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Alexandria (typeface)
Alexandria is a slab serif typeface created by Hank Gillete. It corresponds to the neo-grotesque sub-classification. It is patterned after Susan Kare's bitmap Athens for the original Macintosh, which never got an official TrueType version. Athene, by Rebecca Bettencourt The ConScript Unicode Registry is a discontinued volunteer project to coordinate the assignment of code points in the Unicode Private Use Areas (PUA) for the encoding of artificial scripts including those for constructed languages. It was founded by ..., is a similar design. References Slab serif typefaces {{typ-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serif
In typography, a serif () is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface (or serifed typeface), and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" (in German, ) or "Gothic", and serif typefaces as "roman". Origins and etymology Serifs originated from the first official Greek writings on stone and in Latin alphabet with inscriptional lettering—words carved into stone in Roman antiquity. The explanation proposed by Father Edward Catich in his 1968 book ''The Origin of the Serif'' is now broadly but not universally accepted: the Roman letter outlines were first painted onto stone, and the stone carvers followed the brush marks, which flared at stroke ends and corners, creating serifs. Another theory is that serifs were devised to neate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slab Serif
In typography, a slab serif (also called ''mechanistic'', ''square serif'', ''antique'' or ''Egyptian'') typeface is a type of serif typeface characterized by thick, block-like serifs. Serif terminals may be either blunt and angular ( Rockwell), or rounded (Courier). Slab serifs were introduced in the early nineteenth century. Slab serifs form a large and varied genre. Some such as Memphis and Rockwell have a geometric design with minimal variation in stroke width: they are sometimes described as sans-serif fonts with added serifs. Others such as those of the Clarendon genre have a structure more like most other serif fonts, though with larger and more obvious serifs. These designs may have bracketed serifs which increase width along their length before merging with the main strokes of the letters, while on geometrics the serifs have a constant width. Display-oriented slab serifs are often extremely bold, intended to grab the reader's attention on a poster, while slab serifs or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slab Serif
In typography, a slab serif (also called ''mechanistic'', ''square serif'', ''antique'' or ''Egyptian'') typeface is a type of serif typeface characterized by thick, block-like serifs. Serif terminals may be either blunt and angular ( Rockwell), or rounded (Courier). Slab serifs were introduced in the early nineteenth century. Slab serifs form a large and varied genre. Some such as Memphis and Rockwell have a geometric design with minimal variation in stroke width: they are sometimes described as sans-serif fonts with added serifs. Others such as those of the Clarendon genre have a structure more like most other serif fonts, though with larger and more obvious serifs. These designs may have bracketed serifs which increase width along their length before merging with the main strokes of the letters, while on geometrics the serifs have a constant width. Display-oriented slab serifs are often extremely bold, intended to grab the reader's attention on a poster, while slab serifs or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Typeface
A typeface (or font family) is the design of lettering that can include variations in size, weight (e.g. bold), slope (e.g. italic), width (e.g. condensed), and so on. Each of these variations of the typeface is a font. There are list of typefaces, thousands of different typefaces in existence, with new ones being developed constantly. The art and craft of designing typefaces is called ''type design''. Designers of typefaces are called ''type designers'' and are often employed by ''type foundry, type foundries''. In desktop publishing, type designers are sometimes also called ''font developers'' or ''font designers''. Every typeface is a collection of glyphs, each of which represents an individual letter, number, punctuation mark, or other symbol. The same glyph may be used for character (symbol), characters from different scripts, e.g. Roman uppercase A looks the same as Cyrillic uppercase А and Greek uppercase alpha. There are typefaces tailored for special applications, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Susan Kare
Susan Kare ( "care"; born February 5, 1954) is an American artist and graphic designer best known for her interface elements and typeface contributions to the first Apple Macintosh from 1983 to 1986. She was employee #10 and Creative Director at NeXT, the company formed by Steve Jobs after he left Apple in 1985. She was a design consultant for Microsoft, IBM, Sony Pictures, and Facebook, Pinterest and she is now an employee of Niantic Labs. As an early pioneer of pixel art and of the graphical computer interface, she has been celebrated as one of the most significant technologists of the modern world. Early life and education Kare was born in Ithaca, New York. Her father was a professor at the University of Pennsylvania and director of the Monell Chemical Senses Center, a research facility for the senses of taste and smell. Her mother taught her counted-thread embroidery as she immersed herself in drawings, paintings, and crafts. Her brother was aerospace engineer Jordin Kare. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Athens (typeface)
Athens was one of the original bitmap typefaces for the Apple Macintosh computer. It was designed by Susan Kare. An official TrueType version was never made, and Athens was rendered obsolete with the arrival of System 7. Alexandria by Hank Gillette and Athene by Rebecca Bettencourt are free TrueType TrueType is an outline font standard developed by Apple in the late 1980s as a competitor to Adobe's Type 1 fonts used in PostScript. It has become the most common format for fonts on the classic Mac OS, macOS, and Microsoft Windows operating ... fonts of similar design sometimes used as a surrogate on non-Apple systems. References Apple Inc. typefaces Slab serif typefaces Typefaces and fonts introduced in 1984 Typefaces designed by Susan Kare {{Typ-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fonts On Macintosh
Apple's Macintosh computer supports a wide variety of fonts. This support was one of the features that initially distinguished it from other systems. Fonts System fonts The primary system font in OS X El Capitan and above is San Francisco (sans-serif typeface), San Francisco. OS X Yosemite used Helvetica, Helvetica Neue, and preceding versions largely employed Lucida Grande. For labels and other small text, 10 pt Lucida Grande was typically used. Lucida Grande is almost identical in appearance to the prevalent Windows font Lucida Sans, and contains a larger variety of glyphs. MacOS ships with multiple typefaces, for multiple scripts, licensed from several sources. MacOS includes Latin alphabet, Roman, Japanese language, Japanese and Chinese character, Chinese fonts. It also supports sophisticated font techniques, such as Typographic ligature, ligatures and filtering. Many of the classic Macintosh typefaces included with previous versions remained available, including the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rebecca Bettencourt
The ConScript Unicode Registry is a discontinued volunteer project to coordinate the assignment of code points in the Unicode Private Use Areas (PUA) for the encoding of artificial scripts including those for constructed languages. It was founded by John Cowan and was maintained by him and Michael Everson but has not been updated since 2008 and is no longer actively maintained. It has no formal connection with the Unicode Consortium. Scripts The CSUR includes the following scripts: Font support Some fonts support ConScript Unicode specified code points: * ''Constructium'', a proportional font based on SIL Gentium. * ''Fairfax HD'', a monospaced font intended for text editors and terminals. * ''GNU Unifont'', a bitmap font intended as a fallback font, includes CSUR characters in the separate ''Unifont CSUR'' package. * ''Horta'' * ''Kurinto'' Font Folio See also * Medieval Unicode Font Initiative In digital typography, the Medieval Unicode Font Initiative (MUFI) is a project ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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