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Alexander Bennett (dancer)
Alexander Bennett (27 July 1929 – 15 February 2003) was a British ballet dancer, choreographer, ballet master, and teacher. Early life and training Alexander Bennett was born in Leith, the coastal district on the Firth of Forth that serves as the port of the city of Edinburgh. The younger of two sons of a working-class family—his father was a streetcar driver—he was raised by parents who valued education and who encouraged him to pursue his varied interests. As a boy, he was introduced to dance by watching the films of Fred Astaire and Gene Kelly at the Alhambra Theater in Leith. Motivated to emulate them, he studied tap dance and became proficient enough to perform in concerts produced by various youth groups. A lover of classical music, he also learned to play the piano, often playing for the Boys' Brigade and for Bible class. He was educated at Trinity Academy, a comprehensive secondary school under the control of the Edinburgh City Council, where he took Highers, special ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horst Koegler
Horst Koegler (22 March 1927 – 11 May 2012) was a German dance critic, journalist and writer. He was the editor and author of books on the ballet scene in Germany, as well as the author of essays in journals and introductions to illustrated books. As a reviewer of German and English-language books, he formed a bridge between American and German dance research. Life Born in Neuruppin, Koegler studied musicology, German and art history in Kiel from 1945 to 1946 and directing, dramaturgy and acting at the newly founded in Halle an der Saale from 1947 to 1949. He then received a three-year engagement at the as assistant dramaturg and director. Since moving to West Berlin in 1951, he worked as a freelance journalist and writer, increasingly for English-language magazines. A stay of several months in the US followed in 1964. He first gained access to his later focus on dance as a reporter of Berlin opera performances. From 1957 to 1959 he was a critic for '' Die Welt''. In 1959 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vera Volkova
Vera Volkova (russian: Bepa Boлкoвa; (31 May 1905 – 5 May 1975) was a Russian ballet dancer and expatriate dance teacher. Born near Tomsk, she trained at Petrograd's Akim Volynsky's School of Russian Ballet with Maria Romanova (the mother of Galina Ulanova). She also studied with the renowned Russian ballet mistress Agrippina Vaganova, and is credited with popularising the Vaganova method in the West. She danced professionally with various ensembles such as the GATOB (1925-1929) and the Flying Russian Ballet before defecting in 1929. She defected in Shanghai as she was hopeful she could join Diaghilev's Ballets Russes. As she heard of his death, she decided to stay there and danced with George Goncharov. In 1943, she gave up dancing and opens a dance studio in Knightsbridge then the West End. She spent a number of years teaching at the Sadler's Wells Ballet and Sadler's Wells Ballet School, training some of the leading English dancers of the 20th century. She also taught at t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Rambert
Dame Marie Rambert, Mrs Dukes DBE (20 February 188812 June 1982) was a Polish-born English dancer and pedagogue who exerted great influence on British ballet, both as a dancer and teacher. Early years and background Born to a liberal Lithuanian Jewish family in Warsaw, Congress Poland, she was originally named Cyvia (Cesia) Rambam. Her father and two of his brothers later changed their last names to make them seem only children in order to escape military service in the Imperial Russian Army; and so, while one brother retained the name Rambam, her father changed his to Ramberg, another of his brothers went to Rambert, and the last changed his name to Warszawski. She changed her name to Myriam Ramberg, and finally left it in the French form ''Marie Rambert''. In later years she was known to friends and dancers as Mim. Her father, Yakov Ramberg (1855–1928), born in Vištytis, a small town in Suwałki Governorate (nowadays in Lithuania), was a learned merchant and Hebrew pu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faith De Villiers
Faith de Villiers (21 October 1920 – October 2001) was a South African dancer, producer, choreographer, teacher, company director, and adjudicator. Active primarily in the northern province of the Transvaal (since divided into Gauteng, Mpumalanga, and Limpopo), she is recognized as one of the most influential pioneers of ballet in South Africa. Early life and training Faith de Villiers was born in Johannesburg, the largest city in the Transvaal and the center of gold mining and industry in South Africa. Her father was a descendant of French Huguenots who had come to the Dutch Cape Colony in the days of early settlement. Most such families learned Afrikaans and were assimilated into Afrikaner culture, because of similarities in their Protestant religious beliefs, and most had stayed in the Cape Province. Faith's ancestors had moved north to Johannesburg, however, and had become resolutely Anglophonic and Anglophilic, speakers of English and lovers of all things British. She began ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Façade
A façade () (also written facade) is generally the front part or exterior of a building. It is a Loanword, loan word from the French language, French (), which means 'frontage' or 'face'. In architecture, the façade of a building is often the most important aspect from a design standpoint, as it sets the tone for the rest of the building. From the engineering perspective, the façade is also of great importance due to its impact on Efficient energy use, energy efficiency. For historical façades, many local zoning regulations or other laws greatly restrict or even forbid their alteration. Etymology The word is a loanword from the French , which in turn comes from the Italian language, Italian , from meaning 'face', ultimately from post-classical Latin . The earliest usage recorded by the ''Oxford English Dictionary'' is 1656. Façades added to earlier buildings It was quite common in the Georgian architecture, Georgian period for existing houses in English towns to be give ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Patineurs (ballet)
''Les Patineurs'' (''The Skaters'') is a ballet choreographed by Frederick Ashton to music composed by Giacomo Meyerbeer and arranged by Constant Lambert. With scenery and costumes designed by William Chappell, it was first presented by the Vic-Wells Ballet at the Sadler's Wells Theatre, London, on 16 February 1937. It has been called "a paradigm of an Ashton ballet, perfectly crafted with a complex structure beneath the effervescent surface." Synopsis The ballet, in one act, depicts a Victorian skating party that takes place on a frozen pond on a winter's evening. A semicircle of arched trellises painted white separates the pond from the snowy woods behind. Suspended above are colourful Chinese lanterns, shedding light on the white canvas stage covering, simulating ice, and dimly illuminating the dark trees silhouetted against the starry night sky. The first skaters to enter are four couples dressed in matching brown jackets. They are soon joined by others: two girls wearing blu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Sylphide
''La Sylphide'' ( en, The Sylph; da, Sylfiden) is a romantic ballet in two acts. There were two versions of the ballet; the original choreographed by Filippo Taglioni in 1832, and a second version choreographed by August Bournonville in 1836. Bournonville's is the only version known to have survived and is one of the world's oldest surviving ballets. Taglioni version On 12 March 1832 the first version of ''La Sylphide'' premiered at the Salle Le Peletier of the Paris Opéra with choreography by the groundbreaking Italian choreographer Filippo Taglioni and music by Jean Schneitzhoeffer, Jean-Madeleine Schneitzhoeffer. Taglioni designed the work as a showcase for his daughter Marie Taglioni, Marie. ''La Sylphide'' was the first ballet where dancing ''en pointe'' had an aesthetic rationale and was not merely an acrobatic stunt, often involving ungraceful arm movements and exertions, as had been the approach of dancers in the late 1820s. Marie was known for shortening her skirts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1929 Births
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album '' Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slip ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2003 Deaths
3 (three) is a number, numeral and digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious or cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. The Indian digits spread to the Caliphate in the 9th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
People From Leith
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
People Educated At Trinity Academy, Edinburgh
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form " people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Principal Dancers Of The Royal Ballet
The Royal Ballet is a British internationally renowned classical ballet company, based at the Royal Opera House in Covent Garden, London, England. The largest of the five major ballet companies in Great Britain, the Royal Ballet was founded in 1931 by Dame Ninette de Valois. It became the resident ballet company of the Royal Opera House in 1946, and has purpose-built facilities within these premises. It was granted a royal charter in 1956, becoming recognised as Britain's flagship ballet company. The Royal Ballet was one of the foremost ballet companies of the 20th century, and continues to be one of the world's most famous ballet companies to this day, generally noted for its artistic and creative values. The company employs approximately 100 dancers. The official associate school of the company is the Royal Ballet School, and it also has a sister company, the Birmingham Royal Ballet, which operates independently. The Prima ballerina assoluta of the Royal Ballet is the late Dam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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