Algorave Club Fierce 2014 1
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Algorave Club Fierce 2014 1
An algorave (from an algorithm and rave) is an event where people dance to music generated from algorithms, often using live coding techniques. Alex McLean of Slub and Nick Collins coined the word "algorave" in 2011, and the first event under such a name was organised in London, UK. It has since become a movement, with algoraves taking place around the world. Description Algoraves can include a range of styles, including a complex form of minimal techno, and the movement has been described as a meeting point of hacker philosophy, geek culture, and clubbing. Although live coding is commonplace, any algorithmic music is welcome which is "wholly or predominantly characterised by the emission of a succession of repetitive conditionals", which is a corruption of the definition of rave music (“wholly or predominantly characterised by the emission of a succession of repetitive beats”) in the UK's Criminal Justice Act. Although algorave musicians have been compared with DJs, they ar ...
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Algorave Club Fierce 2014 1
An algorave (from an algorithm and rave) is an event where people dance to music generated from algorithms, often using live coding techniques. Alex McLean of Slub and Nick Collins coined the word "algorave" in 2011, and the first event under such a name was organised in London, UK. It has since become a movement, with algoraves taking place around the world. Description Algoraves can include a range of styles, including a complex form of minimal techno, and the movement has been described as a meeting point of hacker philosophy, geek culture, and clubbing. Although live coding is commonplace, any algorithmic music is welcome which is "wholly or predominantly characterised by the emission of a succession of repetitive conditionals", which is a corruption of the definition of rave music (“wholly or predominantly characterised by the emission of a succession of repetitive beats”) in the UK's Criminal Justice Act. Although algorave musicians have been compared with DJs, they ar ...
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Nick Collins (composer)
Nick Collins (born 1975) is a British academic and computer music composer. From 2006–2013 he lived in Brighton, UK, and ran the music informatics degrees at the University of Sussex. In 2013 he became Reader at the University of Durham. He is an experienced pianist and laptopist, and active in both instrumental and electronic music composition. He has toured extensively with the audiovisual duo 'klipp av' and as a solo musician. Alex McLean of Slub and Nick Collins are the inventors of the Algorave An algorave (from an algorithm and rave) is an event where people dance to music generated from algorithms, often using live coding techniques. Alex McLean of Slub and Nick Collins coined the word "algorave" in 2011, and the first event under su .... Books * Collins, Nick (2009). ''Introduction to Computer Music''. Chichester: Wiley * Collins, Nick and d'Escrivan, Julio (eds.) (2007). '' The Cambridge Companion to Electronic Music''. Cambridge: Cambridge University Press. ...
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Glitch (music)
Glitch is a genre of electronic music that emerged in the 1990s. It is distinguished by the deliberate use of glitch-based audio media and other sonic artifacts. The glitching sounds featured in glitch tracks usually come from audio recording device or digital electronics malfunctions, such as CD skipping, electric hum, digital or analog distortion, circuit bending, bit-rate reduction, hardware noise, software bugs, computer crashes, vinyl record hiss or scratches, and system errors. Sometimes devices that were already broken are used, and sometimes devices are broken expressly for this purpose. In '' Computer Music Journal'', composer and writer Kim Cascone classified glitch as a subgenre of electronica and used the term ''post-digital'' to describe the glitch aesthetic."The glitch genre arrived on the back of the electronica movement, an umbrella term for alternative, largely dance-based electronic music (including house, techno, electro, drum'n'bass, and ambient) that has ...
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Drum And Bass
Drum and bass (also written as drum & bass or drum'n'bass and commonly abbreviated as D&B, DnB, or D'n'B) is a genre of electronic dance music characterized by fast breakbeats (typically 165–185 beats per minute) with heavy bass and sub-bass lines, samples, and synthesizers. The genre grew out of the UK's rave scene in the 1990s. The popularity of drum and bass at its commercial peak ran parallel to several other UK dance styles. A major influence was the original Jamaican dub and reggae sound that influenced jungle's bass-heavy sound. Another feature of the style is the complex syncopation of the drum tracks' breakbeat. Drum and bass subgenres include breakcore, ragga jungle, hardstep, darkstep, techstep, neurofunk, ambient drum and bass, liquid funk (a.k.a. liquid drum and bass), jump up, drumfunk, sambass, and drill 'n' bass. Drum and bass has influenced many other genres like hip hop, big beat, dubstep, house, trip hop, ambient music, techno, jazz, rock and pop. ...
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Girl/Boy EP
''Girl/Boy EP'' is a 1996 EP by Richard D. James under the alias Aphex Twin. It was released through Warp on 19 August 1996. It peaked at number 64 on the UK Singles Chart. Artwork The sleeve cover features a photograph of a memorial for James' older brother, also called Richard, who died at birth. In a 1996 interview, James said, "My mum was so upset about it when he died that she kept his name on but forgot about him, thinking 'The next boy I have, that'll be him.'" Critical reception ''NME'' named it the 35th best track of 1996. In 2017, ''Fact'' placed it at number 11 on the "50 Best Aphex Twin Tracks of All Time" list. Track listing * "Girl/Boy (NLS Mix)" is the same version as "Girl/Boy Song" from ''Richard D. James Album ''Richard D. James Album'' is the eponymous fourth studio album by British electronic musician Richard D. James, under his pseudonym Aphex Twin. In the United Kingdom, the album was released on 4 November 1996 through Warp. In the United Sta ...' ...
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Snare Rush
''Snare rush'' is a term often used in electro culture to refer to impossibly fast rolls. A snare rush can vary in tempo considerably, from 16th notes even to 2048th notes. At that sort of speed, the effect is a buzzing sound, but with a detectable pitch, so some artists vary the repeat rate, and can even play a tune. One example of this would be the last 18 seconds of " Ghetto Body Buddy" by Venetian Snares, where the theme from ''Sesame Street'' is played using only extremely fast snare rushes. The defining characteristic of a snare rush, as opposed to a roll, is the sheer virtuosity it would take for a physical drummer to play a successful one. As such, almost all snare rushes are computer programmed and can be used with bass drums, tom-toms, and cymbals to intensify the effect. They are often used as fills, alongside complex programmed breakbeats. Snare rushes are also often run through analog or dsp effects together with variations in volume, such as a filters or pitch s ...
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Criminal Justice And Public Order Act 1994
The Criminal Justice and Public Order Act 1994 (c.33) is an Act of the Parliament of the United Kingdom. It introduced a number of changes to the law, most notably in the restriction and reduction of existing rights, clamping down on unlicensed rave parties, and greater penalties for certain "anti-social" behaviours. The Bill was introduced by Michael Howard, Home Secretary of Prime Minister John Major's Conservative government, and attracted widespread opposition. Background A primary motivation for the act was to curb illegal raves and free parties, especially the traveller festival circuit, which was steadily growing in the early 1990s, culminating in the 1992 Castlemorton Common Festival. Following debates in the House of Commons in its aftermath, Prime Minister John Major alluded to a future clampdown with then Home Secretary Ken Clarke at that year's Conservative Party conference. At the 1993 conference, Michael Howard, who had become Home Secretary, announced details ...
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Anti EP
''Anti EP'' is the second EP by British electronic music duo Autechre, released by Warp on 3 September 1994. It peaked at number 90 on the UK Singles Chart, as well as number 39 on the UK Dance Singles Chart. It is the only explicitly political record Autechre have released. Background ''Anti EP'' was a protest against the Criminal Justice and Public Order Act 1994, which would prohibit raves (described as gatherings where music is played), with "music" being defined as a "succession of repetitive beats." Sean Booth explained the band's strategy for the song "Flutter" by saying, "We made as many different bars as we could on the drum machine, then strung them all together." The packaging bore a sticker with a disclaimer about the repetitive nature of the rhythmic elements of "Lost" and "Djarum". "Flutter" was programmed to have non-repetitive beats and therefore "can be played at both forty five and thirty three revolutions under the proposed law"; but following their disclaimer, ...
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Aphex Twin
Richard David James (born 18 August 1971), best known as Aphex Twin, is an Irish-born British musician, composer and DJ. He is known for his idiosyncratic work in electronic music, electronic styles such as techno, ambient music, ambient, and jungle music, jungle. Journalists from publications including ''Mixmag'', ''The New York Times'', ''NME'', ''Fact (UK magazine), Fact,'' ''Clash (magazine), Clash'' and ''The Guardian'' have called James one of the most influential or important artists in contemporary electronic music. Raised in Cornwall, James began DJing at free party, free parties and clubs in the area in the late 1980s. His debut EP ''Analogue Bubblebath,'' released in 1991 on Mighty Force Records, brought James an early following; he began to perform across the UK and continental Europe. James co-founded the independent label Rephlex Records the same year. His 1992 debut album ''Selected Ambient Works 85–92'', released by Belgian label Apollo Records (Belgium), Apollo ...
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Autechre
Autechre () is an English electronic music duo consisting of Rob Brown and Sean Booth, both from Rochdale, Greater Manchester. Formed in 1987, they are among the best known acts signed to UK electronic label Warp Records, through which all of Autechre's full-length albums have been released beginning with their 1993 debut ''Incunabula''. They gained initial recognition when they were featured on Warp's 1992 compilation ''Artificial Intelligence. Influenced by styles such as 1980s electro and hip hop, the music of Autechre has evolved throughout their career from early, melodic techno recordings to later works often considered abstract and experimental, featuring complex composition and few stylistic conventions. Their work has been associated with the 1990s electronic genre known as intelligent dance music (IDM),
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Farmers Manual
Farmers Manual is an electronic music and visual art group, founded in Vienna in the beginning of the 1990s. The core members of the collective are Mathias Gmachl, Stefan Possert, Oswald Berthold, Gert Brantner, and Nik Gaffney. Part of the very lively Viennese electronic music scene of the 1990s, Farmers Manual were successfully crossing the boundaries between electronic music, live visuals, experimental graphics, and web design for Zeta Industries. Their CDs, published through avant-garde labels such as Mego, Tray or OR, often contained multimedia content. Their most significant release might be ''RLA'' (which stands for "Recent Live Archive"), a DVD released on Mego in 2003, which contains the band's extensive backcatalogue of live concert recordings from 1995 to 2003, compressed in MP3 format - totalling 3 days and 20 hours of audio content and released under a Copyleft licence. As visual artists, Farmers Manual have been included in numerous international festivals, such a ...
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Rave Culture
A rave (from the verb: '' to rave'') is a dance party at a warehouse, club, or other public or private venue, typically featuring performances by DJs playing electronic dance music. The style is most associated with the early 1990s dance music scene when DJs played at illegal events in musical styles dominated by electronic dance music from a wide range of sub-genres, including techno, hardcore, house, and alternative dance. Occasionally live musicians have been known to perform at raves, in addition to other types of performance artists such as go-go dancers and fire dancers. The music is amplified with a large, powerful sound reinforcement system, typically with large subwoofers to produce a deep bass sound. The music is often accompanied by laser light shows, projected coloured images, visual effects and fog machines. While some raves may be small parties held at nightclubs or private homes, some raves have grown to immense size, such as the large festivals and even ...
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