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Ali Azmat
Ali Azmat Butt (born 20 April 1970) is a Pakistani singer-songwriter, musician and actor. He is best known as the lead singer for the influential Sufi Rock band Junoon and for his subsequent solo career. In 2001, he became part of the first Pakistani band (Junoon) ever to perform at the United Nations General Assembly. Early life Ali Azmat was born in Havelian, Khyber Pakhtunkhwa where his grandfather was posted as station master of Havelian Railway Station, while he grew up in Garhi Shahu, Lahore, into a family of ethnic Kashmiri descent and speaks Punjabi as his native language. His father, Nazir Ahmed Butt, was a middle-class businessman, who died in 2013. He went to Sydney, Australia, for his higher studies, but soon returned to Pakistan before completing university. His first band Jupiters was known for performing covers at small gigs in Lahore. While with them, Azmat wrote his legendary hit song ''Dosti''. He later sang and recorded Dosti with Junoon, after which th ...
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Havelian
Havelian ( ) is the second largest municipality in the Abbottabad District, in the Hazara Division, Khyber Pakhtunkhwa province of Pakistan. It serves as the headquarters for Havelian Tehsil. The word literally translates into English as "mansions". The outskirts of the city are also home to one of the largest ordnance factories of Pakistan, Pakistan Ordnance Factories Havelian. An ordnance depot also exists in the vicinity of the city and the factory. Geography Havelian is located on the Karakoram Highway and on the banks of , about 15.5 kilometers south west of Abbottabad. Transport Havelian's main public transport consist of auto rickshaws, modified Suzuki pickup vehicles, tongs, which can accommodate anywhere from 8 to 13 people at a time. Taxis and automobiles for hire are also available. Vans and buses are frequently used for connecting Havelian to the surrounding cities and towns in the region. Prime Minister Nawaz Sharif performed a groundbreaking ceremony of the Hazara ...
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Bhat
Bhat (also spelled as Bhatt or Butt) is a surname in the Indian subcontinent. Bhat and Bhatt are shortened rendition of Bhatta. Etymology The word "Bhat" ( sa, भट, ) means "teacher" in Sanskrit. While the original shortened rendition of "Bhatta" was "Bhat" or "Bhatt," many of the migrants to the Punjab region started spelling their surname as "But" or "Butt" which is the spelling of the clan used in the Pahari language. Geographic distribution Goa The surname is in use among some Konkani Christians who trace their ancestry to the Goud Saraswat Brahmins of Goa.''Sarasvati's Children: A History of the Mangalorean Christians'', Alan Machado Prabhu, I.J.A. Publications, 1999, p. 137 Gujarat Hindu Bhatts who speak the Gujarati language reside in the Indian state belongs to Nagar Brahmins. Karnataka This is a common surname among the Tuluva Brahmins, Goud Saraswat Brahmins , Havyaka Brahmins and Hoysala Brahmins of Karnataka. Kashmir Bhat, also spelled as Bhatt or Butt, is a ...
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1996 Cricket World Cup
The 1996 Cricket World Cup, also called the Wills World Cup 1996 after the Wills Navy Cut brand produced by tournament sponsor ITC, was the sixth Cricket World Cup organised by the International Cricket Council (ICC). It was the second World Cup to be hosted by Pakistan and India, and for the first time by Sri Lanka. The tournament was won by Sri Lanka, who defeated Australia by seven wickets in the final on 17 March 1996 at the Gaddafi Stadium in Lahore, Pakistan. Hosts The World Cup was played in India, Pakistan and Sri Lanka. India hosted 17 matches at 17 different venues, while Pakistan hosted 16 matches at 6 venues and Sri Lanka hosted 4 matches at 3 venues. Controversy dogged the tournament before any games were played; Australia and the West Indies refused to send their teams to Sri Lanka following the bombing of Central Bank in Colombo by the Tamil Tigers in January 1996. Sri Lanka, in addition to offering maximum security to the teams, questioned the validity of ...
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Jazba-e-Junoon
"Jazba-e-Junoon" (Urdu: جذبہ جنوں, literal English translation: "the spirit of passion") is a song by the Pakistani sufi rock band Junoon. It is the thirteenth and final track from the band's album third album, '' Inquilaab'' (1996), released on EMI Records. Written by lead vocalist and guitarist Salman Ahmad and it is the lead single on the album, the song uses blending of rock guitars and bluesy vocals with eastern elements like the use of tablas, raga-inspired melodies and traditional Pakistani folk music. The unexpected success of "Jazba-e-Junoon" in 1996 propelled ''Inquilaab'' at the local music charts, with the song the band started to gain success and began to reach a wider audience. The song was also Junoon's first biggest hit, due to the success of the song ''Inquilaab'' became the first hit album by the band. "Jazba-e-Junoon" received many critical plaudits, also becoming the signature song of the 1996 Cricket World Cup. The song was dubbed as a "national so ...
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Inquilaab (album)
''Inquilaab'' (Urdu: انقلاب, literal English translation: "revolution") is the third studio album and the fourth overall album of the Pakistani band Junoon. Although previous albums by Junoon also achieved considerable success, 'Inquilaab' contained the band's first major hit, the patriotic song "Jazba-e-Junoon". The album also contained the hit " Saeein," which marked Junoon's foray into what later became the sufi rock sound that Junoon is most popularly associated with. Other hits from the album were "Mera Mahi" and "Husan Walo". Background Inquilaab was the first hit album by the Pakistani rock band Junoon, released in 1996. It was also the album which marked the beginning of a new genre of Pakistani music that Junoon pioneered - sufi rock, which later on became the genre that Junoon is widely recognized by. The track "Saeein" on the album is Junoon's venture into sufi rock. The album's only single, "Jazba-e-Junoon" was a huge success all over the country and was the ...
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Ehtesaab
"Ehtesaab" (Urdu: احتساب, literal English translation: "accountability") is the second track on the 1995 compilation album ''Kashmakash'' by the sufi rock band Junoon, and is the second single from the album. After the release of the band's first real big hit single "Jazba-e-Junoon", which was the song of the 1996 Cricket World Cup. "Ehtesaab" was their second hit and was released in December 1996. The video of the single was directed by Pakistani director, Shoaib Mansoor. The controversial video release of the song mocked Pakistani politics and led to the video of the song being banned from PTV, Pakistan's State television. The video of the single also featured in BBC film ''The Princess and the Playboy'', an exposé on Benazir's and her husband's reign. In ''Newsweek'', Carla Power dedicated a full-page story to Junoon with the headline "For God and Country." Music video The blunt, hard-hitting "Ehtesaab" video shows Pakistani children working backbreaking menial jobs, ...
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Kashmakash (album)
''Kashmakash'' (, literal English translation: "dilemma") is the first compilation album and third overall album of the Pakistani rock band, Junoon. It is said to be the first compilation album by a pop band in Pakistan. Junoon was taken to court for the controversy generated by the video for "Ehtesaab", which included footage of a polo pony eating in a posh restaurant. Many thought the image was an indictment of the corrupt Pakistani political elite, and especially of former Prime Minister Benazir Bhutto. The government quickly banned the song and video from state television. Track listing All music written & composed by Salman Ahmad and Sabir Zafar. Personnel All information is taken from the CD. ;Junoon *Salman Ahmad - vocals, lead guitar *Ali Azmat - vocals, backing vocals * Brian O'Connell - bass guitar, backing vocals ;Additional musicians *Female vocals on "Jogia" by Fifi Haroon *Backing vocals on " Ehtesaab" by Najam Sheraz ;Production *Produced by Brian O'Connell ...
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Talaash (album)
''Talaash'' (Urdu: تلاش, literal English translation: "search") is the second studio album of the Pakistani sufi rock band Junoon, released on September 3, 1993. The album was to be their first with bassist Brian O'Connell, who joined the band after Nusrat Hussain departed from the band to pursue his career as a solo artist and released his debut album ''Amrit'' in 1992. This was also the first Junoon album produced by Salman Ahmad and O'Connell, both also went on releasing several other albums by Junoon before O'Connell left the band after ''Dewaar'' in 2003. The album also served as a soundtrack for the Pakistani television show '' Talaash'', which featured the band and its novel storyline was based on the band. The only single from the album was " Talaash" which is a socio-political song written by lead guitarist Salman Ahmad. Other popular songs from the album include "Heeray", "Woh" and "Bheegi Yaadein". The instrumental song "Aap Aur Hum" (also known as "Jugalbandi") ...
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Salman Ahmad
Salman Ahmad ( ur, , born 12 December 1963) is a Pakistani born-American musician, rock guitarist, physician, activist, occasional actor and professor at the City University of New York. He earned nationwide popularity in 1998 for his unique style of neoclassical playing in rock. An early engineer of the ''Vital Signs'', he formed ''Junoon'' (lit. Obsession) in 1990 with American bassist Brian O'Connell and pioneered the Sufi influenced rock music in Pakistan. He started his activism in the mid-1990s and has been involved in two BBC documentaries concerning the issues in Pakistan such as society, education, religion and science.Musician Salman Ahmad (a profile)
National Public Radio (NPR - United States) website, Published 15 July 2003, Retrieved 9 June 2021
He has served as the



Junoon (Junoon Album)
''Junoon'' (Urdu: جنون, literal English translation: "obsession/passion") is the debut album of the Pakistani sufi rock band Junoon, released on 30 September 1992. It was released by EMI and recorded at the EMI studios in Karachi in 1990. The album is produced by founder, songwriter and lead guitarist Salman Ahmad. The album contained a total track list of twelve songs with eight tracks being in Urdu language, three tracks in English and one instrumental. All songs on the album were recorded with Ali Azmat on vocals with the exception of "Khwab" and "Jiyain", which were recorded with Nusrat Hussain on vocals and the track "Jogia" featured female vocals by Fifi Haroon. Session player Asad Ahmed featured on bass guitar, on all tracks in the album. Junoon's debut album was sponsored by Colgate in promotion of the band and was sold free with every Colgate toothpaste purchase in Pakistan, when released in 1992. Conception Background Junoon's roots stretch back to Tappan, New ...
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Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ...
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Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, ephemeral, and accessible. Although much of the music that appears on record charts is considered to be pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also borrows elements from other styles ...
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