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Alexander Vedernikov
Alexander Alexandrovich Vedernikov (; 11 January 1964 – 29 October 2020) was a Russian conductor. He held major posts with the Bolshoi Theatre the Odense Symphony Orchestra, the Royal Danish Opera, and the Mikhailovsky Theatre. Biography Born in Moscow, Vedernikov was the son of the bass Alexander Filipovich Vedernikov, who sang at the Bolshoi Theatre, and of Natalia Nikolaevna Gureeva, who was a professor of organ at the Moscow Conservatory. He grew up with two siblings in a small apartment. Vedernikov graduated from the Moscow Conservatory in 1988, where he studied with Leonid Nikolaev and also took classes from Mark Ermler. He worked as a conductor in the Stanislavski and Nemirovich-Danchenko Moscow Academic Music Theatre from 1988 to 1990. He was also an assistant conductor to Vladimir Fedoseyev at the Tchaikovsky Symphony Orchestra of Moscow Radio from 1988 to 1995. In 1995, he established the Russian Philharmonia Symphony Orchestra and served as its artistic director a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moscow Conservatory
The Moscow Conservatory, also officially Moscow State Tchaikovsky Conservatory (russian: Московская государственная консерватория им. П. И. Чайковского, link=no) is a musical educational institution located in Moscow, Russia. It grants undergraduate and graduate degrees in musical performance and musical research. The conservatory offers various degrees including Bachelor of Music Performance, Master of Music and PhD in research. History It was co-founded in 1866 as the Moscow Imperial Conservatory by Nikolai Rubinstein and Prince Nikolai Troubetzkoy. It is the second oldest conservatory in Russia after the Saint Petersburg Conservatory. Pyotr Ilyich Tchaikovsky was appointed professor of theory and harmony at its opening. Since 1940, the conservatory has borne his name. Choral faculty Prior to the October Revolution, the choral faculty of the conservatory was second to the Moscow Synodal School and Moscow Synodal Choir, bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Flying Dutchman (opera)
The ''Flying Dutchman'' ( nl, De Vliegende Hollander) is a legendary ghost ship, allegedly never able to make port, but doomed to sail the seven seas forever. The myth is likely to have originated from the 17th-century Golden Age of the Dutch East India Company (VOC) and of Dutch maritime power. The oldest known extant version of the legend dates from the late 18th century. According to the legend, if hailed by another ship, the crew of the ''Flying Dutchman'' might try to send messages to land, or to people long dead. Reported sightings in the 19th and 20th centuries claimed that the ship glowed with a ghostly light. In ocean lore, the sight of this phantom ship functions as a portent of doom. It was commonly believed that the ''Flying Dutchman'' was a fluyt. Origins The first print reference to the ship appears in ''Travels in various part of Europe, Asia and Africa during a series of thirty years and upward'' (1790) by John MacDonald: The next literary reference ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Opera
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Cunning Little Vixen
''The Cunning Little Vixen'' (original title ''Příhody lišky Bystroušky'' or ''Tales of Vixen Sharp-Ears'' in English), is a three-act Czech-language opera by Leoš Janáček completed in 1923 to a libretto the composer himself adapted from a novella by Rudolf Těsnohlídek. Name The opera's libretto was adapted by the composer from a 1920 serialized novella, ''Liška Bystrouška'', by Rudolf Těsnohlídek, which was first published in the newspaper ''Lidové noviny'' (with illustrations by Stanislav Lolek). For the title of the opera, ''Příhody'' means ''tales''; ''lišky'' is the genitive of ''vixen''. ''Bystroušky'', still genitive, is the pun ''sharp'', having the double meaning of ''pointed'', like fox ears, and ''clever''. The opera first became familiar outside Czechoslovakia in a 1927 German adaptation by Max Brod who provided the new name ''Das schlaue Füchslein'', by which Germans still know it and which in English means ''The Cunning Little Vixen''. Compositio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salome (opera)
''Salome'', Op. 54, is an opera in one act by Richard Strauss. The libretto is Hedwig Lachmann's German translation of the 1891 French play '' Salomé'' by Oscar Wilde, edited by the composer. Strauss dedicated the opera to his friend Sir Edgar Speyer. The opera is famous (at the time of its premiere, infamous) for its " Dance of the Seven Veils". The final scene is frequently heard as a concert-piece for dramatic sopranos. Composition history Oscar Wilde originally wrote his ''Salomé'' in French. Strauss saw the Lachmann version of the play in Max Reinhardt's production at the Kleines Theater in Berlin on 15 November 1902, and immediately set to work on an opera. The play's formal structure was well-suited to musical adaptation. Wilde himself described ''Salomé'' as containing "refrains whose recurring ''motifs'' make it so like a piece of music and bind it together as a ballad". Strauss pared down Lachmann's German text to what he saw as its essentials, and in the process r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Queen Of Spades (opera)
''The Queen of Spades'' or ''Pique Dame'', Op. 68 (russian: Пиковая дама, ''Pikovaya dama'' , french: La Dame de Pique) is an opera in three acts (seven scenes) by Pyotr Ilyich Tchaikovsky to a Russian libretto by the composer's brother Modest Tchaikovsky, based on the 1834 novella of the same name by Alexander Pushkin, but with a dramatically altered plot. The premiere took place in 1890 at the Mariinsky Theatre in Saint Petersburg, Russia. Composition history The Imperial Theatre offered Tchaikovsky a commission to write an opera based on the plot sketch by Ivan Vsevolozhsky in 1887/88. After first turning it down, Tchaikovsky accepted it in 1889. Toward the end of that year, he met with the theatre's managers to discuss the material and sketch out some of the scenes. He completed the full score in Florence in only 44 days. Later, working with the tenor who was to perform the lead character, he created two versions of Herman's aria in the seventh scene, using diff ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Bartered Bride
''The Bartered Bride'' ( cz, Prodaná nevěsta, links=no, ''The Sold Bride'') is a comic opera in three acts by the Czech composer Bedřich Smetana, to a libretto by Karel Sabina. The work is generally regarded as a major contribution towards the development of Czech music. It was composed during the period 1863 to 1866, and first performed at the Provisional Theatre, Prague, on 30 May 1866 in a two-act format with spoken dialogue. Set in a country village and with realistic characters, it tells the story of how, after a late surprise revelation, true love prevails over the combined efforts of ambitious parents and a scheming marriage broker. The opera was not immediately successful, and was revised and extended in the following four years. In its final version, premiered in 1870, it rapidly gained popularity and eventually became a worldwide success. Until this time, the Czech national opera had only been represented by minor, rarely performed works. This opera, Smetana's second ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Komische Oper Berlin
The Komische Oper Berlin is a German opera company based in Berlin. The company produces opera, operetta and musicals. The opera house is located on Behrenstraße, just a few steps from Unter den Linden. Since 2004, the Komische Oper Berlin, along with the Berlin State Opera, the Deutsche Oper Berlin, the Berlin State Ballet, and the Bühnenservice Berlin (Stage and Costume Design), has been a member of the Berlin Opera Foundation. History of the building The theatre was built between 1891 and 1892 by architects Ferdinand Fellner and Hermann Helmer for a private society. It first opened on 24 September 1892 as ''"Theater Unter den Linden"'' with Adolf Ferron's operetta ''Daphne'' and Gaul and Haßreiter's ballet ''Die Welt in Bild und Tanz''. The theatre was primarily a vehicle for operetta, but was also used for various other events and balls. Around 800 people could be seated in the stalls, and the balconies and various en-suite dinner rooms housed about a further 1,70 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swan Lake
''Swan Lake'' ( rus, Лебеди́ное о́зеро, r=Lebedínoye ózero, p=lʲɪbʲɪˈdʲinəjə ˈozʲɪrə, link=no ), Op. 20, is a ballet composed by Russian composer Pyotr Ilyich Tchaikovsky in 1875–76. Despite its initial failure, it is now one of the most popular ballets of all time. The scenario, initially in two acts, was fashioned from Russian and German folk tales and tells the story of Odette, a princess turned into a swan by an evil sorcerer's curse. The choreographer of the original production was Julius Reisinger (Václav Reisinger). The ballet was premiered by the Bolshoi Ballet on at the Bolshoi Theatre in Moscow. Although it is presented in many different versions, most ballet companies base their stagings both choreographically and musically on the 1895 revival of Marius Petipa and Lev Ivanov, first staged for the Imperial Ballet on 15 January 1895, at the Mariinsky Theatre in St. Petersburg. For this revival, Tchaikovsky's score was revised by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Opera House
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, mak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinderella (Prokofiev)
''Cinderella'' (russian: Золушка, Romanization of Russian, tr. ''Zolushka''; french: Cendrillon) Op. 87, is a ballet composed by Sergei Prokofiev to a scenario by Nikolai Volkov. It is one of his most popular and melodious compositions, and has inspired a great many choreographers since its inception. The piece was composed between 1940 and 1944. Part way through writing it Prokofiev broke off to write his opera ''War and Peace (opera), War and Peace''. The premiere of ''Cinderella'' was conducted by Yuri Fayer on 21 November, List of 1945 ballet premieres, 1945, at the Bolshoi Theatre, with choreography by Rostislav Zakharov and Galina Ulanova in the title role. ''Cinderella'' is notable for its jubilant music, lush scenery, and for the comic double-roles of the stepmother and the two stepsisters (which can be performed in Travesti (theatre), travesti), more mad than bad in this treatment. Story Act I Cinderella, a young woman whose domineering stepmother forces he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
War And Peace (opera)
''War and Peace'' (Op. 91) (russian: Война и мир, ''Voyna i mir'') is a 1946 230-minute opera in 13 scenes, plus an overture and an epigraph, by Sergei Prokofiev. Based on the 1869 novel ''War and Peace'' by Leo Tolstoy, its Russian libretto was prepared by the composer and Mira Mendelson. The first seven scenes are devoted to peace, the latter six, after the epigraph, to war. Although Tolstoy's work is classified as a novel, the 1812 invasion of Russia by the French was a historical event, and some real-life people appear as characters in both the novel and the opera, e.g. Prince Mikhail Illarionovich Kutuzov, Mikhail Kutuzov and Napoleon I of France, Napoleon Bonaparte. Composition history Mendelson and Prokofiev's original scheme for the libretto of the opera envisaged 11 scenes, and Prokofiev began composing the music in the summer of 1942, spurred on by the Operation Barbarossa, German invasion of the Soviet Union which began on June 22, 1941. The description "lyric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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