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Albert Bitran
Albert Bitran (1931 in Istanbul, Istanbul, Turkey – 9 November 2018 in Paris, France) was a French Painting, painter, engraver and sculptor. Biography Albert Bitran was born in 1931, in a Jewish Sephardic family, in Istanbul, Turkey. After his studies at the French Collège Saint Michel, having both diplomas in French and Turkish, he is admitted in the Ecole Spéciale d’Architecture, in Paris''.'' In 1948, at seventeen, he arrives in Montparnasse, knowing already that he wants to become a painter, not an architect. Leaving the school after 8 months, he moves into a studio at the American pavillon of the Cité Universitaire, where he joins the circle of expatriated artists who had come to Paris for inspiration: Ellsworth Kelly and Jack Youngerman from the U.S, many South Americans, Ricardo Porro from Cuba, Jesús Rafael Soto from Venezuela, Serge Poliakoff from Russia, Pablo Palazuelo from Spain, and two young artists : Georges Koskas from Tunisia and Horia Damian from Roman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bitran In 1963
Albert Bitran (1931 in Istanbul, Istanbul, Turkey – 9 November 2018 in Paris, France) was a French Painting, painter, engraver and sculptor. Biography Albert Bitran was born in 1931, in a Jewish Sephardic family, in Istanbul, Turkey. After his studies at the French Collège Saint Michel, having both diplomas in French and Turkish, he is admitted in the Ecole Spéciale d’Architecture, in Paris''.'' In 1948, at seventeen, he arrives in Montparnasse, knowing already that he wants to become a painter, not an architect. Leaving the school after 8 months, he moves into a studio at the American pavillon of the Cité Universitaire, where he joins the circle of expatriated artists who had come to Paris for inspiration: Ellsworth Kelly and Jack Youngerman from the U.S, many South Americans, Ricardo Porro from Cuba, Jesús Rafael Soto from Venezuela, Serge Poliakoff from Russia, Pablo Palazuelo from Spain, and two young artists : Georges Koskas from Tunisia and Horia Damian from Roman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corneille Guillaume Beverloo
Corneille – Guillaume Cornelis van Beverloo (3 July 1922 – 5 September 2010), better known under his pseudonym Corneille, was a Dutch artist. Corneille was born in Liège, Belgium, although his parents were Dutch and moved back to the Netherlands when he was 12. He studied art at the Academy of Art in Amsterdam, in the Netherlands. He was one of the founders of the REFLEX movement in 1948 and in 1949 he was also one of the founders of the COBRA movement, which has had great influence on Scandinavian art. He was active within the group from the beginning, not only painting but also publishing poetry in the ''Cobra magazine''. He was a cofounder of the '. Corneille was inspired by the drawings of children, and believed in the importance of approaching children with art that connects with their experience. When he heard during a Cobra Museum visit in the nineties that there was an “Art Lending for Children” he talked with the founde''Roby Bellemans''and asked him to send ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henie Onstad Kunstsenter
The Henie Onstad Kunstsenter is an art museum located at Høvikodden in Bærum municipality in Viken county, Norway. It is situated on a headland jutting into the Oslofjord, approximately southwest of Oslo. History The artcentre was founded in 1968 by World and Olympic champion figure skater Sonja Henie (1912–1969) and her husband, shipping magnate and art collector Niels Onstad (1909–1978). Their private collection of contemporary art, total 110 images, as well as funds for construction and operation of the centre was donated by the couple in 1961, when the Sonja Henie and Niels Onstad Foundation was created. The centre, designed by Norwegian architects Jon Eikvar and Sven Erik Engebretsen, also contains Sonja Henie's award collection. In 1994, the building was extended, and a two-story wing with exhibition spaces and technical rooms was added. This project was designed by the same architects—the new wing abuts the main body of the building as an organic extension. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Centre Georges Pompidou
The Centre Pompidou (), more fully the Centre national d'art et de culture Georges-Pompidou ( en, National Georges Pompidou Centre of Art and Culture), also known as the Pompidou Centre in English, is a complex building in the Beaubourg area of the 4th arrondissement of Paris, near Les Halles, rue Montorgueil, and the Marais. It was designed in the style of high-tech architecture by the architectural team of Richard Rogers, Su Rogers, Renzo Piano, along with Gianfranco Franchini. It houses the Bibliothèque publique d'information (Public Information Library), a vast public library; the Musée National d'Art Moderne, which is the largest museum for modern art in Europe; and IRCAM, a centre for music and acoustic research. Because of its location, the centre is known locally as Beaubourg (). It is named after Georges Pompidou, the President of France from 1969 to 1974 who commissioned the building, and was officially opened on 31 January 1977 by President Valéry Giscard d'Esta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
School Of Paris
The School of Paris (french: École de Paris) refers to the French and émigré artists who worked in Paris in the first half of the 20th century. The School of Paris was not a single art movement or institution, but refers to the importance of Paris as a center of Western art in the early decades of the 20th century. Between 1900 and 1940 the city drew artists from all over the world and became a centre for artistic activity. ''School of Paris'' was used to describe this loose community, particularly of non-French artists, centered in the cafes, salons and shared La Ruche (residence), workspaces and galleries of Montparnasse. Before World War I the name was also applied to artists involved in the many collaborations and overlapping new art movements, between post-Impressionists and pointillism and Orphism, Fauvism and Cubism. In that period the artistic ferment took place in Montmartre and the well-established art scene there. But Picasso moved away, the war scattered almost ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Informel
Informalism or Art Informel is a pictorial movement from the 1943–1950s, that includes all the abstract and gestural tendencies that developed in France and the rest of Europe during the World War II, similar to American abstract expressionism started 1946. Several distinguishing trends are identified within the movement such as lyrical abstraction, matter painting, New Paris School, tachisme and art brut. The French art critic Michel Tapié coined the term "art autre" (other art) in the homonymous book published in 1952 in relation to non-geometric abstract art. It was instrumental in improving the concept of abstract art in France during the Early 1950s. Its use in the expression of political ideologies in South America during the Early 1950s was quite common, as it was seen as the main way to show support for the changing political climate. Pictorial practices Within this tendency, each artist allows full freedom of expression to the unforeseen quality of materials (a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tachisme
__NOTOC__ Tachisme (alternative spelling: Tachism, derived from the French word ''tache'', stain) is a French style of abstract painting popular in the 1940s and 1950s. The term is said to have been first used with regards to the movement in 1951.Ian Chilvers (2004''The Oxford Dictionary of Art'' Oxford University Press It is often considered to be the European response and equivalent to abstract expressionism, although there are stylistic differences (American abstract expressionism tended to be more "aggressively raw" than tachisme). It was part of a larger postwar movement known as Art Informel (or ''Informel''), which abandoned geometric abstraction in favour of a more intuitive form of expression, similar to action painting. Another name for Tachism is Abstraction lyrique (related to American Lyrical Abstraction). COBRA is also related to Tachisme, as is Japan's Gutai group. After World War II the term School of Paris often referred to Tachisme, the European equivalent of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyrical Abstraction
Lyrical abstraction is either of two related but distinct trends in Post-war Modernist painting: ''European Abstraction Lyrique'' born in Paris, the French art critic Jean José Marchand being credited with coining its name in 1947, considered as a component of Tachisme when the name of this movement was coined in 1951 by Pierre Guéguen and Charles Estienne the author of ''L'Art à Paris 1945–1966'', and ''American Lyrical Abstraction'' a movement described by Larry Aldrich (the founder of the Aldrich Contemporary Art Museum, Ridgefield Connecticut) in 1969.Aldrich, Larry. Young Lyrical Painters, Art in America, v.57, n6, November–December 1969, pp.104–113. A second definition is the usage as a descriptive term. It is a descriptive term characterizing a type of abstract painting related to Abstract Expressionism; in use since the 1940s. Many well known abstract expressionist painters such as Arshile Gorky seen in context have been characterized as doing a type of painti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grosvenor Gallery
The Grosvenor Gallery was an art gallery in London founded in 1877 by Sir Coutts Lindsay and his wife Blanche. Its first directors were J. Comyns Carr and Charles Hallé. The gallery proved crucial to the Aesthetic Movement because it provided a home for those artists whose approaches the more classical and conservative Royal Academy did not welcome, such as Edward Burne-Jones and Walter Crane. History The gallery was founded in Bond Street, London, in 1877 by Sir Coutts Lindsay and his wife Blanche. They engaged J. Comyns Carr and Charles Hallé as co-directors. Lindsay and his wife were well-born and well-connected, and both were amateur artists. Blanche was born a Rothschild, and it was her money which made the whole enterprise possible. The Grosvenor displayed work by artists from outside the British mainstream, including Edward Burne-Jones, Walter Crane and other members of the Pre-Raphaelite Brotherhood. But it also featured work by others that were widely shown elsew ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SantralIstanbul
The SantralIstanbul ( tr, Santralİstanbul), opened in 2007, is an arts and cultural complex located at the upper end of Golden Horn in the Eyüp district of Istanbul, Turkey. The center, consisting of an energy museum, an amphitheater, concert halls and a public library, is situated within the Silahtarağa campus of Istanbul Bilgi University that was formerly the first power station of the Ottoman Empire. Arts, cultural, educational and social buildings of SantralIstanbul, having an area of 118,000 m2, are all housed in the facilities of the former Silahtarağa Power Station, which served from 1914 to 1983 for supplying Istanbul with electric power. The site is named after the Turkish word "santral" for power plant. History of the power station Redevelopment project The redevelopment plan was initiated by Oğuz Özerden, a young businessman and founder of Istanbul Bilgi University. He succeeded to persuade Erdoğan's government, and finally obtained the rights fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
