconda’) is an opera (ballet-héroïque) in three acts by
Pierre-Alexandre Monsigny
Pierre-Alexandre Monsigny ( – ) was a French composer and a member of the French Académie des Beaux-Arts (1813).
He is considered alongside André Grétry and François-André Danican Philidor to have been the founder of a new musical gen ...
to a libretto by
Michel-Jean Sedaine
Michel-Jean Sedaine (2 June 1719 – 17 May 1797) was a French dramatist and librettist, especially noted for his librettos for '' opéras comiques'', in which he took an important and influential role in the advancement of the genre from th ...
based on a story by
Stanislas-Jean de Boufflers. It was first performed in the
Salle des Machines
Salle is the French word for 'hall', 'room' or 'auditorium', as in:
*Salle des Concerts Herz, a former Paris concert hall
*Salle Favart, theatre of the Paris Opéra-Comique
*Salle Le Peletier, former home of the Paris Opéra
*Salle Pleyel, a Paris ...
in Paris on 15 April 1766.
Action
The action takes place in India, where queen Aline recognises the newly arrived ambassador Saint Phar as her long lost lover from a time when she was a mere peasant girl. She disguises herself as a shepherdess and meets Saint Phar before leaving him again to test his love. Resuming her role as queen, she offers herself in marriage to Saint Phar, who declines because he loves the shepherdess. The true identity of the shepherdess is then revealed, and the lovers reunited.
Reception
Although Monsigny had previously written light operas, ''Aline'' was his first and only grand opera. The ''Journal historique'' gave the work a damning review, saying that Sédaine's libretto lacked the gaiety of the original work and turned it into a dreary and trivial pastoral, while Montigny's music destroyed the prosody of the verse and merely enhanced its dullness.
Nevertheless, the work was popular and a revised version was staged in Paris in 1779. ''L'esprit des journaux, francais et etrangers'' commented that the first version had been updated in the light of changes to public taste and the styles made popular by
Christoph Willibald Gluck. The music was full of pleasant tunes, but the
recitatives
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat ...
, now all accompanied rather than “secco” as before, were too heavy for a pastoral and the public felt that the dances were too long.
Monsigny's later work ''
Le déserteur'' (1769) was enormously popular and rapidly eclipsed ''Aline'', which did not remain in the repertoire of the Opéra-Comique.
The opera was translated and performed in many European cities: Brussels (1774); Liège (1783); Berlin (German translation by
FLW Meyer (de) 1782); London (Italian translation by A. Andrei, 1784); and Moscow (Russian translation, 1793). A parody appeared in 1768 under the title ''Nanine, Sœur de lait de la reine de Golconde''.
Later works
In 1787,
Johann Abraham Peter Schulz
Johann Abraham Peter Schulz (31 March 1747, Lüneburg – 10 June 1800, Schwedt) was a German musician. He is best known as the composer of the melody for Matthias Claudius's poems "Der Mond ist aufgegangen" and " Wir pflügen und wir streuen", ...
composed new music to a translated version of the French libretto. In 1803 a different work with the same name premiered at the Opéra-Comique in Paris, with a libretto by Jean-Baptiste-Charles Vial and Etienne Guillaume François de Favières and music by
Henri-Montan Berton
Henri-Montan Berton (17 September 1767 – 22 April 1844) was a French composer, teacher, and writer, mostly known as a composer of operas for the Opéra-Comique.
Career
Henri-Montan Berton was born the son of Pierre Montan Berton.Charlton ...
.
Gaetano Donizetti wrote his opera ''
Alina, regina di Golconda'' on the same theme, using an Italian translation of the same libretto.
References
External links
digital copy of scoredigital copy of librettodigital copies of costume designs for the first production
{{Authority control
Operas by Pierre-Alexandre Monsigny
French-language operas
1766 operas
Operas
Operas set in India
Opéras-ballets