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Al Haig Trio (Esoteric)
''Al Haig Trio'' is a 1954 jazz album released by Al Haig on the Esoteric records label; in later rereleases it is therefore often known as ''Esoteric'' or ''The Al Haig Trio Esoteric''. Background The album is notable as being one of three that Haig released as leader in 1954, the final year of his first period of success. There followed some twenty years of obscurity, broken in the later 1970s, when he was finally recognised as an important pioneer of bebop, and began to be recorded again. This album contains thirteen sides, and was awarded a crown in Cook and Morton's ''The Penguin Guide to Jazz''.Richard Cook & Brian Morton. ''The Penguin Guide to Jazz on CD'' sixth edition. London: Penguin Books, 2002. Track listing #" Autumn in New York" (5:17) #"Isn't It Romantic?" (3:38) #"They Can't Take That Away from Me" (2:52) #"Royal Garden Blues" (2:44) #"Don't Blame Me" (2:46) #"Moonlight in Vermont" (3:43) #"If I Should Lose You" (3:34) #"April in Paris" (2:15) #"All God's Chillu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bebop
Bebop or bop is a style of jazz developed in the early-to-mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody. Bebop developed as the younger generation of jazz musicians expanded the creative possibilities of jazz beyond the popular, dance-oriented swing music-style with a new "musician's music" that was not as danceable and demanded close listening.Lott, Eric. Double V, Double-Time: Bebop's Politics of Style. Callaloo, No. 36 (Summer, 1988), pp. 597–605 As bebop was not intended for dancing, it enabled the musicians to play at faster tempos. Bebop musicians explored advanced harmonies, complex syncopation, altered chords, extended chords, chord substitutions, asymmetrical phrasing, and intricate melodies ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Gui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Penguin Guide To Jazz
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Hull (critic)
Tom Hull is an American music critic, web designer, and former software developer. Hull began writing criticism for ''The Village Voice'' in the mid 1970s under the mentorship of its music editor Robert Christgau, but left the field to pursue a career in software design and engineering during the 1980s and 1990s, which earned him the majority of his life's income. In the 2000s, he returned to music reviewing and wrote a jazz column for ''The Village Voice'' in the manner of Christgau's "Consumer Guide", alongside contributions to '' Seattle Weekly'', '' The New Rolling Stone Album Guide'', NPR Music, and the webzine ''Static Multimedia''. Hull's jazz-focused database and blog ''Tom Hull – on the Web'' hosts his reviews and information on albums he has surveyed, as well as writings on books, politics, and movies. It shares a functional, low-graphic design with Christgau's website, which Hull also created and maintains as its webmaster. Career In the mid 1970s, Hull accepted a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Haig
Alan Warren Haig (July 19, 1922 – November 16, 1982) was an American jazz pianist, best known as one of the pioneers of bebop. Biography Haig was born in Newark, New Jersey and raised in nearby Nutley. In 1940, he majored in piano at Oberlin College. He started performing with Dizzy Gillespie and Charlie Parker in 1945, and performed and recorded under Gillespie from 1945 to 1946, as a member of Eddie Davis and His Beboppers in 1946 (also featuring Fats Navarro), and the Eddie Davis Quintet in 1947, under Parker from 1948 to 1950, and under Stan Getz from 1949 to 1951. The Gillespie quintet, which included Haig, recorded four 78 r.p.m. sides for Guild Records in May 1945 which are regarded as the first recordings to demonstrate all elements of the mature bebop style. He was part of the nonet on the first session of Miles Davis' ''Birth of the Cool''. For much of the 1950s and 1960s, "Haig was all but a forgotten giant", in Brian Case's words; "Jazz pianism, ever more pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bebop
Bebop or bop is a style of jazz developed in the early-to-mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody. Bebop developed as the younger generation of jazz musicians expanded the creative possibilities of jazz beyond the popular, dance-oriented swing music-style with a new "musician's music" that was not as danceable and demanded close listening.Lott, Eric. Double V, Double-Time: Bebop's Politics of Style. Callaloo, No. 36 (Summer, 1988), pp. 597–605 As bebop was not intended for dancing, it enabled the musicians to play at faster tempos. Bebop musicians explored advanced harmonies, complex syncopation, altered chords, extended chords, chord substitutions, asymmetrical phrasing, and intricate melodies ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Penguin Guide To Jazz
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Autumn In New York (song)
"Autumn in New York" is a jazz standard and popular song composed by Vernon Duke in Westport, Connecticut in the summer of 1934. It was written without a commission or for a specific show, but Duke offered it to producer Murray Anderson for his Broadway musical '' Thumbs Up!''. The play opened on December 27, 1934 where the song was performed by singer J. Harold Murray. Many versions of the song have been recorded over the years by numerous musicians and singers. The only version to achieve chart success as a single in the USA was that by Frank Sinatra, which reached No. 27 in 1949. Jazz versions have been performed by The Hi Lo's, Charlie Parker, Billie Holiday, Bing Crosby, Mary Lou Williams, Stan Kenton, Sarah Vaughan, Sheila Jordan, Bill Evans, Tal Farlow, Ahmad Jamal, Buddy De Franco, Salvador Sobral, Al Haig, Diana Krall, and a duet version by Scottish singers Todd Gordon and Carol Kidd. The song was also recorded by Jo Stafford, and by Louis Armstrong and Ella ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isn't It Romantic?
"Isn't It Romantic?" is a popular song and part of the Great American Songbook. The music was composed by Richard Rodgers, with lyrics by Lorenz Hart. It has a 32-bar chorus in A–B–A–C form. Alec Wilder, in his book ''American Popular Song: The Great Innovators 1900–1950,'' calls it "a perfect song." It was introduced by Maurice Chevalier and Jeanette MacDonald in the Paramount film ''Love Me Tonight'' (1932). It has since been recorded numerous times, with and without vocals, by many jazz and popular artists. The song has also since been featured in a number of other movies. In ''Love Me Tonight'', the song is used in a sequence in which it is first sung by Maurice Chevalier, a tailor, and then taken up by others (his customer, a cabby, a composer, a troop of soldiers, a band of gypsies) and is finally heard and sung by a princess, played by Jeanette MacDonald. The lyrics in the film are not the same as those in the published version. In 2004 this version finished at # ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Garden Blues
"Royal Garden Blues" is a blues song composed by Clarence Williams and Spencer Williams in 1919. Popularized in jazz by the Original Dixieland Jazz Band, at ''jazz.com'' - retrieved on 30 April 2009 it has since been recorded by numerous artists and has become a jazz standard.Royal Garden Blues at ''jazzstandards.com'' - retrieved on 30 April 2009 The song is considered one of the first popular songs based on a [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
If I Should Lose You
"If I Should Lose You" is a song composed by Ralph Rainger, with lyrics by Leo Robin. It was introduced in the 1936 film '' Rose of the Rancho''. Notable recordings *Geri Allen – '' Twenty One'' (1994) *Chet Atkins – '' Stay Tuned'' (1985) * Georgia Brown − ''Georgia Brown'' (1963). * Betty Carter − '' Feed the Fire'' (1993) * June Christy − '' Day Dreams'' (1995), ''Cool Christy'' (2002) * Chick Corea and Stefano Bollani – '' Orvieto'' (2010) *Fabien Degryse − ''Fingerswinging'' (2011) *Dena DeRose − ''I Can See Clearly Now'' (2000) *Jane Ira Bloom – '' Slalom'' (1988) *Lou Donaldson – ''Sweet Poppa Lou'' (1981) * Aretha Franklin – '' Unforgettable: A Tribute to Dinah Washington'' (1964) *The Four Freshmen − ''Voices in Latin'' (1958). *Grant Green – '' Born to be Blue'' (1962) *Al Haig − '' Al Haig Trio'' (1954) *Jan Harbeck Quartet - ''In the Still of the Night'' (2008) *Dick Haymes − '' The Complete Capitol Collection'' (2006), '' Moondreams'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Crow
William Orval Crow (born December 27, 1927) is an American jazz bassist. Among other work, Crow was the long-term bassist in saxophonist Gerry Mulligan's bands in the 1950s and 1960s. Early life Crow was born on December 27, 1927, in Othello, Washington, but spent his childhood in Kirkland, Washington. In fourth grade, he took up the trumpet and in the sixth grade he switched to baritone horn. He played drums in his high school swing band. He joined the Army in 1946, where he played the baritone horn in the 2nd Army Band and drums in a Service Club band. He remained in the army until 1949. After leaving the Army, he played drums and valve trombone while a student at the University of Washington. Later life and career In 1950, Crow moved to New York City, playing the valve trombone and drums. On a summer job in Tupper Lake NY at the Altamont Hotel he taught himself to play the string bass. Within two years of starting to play the bass, he played with Teddy Charles and was with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
