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Alesis Ion
The Alesis Ion is an analog modeling synthesizer. It was presented to the public on the Summer NAMM of 2002. Unlike the Alesis Andromeda A6, Alesis Andromeda, Alesis's analog synthesizer, its sounds are synthesized using Digital signal processor, DSP chips to mimic the sound of analog audio circuitry and components. FeaturesThe Ion has several featuresthat make it stand apart from other analog modeling synthesizers. Most importantly, it features a selection of emulations of classic analog filter models of synthesizers such as the Minimoog, Moog Minimoog, Oberheim, Oberheim's Oberheim polyphonic, SEM, the Roland TB-303, the ARP 2600 and the Roland Jupiter 8. Besides these emulations (which carry euphemistic names due to trademark issues), it has a series of filter models that are not commonly found on most synthesizers, such as formant and comb filter, comb filters. This vastly increases the sonic range; most virtual analogs have only a single multimode filter (usually featuring L ...
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Alesis
Alesis is an electronic music company that designs and markets electronic musical instruments, digital audio processors, audio mixers, drum amplifiers, amplifiers, digital audio interfaces, recording equipment, drum machines, professional audio, and electronic percussion products. Based in Cumberland, Rhode Island, Alesis is currently held by the inMusic Brands company, owned by businessman Jack O'Donnell. Alesis products are designed in the United States, and manufactured in China. Early years Alesis Studio Electronics was founded in Hollywood in 1984 by MXR co-founder Keith Elliott Barr. Leveraging his ability to design custom integrated circuits, Barr's company was able to introduce technologically advanced products at prices within the realm of most project studios. Alesis' first product was the XT Reverb. Introduced in 1985, the XT Reverb was an all-digital reverb that carried an unprecedented low price of $799. Barr recruited Russell Palmer as Operations Manager and ...
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High-pass Filter
A high-pass filter (HPF) is an electronic filter that passes signals with a frequency higher than a certain cutoff frequency and attenuates signals with frequencies lower than the cutoff frequency. The amount of attenuation for each frequency depends on the filter design. A high-pass filter is usually modeled as a linear time-invariant system. It is sometimes called a low-cut filter or bass-cut filter in the context of audio engineering. High-pass filters have many uses, such as blocking DC from circuitry sensitive to non-zero average voltages or radio frequency devices. They can also be used in conjunction with a low-pass filter to produce a bandpass filter. In the optical domain filters are often characterised by wavelength rather than frequency. High-pass and low-pass have the opposite meanings, with a "high-pass" filter (more commonly "long-pass") passing only ''longer'' wavelengths (lower frequencies), and vice versa for "low-pass" (more commonly "short-pass"). Descripti ...
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The Killers
The Killers are an American rock Rock most often refers to: * Rock (geology), a naturally occurring solid aggregate of minerals or mineraloids * Rock music, a genre of popular music Rock or Rocks may also refer to: Places United Kingdom * Rock, Caerphilly, a location in Wales ... band formed in Las Vegas in 2001 by Brandon Flowers (lead vocals, keyboards, bass) and Dave Keuning (lead guitar, backing vocals). After going through a number of short-term bass players and drummers in their early days, both Mark Stoermer (bass, rhythm guitar, backing vocals) and Ronnie Vannucci Jr. (drums, percussion) joined the band in 2002. The band's name is derived from a logo on the bass drum of a fictitious band portrayed in the music video for the New Order (band), New Order song "Crystal (song), Crystal". The Killers have released seven studio albums, each of which reached the top spot on the UK Albums Chart: ''Hot Fuss'' (2004), ''Sam's Town'' (2006), ''Day & Age'' (2008), ''Battle ...
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Still Flyin'
Still Flyin’ is an American Indie pop band based in San Francisco, founded in 2004 by Sean Rawls. Name of the Band The band is based on the song "Never Gonna Touch the Ground", a song that Rawls wrote and performed in a prior band, Je Suis France. After moving to San Francisco, Rawls recorded the song, which took on a life of its own resulting in the creation of Still Flyin’. The chorus of the song, "Still Flyin’, never gonna touch the ground" was the source of the band's name as well as its debut album and title track. Formation and History In 2004, Sean Rawls, a veteran of bands Masters of the Hemisphere and Je Suis France moved from Athens, GA to San Francisco, CA. Upon arriving in San Francisco Rawls asked just about everybody he knew Blackman, Guy (2009-01-30) ''"Staying Cool With a High-Five Attitude"'' The Age to join his new project. Most of the friends he had in San Francisco were fellow musicians he had met through his prior bands, and many of them joined Rawls to ...
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Achilles Heel (album)
''Achilles Heel'' (also known as ''Pedro the Lion's Achilles Heel'') is the fourth album by indie rock band Pedro the Lion. It was released on May 25, 2004, on Jade Tree Records. The cover artwork was by Jesse LeDoux. It reached #26 on the Top Heatseekers and #24 on the Top Independent Albums charts. Track listing All tracks by David Bazan except "Keep Swinging" (co-written with T.W. Walsh) and "Start Without Me" (T.W. Walsh). # "Bands With Managers"  – 3:46 # "Foregone Conclusions"  – 2:27 # "The Fleecing"  – 4:41 # "Discretion"  – 2:50 # "Arizona"  – 4:08 # "Keep Swinging"  – 2:53 # "Transcontinental"  – 2:38 # "I Do"  – 4:11 # "A Simple Plan"  – 3:41 # "Start Without Me"  – 3:11 # "The Poison"  – 3:46 Personnel * David Bazan — vocals, guitar, drums, synthesizer, bass and percussion * T.W. Walsh — bass, drums, synthesizer and guitar * James McAlister — percussion, drums and synthesizer * Casey ...
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Pedro The Lion
Pedro the Lion is an American indie rock band from Seattle, Washington, United States. David Bazan formed the band in 1995 and represented its main creative force, backed by a varying rotation of collaborating musicians. In 2006 Pedro the Lion was dissolved as Bazan went solo; Bazan reformed the band and resumed performing under the Pedro the Lion moniker in late 2017. Releasing five full-length albums and five EPs over 11 years, the band is known for its first person narrative lyrics with political and religious themes. History Pedro the Lion was formed by David Bazan in 1995. The name of the band comes from a character that would have been interwoven into the band's first album. In 1997 they released their debut EP ''Whole'' with Bazan playing nearly every instrument, a format he continued on the band's first two full-length albums, '' It's Hard to Find a Friend'' (1998), and '' Winners Never Quit'' (2000). ''Winners'' marked Pedro the Lion's first concept album. After ...
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Klaus Schulze
Klaus Schulze (4 August 1947 – 26 April 2022) was a German electronic music pioneer, composer and musician. He also used the alias Richard Wahnfried and was a member of the Krautrock bands Tangerine Dream, Ash Ra Tempel, and The Cosmic Jokers before launching a solo career consisting of more than 60 albums released across six decades. Early life Schulze was born in Berlin in 1947. His father was a writer and his mother a ballet dancer. After graduating from high school, he delivered telegrams and studied German at the Technical University of Berlin. He and his wife Elfie had two sons, Maximilian and Richard. Career 1970s In 1969, Schulze was the drummer of one of the early incarnations of Tangerine Dream - one of the most famous bands that got the nickname "Krautrock" in English speaking countries (others included Kraftwerk and Popul Vuh) - for their debut album ''Electronic Meditation''. Before 1969 he was a drummer in a band called Psy Free. He met Edgar Froese from Tan ...
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Akai MINIAK
Akai ( ja, 赤井, ) is a Hong Kong manufacturer of consumer electronics. It was founded as Akai Electric Company Ltd in Tokyo, Japan, in 1946. Grande Holdings in Hong Kong purchased the Akai brand, and now distributes various electronic products such as LED TV, washing machines, clothes dryers, air conditioners and smart phones, through collaborations with other electronics companies bearing relevant expertise. inMusic Brands in the United States took over Akai's brand, starting the ‘Akai Professional’ label, that distributes high-end audio electronics products. Corporate history Akai was founded by Masukichi Akai and his son, Saburo Akai (who died in 1973) as , a Japanese manufacturer in 1929 or 1946. Although reliable sources are not yet found, according to the several sourceskotobank.jp :ja:Akai Professional), Masukichi Akai established ''Akai Press Industry'' in 1923, then his son, Saburo Akai established ''Akai Electric Company Ltd.'' in 1946, and Masukichi serve ...
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MIDI
MIDI (; Musical Instrument Digital Interface) is a technical standard that describes a communications protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music. The specification originates in the paper ''Universal Synthesizer Interface'' published by Dave Smith and Chet Wood of Sequential Circuits at the 1981 Audio Engineering Society conference in New York City. A single MIDI cable can carry up to sixteen channels of MIDI data, each of which can be routed to a separate device. Each interaction with a key, button, knob or slider is converted into a MIDI event, which specifies musical instructions, such as a note's pitch, timing and loudness. One common MIDI application is to play a MIDI keyboard or other controller and use it to trigger a digital sound module (which contains synthesized musical sounds) to generate sounds, which t ...
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MIDI Keyboard
A MIDI keyboard or controller keyboard is typically a piano-style electronic musical keyboard, often with other buttons, wheels and sliders, used for sending MIDI signals or commands over a USB or MIDI 5-pin cable to other musical devices or computers. MIDI keyboards lacking an onboard sound module cannot produce sounds themselves, however some models of MIDI keyboards contain both a MIDI controller and sound module, allowing them to operate independently. When used as a MIDI controller, MIDI information on keys or buttons the performer has pressed is sent to a receiving device capable of creating sound through modeling synthesis, sample playback, or an analog hardware instrument. The receiving device could be: *a computer running a digital audio workstation (DAW) or a standalone VST/AU instrument (alternatively, the computer could be used to re-route the MIDI signal to other devices) *a sound module *a digital (digital piano/stage piano) or analogue (synthesizer) hardw ...
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Keyboard Expression
Keyboard expression is the ability of a keyboard musical instrument to change tone or other qualities of the sound in response to velocity, pressure or other variations in how the performer depresses the keys of the musical keyboard. Expression types include: * ''Velocity sensitivity''—how fast the key is pressed * ''Aftertouch'', or ''pressure sensitivity'' — the amount of pressure on a key, once already held down * ''Displacement sensitivity''—distance that a key is pressed down Keyboard instruments offer a range of expression types. Acoustic pianos, such as upright and grand pianos, are velocity-sensitive—the faster the key strike, the harder the hammer hits the strings. Baroque-style clavichords and professional synthesizers are aftertouch-sensitive—applied force on the key after the initial strike produces effects such as vibrato or swells in volume. Tracker pipe organs and some electronic organs are displacement-sensitive—partly depressing a key produces a quiete ...
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Delay (audio Effect)
Delay is an audio signal processing technique that records an input signal to a storage medium and then plays it back after a period of time. When the delayed playback is mixed with the live audio, it creates an echo-like effect, whereby the original audio is heard followed by the delayed audio. The delayed signal may be played back multiple times, or fed back into the recording, to create the sound of a repeating, decaying echo. Delay effects range from a subtle echo effect to a pronounced blending of previous sounds with new sounds. Delay effects can be created using tape loops, an approach developed in the 1940s and 1950s and used by artists including Elvis Presley and Buddy Holly. Analog effects units were introduced in the 1970s; digital effects pedals in 1984; and audio plug-in software in the 2000s. History The first delay effects were achieved using tape loops improvised on reel-to-reel audio tape recording systems. By shortening or lengthening the loop of tape and adj ...
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