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Ali Jackson (jazz Drummer)
Ali Jackson Jr. (born April 3, 1976) is an American drummer, musician, composer, arranger, educator, and percussionist. Son of Ali Jackson (jazz bassist). Ali Jr. started playing drums at the age of 2. Ali’s natural ability and passion for music bloomed and by the age of 11 his aptitude flourished as a result of a steady stream of lessons and mentoring from an all-star lineup of music legends, including Max Roach, Milt Hinton, Dr. Donald Byrd, Betty Carter, Aretha Franklin and James Mtume. During one lesson when he was 12, Ali met Wynton Marsalis and impressed the trumpet virtuoso and future collaborator with his maturity and his advanced knowledge of the piano and music theory — skills rare among drummers. Ali graduated as a music major with high honors from Detroit’s prestigious Cass Technical High School, a program with a rich legacy of consistently producing the country’s top musicians. As a student at the New School University for Contemporary Music in New York C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz At Lincoln Center
Jazz at Lincoln Center is part of Lincoln Center in New York City. The organization was founded in 1987 and opened at Time Warner Center in October 2004. Wynton Marsalis is the artistic director and the leader of the Jazz at Lincoln Center Orchestra. The center hosts performances by the orchestra and by visiting musicians. Many concerts are streamed live on the center's YouTube channel. The center also presents educational programs in its home buildings, online, and in schools throughout the country. History In 1987, trumpeter Wynton Marsalis was involved in starting the Classical Jazz concert series, the first series of jazz concerts at Lincoln Center. In 1996, the Jazz at Lincoln Center organization became a constituent of Lincoln Center next to organizations such as the New York Philharmonic and the Metropolitan Opera. The budget for Jazz at Lincoln Center was $4 million in 1996, compared to $150 million for the Metropolitan Opera. In 2016, its budget was over $50 million. W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New School University For Contemporary Music
New is an adjective referring to something recently made, discovered, or created. New or NEW may refer to: Music * New, singer of K-pop group The Boyz Albums and EPs * ''New'' (album), by Paul McCartney, 2013 * ''New'' (EP), by Regurgitator, 1995 Songs * "New" (Daya song), 2017 * "New" (Paul McCartney song), 2013 * "New" (No Doubt song), 1999 *"new", by Loona from '' Yves'', 2017 *"The New", by Interpol from '' Turn On the Bright Lights'', 2002 Acronyms * Net economic welfare, a proposed macroeconomic indicator * Net explosive weight, also known as net explosive quantity * Network of enlightened Women, a conservative university women's organization * Next Entertainment World, a South Korean film distribution company Identification codes * Nepal Bhasa language ISO 639 language code * New Century Financial Corporation (NYSE stock abbreviation) * Northeast Wrestling, a professional wrestling promotion in the northeastern United States Transport * New Orleans Lakefront Ai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reflections In Change
''Reflections in Change'' is the third album led by saxophonist Craig Handy which was recorded in 1999 and released on the Sirrocco Music label. Reception The AllMusic review by Scott Yanow said "A fine hard bop tenor saxophonist, Craig Handy performs four of his originals, four by drummer Ali Jackson, and Charles Mingus' "Eclipse." ... The leader plays some particularly rewarding soprano and his program is well-paced with plenty of variety, swinging in a modern fashion with just enough unpredictability to keep one guessing". On All About Jazz, Robert Dugan stated "Handy is fully in charge of an excellent quartet ... the bulk of ''Reflections In Change'' showcases Handy's capacious blowing, and he sounds relaxed, unfettered and elated"Dugan, RCraig Handy: The Busiest Man in Jazz accessed May 14, 2018 Track listing All compositions by Craig Handy except where noted # "Turnerland" (Ali Jackson) – 5:12 # "Snowqualmie" (Jackson) – 6:16 # "Waiting for Your Call" – 5:28 # "Eclips ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Craig Handy
Craig Mitchell Handy (born September 25, 1962) is an American tenor saxophonist. Born in Oakland, California, he attended North Texas State University from 1981 to 1984, and following this played with Art Blakey, Wynton Marsalis, Roy Haynes, Abdullah Ibrahim, Elvin Jones, Joe Henderson, Betty Carter, George Adams, Ray Drummond, Conrad Herwig, Dee Dee Bridgewater, and David Weiss among many others. He is a member of the Mingus Big Band, Mingus Dynasty, and Mingus Orchestra. Handy plays the role of Coleman Hawkins in the 1996 film '' Kansas City'' . He is credited for performing the ''Cosby Show'' season 6 theme. Discography As leader As sideman With Cecil Brooks III *''Hangin' with Smooth'' (Muse, 1990) With George Cables *'' The George Cables Songbook'' (HighNote, 2016) With Betty Carter *''Droppin' Things'' (Verve, 1990) With The Cookers *''Warriors'' ( Jazz Legacy Productions, 2010) *'' Cast the First Stone'' ( Plus Loin, 2011) *'' Believe'' (Motema Music, 2012) With ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sunnyside Records
Sunnyside Records is an American jazz record company and label established by François Zalacain in 1982 initially to release an album by pianist Harold Danko. Albums by Kirk Lightsey and Lee Konitz soon followed beginning a sequence of releases covering a cross-section of jazz, blues classical and world musics.Sunnyside Records: About Us accessed December 13, 2019 Discography 1000 Series {, class="wikitable sortable" , - ! Catalog No. ! Album ! Artist ! Details , - , SSC1001 , ''Mirth Song'' , , , - , SSC1002 , ''Lightsey 1'' , , , - , SSC1003 , ''Dovetail (album), Dovetail'' , ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Omer Avital
Omer Avital (born May 13, 1971, Givatayim, Israel) is an Israeli-American jazz bassist, composer and bandleader. Early life Avital was born in the town of Givatayim to Moroccan and Yemeni parents. At age 11, he began his formal training, studying classical guitar at the Givatayim Conservatory. Upon entering Thelma Yellin, Israel's leading high school for the arts, Avital switched to acoustic bass and began studying and arranging jazz. When he was 17, Avital began playing professionally in jazz, pop, and folk music bands, as well as performing regularly on national television, radio, and in jazz festivals. He spent a year in the Israeli Army Orchestra and then moved to New York in 1992 where he began playing, recording, and touring professionally. Career After arriving in New York in 1992, Avital began playing in groups with Roy Haynes, Jimmy Cobb, Nat Adderley, Walter Bishop, Jr., Al Foster, Kenny Garrett, Steve Grossman, Jimmy Lovelace, and Rashied Ali. In 1994, he bega ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aaron Goldberg
Aaron Goldberg (born April 30, 1974), is an American jazz pianist. Described by ''The New York Times'' as a "post-bop pianist of exemplary taste and range," Goldberg has released five albums as a solo artist and has performed and collaborated with Joshua Redman, Wynton Marsalis, Kurt Rosenwinkel, and Guillermo Klein, among others. Early life and education Aaron Goldberg was born in Boston to Alfred L. Goldberg, a biochemist, and Joan Helpern Goldberg, a hematologist, and has one younger sister, Julie Goldberg. He began taking piano lessons at 7, and started playing jazz when he was 14. As a high school student at Milton Academy, Goldberg was introduced to improvisation by Bob Sinicrope, the founder of Milton's Jazz Program, and at 16 studied with saxophonist Jerry Bergonzi. Goldberg moved to New York City at 17 to attend the New School for Jazz and Contemporary Music, and devoted his off-hours to practicing the piano and performing in New York clubs. Due in part to his paren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reginald Veal
Reginald Veal (born November 5, 1963) is an American jazz bassist and multi-instrumentalist from New Orleans, Louisiana. Veal grew up in New Orleans where he began piano lessons at a very early age. After receiving a bass guitar as a gift from his father at the age of eight, Veal went on to later join his father's gospel group as the bassist. Veal studied with the legendary New Orleans bassist Walter Payton. He attended Southern University, studying bass trombone with the clarinetist Alvin Batiste. Veal was a touring bassist with pianist and teacher Ellis Marsalis from 1985 to 1989, and during this time he also worked with Pharoah Sanders, Elvin Jones, Charlie Rouse, Hamiet Bluiett, Harry Connick Jr., Terence Blanchard, Dakota Staton, Donald Harrison and Marcus Roberts. Veal began playing in the Wynton Marsalis Quintet in 1987, which became the Wynton Marsalis Septet in 1988. He is the original bassist for the Lincoln Center Jazz Orchestra. Veal has worked with Ahmad Jamal, McCo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cyrus Chestnut
Cyrus Chestnut (born January 17, 1963) is an American jazz pianist, composer and producer. In 2006, Josh Tyrangiel, music critic for ''Time'', wrote: "What makes Chestnut the best jazz pianist of his generation is a willingness to abandon notes and play space." Early life Cyrus Chestnut was born in Baltimore, Maryland, in 1963, the son of McDonald (a retired post-office employee and church pianist) and Flossie (a city social services worker and church choir director). Chestnut began learning the piano at the age of seven, and in his boyhood played at Mount Calvary Baptist Church. By the age of nine, he was studying classical music at the Peabody Institute. In 1985, Chestnut earned a degree in jazz composition and arranging from Boston's Berklee College of Music. Jazz career In the late 1980s and early 1990s, Chestnut worked with Wynton Marsalis, Terence Blanchard, Donald Harrison, and other bandleaders. He joined the band of jazz vocalist Betty Carter in the early 1990s and a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Carter (musician)
James Carter (born January 3, 1969) is an American jazz musician widely recognized for his technical virtuosity on saxophones and a variety of woodwinds. He is the cousin of noted jazz violinist Regina Carter. Biography Carter was born in Detroit, Michigan, and learned to play under the tutelage of Donald Washington, becoming a member of his youth jazz ensemble Bird-Trane-Sco-NOW!! As a young man, Carter attended Blue Lake Fine Arts Camp, becoming the youngest faculty member at the camp. He first toured Scandinavia with the International Jazz Band in 1985 at the age of 16. On May 31, 1988, at the Detroit Institute of Arts (DIA), Carter was a last-minute addition for guest artist Lester Bowie, which turned into an invitation to play with his new quintet (forerunner of his New York Organ Ensemble) in New York City that following November at the now defunct Carlos 1 jazz club. This was pivotal in Carter's career, putting him in musical contact with the world, and he moved to New Y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gold Sounds
''Gold Sounds'' is an album by saxophonist James Carter, keyboardist Cyrus Chestnut, drummer Ali Jackson and bassist Reginald Veal performing compositions by the indie rock band Pavement and released on the Brown Brothers label in 2005. Reception The AllMusic review by Sean Westergaard commented: "''Gold Sounds'' is an overwhelming success, not just as a tribute but as a jazz album ... If you're a Pavement fan, you owe it to yourself to check out what these guys do with the songbook. If you're a jazz fan, forget that these tunes come from the world of indie rock; in the hands of Carter and Chestnut, they might as well be undiscovered standards". On All About Jazz, Michael McCaw observed: "''Gold Sounds'' doesn't give you everything the first time around. Like Pavement's recordings, what may seem complete is only a portion of the melody and musical ideas to which you ultimately want to return, because each time they hook you in a different way. In the end, the album provides a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
